Fine: TV Hits and Joyful Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

barcode on outer cardboard wrap

Anmerkung zuletzt geändert am 2017-10-09 08:30 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1The Loco-motion
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute), PWL International Ltd. (in 1988) und KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Kylie Minogue3.53:12
2I Wanna Dance With Somebody (Who Loves Me)
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:50
3Copacabana
Bearbeitung von:
Copacabana von Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song)
Texter:
Jack Feldman und Bruce Sussman
Komponist(in):
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music und Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Copacabana (1985 TV film soundtrack)
Teil von:
Foul Play (1978 film soundtrack)
Barry Manilow4.53:56
4Saturday Night
Produzent(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
arranger:
Phil Coulter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 382)
recording of:
Saturday Night
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mews Music Ltd.
Bay City Rollers52:55
5Tout, tout pour ma chérie
vocals:
Michel Polnareff
conductor:
Anthony King (songwriter, arranger)
recording of:
Tout, tout pour ma chérie (in 1969)
Texter und Komponist(in):
Michel Polnareff
publisher:
BMG Rights Management (France) Sarl (Polnareff), EMI Music Publishing France, Ma Music Inc. und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Michel Polnareff3:04
6Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:56
7In Your Letter
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer (drummer)
Produzent(in):
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) und Gary Richrath (guitarist and songwriter)
Akustikgitarre:
Kevin Cronin (guitarist, singer and songwriter)
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath (guitarist and songwriter)
Klavier:
Neal Doughty (keyboards)
Schlagzeug:
Alan Gratzer (drummer)
Hintergrundgesang:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
In Your Letter (in 1980)
Texter und Komponist(in):
Gary Richrath (guitarist and songwriter)
publisher:
Slam Dunk Music (work publisher) und 大洋音楽 (Taiyō Music)
REO Speedwagon3:17
8Have You Never Been Mellow
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:32
9VacationThe Go‐Go’s4.352:59
10Half as Much
recording of:
Half as Much
Texter:
Cara Jones
Komponist(in) und arranger:
Jeimusu Shimoji (James Shimoji)
Maribeth3:26
11New York Is a Lonely Town
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 38)
recording of:
New York Is a Lonely Town
Verfasser(in):
Pete Andreoli (US songwriter/producer vocalist) und Vincent Poncia Jr
The Tradewinds2:17
12Sunday
recording of:
Sunday
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Buster2:41
13Eye in the Sky
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre und E-Gitarre:
Ian Bairnson
Bassgitarre:
David Paton (of Pilot)
Hybrid-Piano und Sologesang:
Eric Woolfson
Keyboard:
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer:
Alan Parsons (of The Alan Parsons Project)
Hintergrundgesang:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 21)
recording of:
Eye in the Sky
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. und Woolfsongs Ltd.
The Alan Parsons Project4.34:36
14Kiss on My List
Produzent(in):
Daryl Hall und John Oates
zusätzlich Gitarre:
Jeff Southworth
vocals:
Daryl Hall und John Oates
arranger:
Daryl Hall und John Oates
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Kiss on My List
Verfasser(in):
Janna Allen (songwriter) und Daryl Hall
publisher:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian und Unichappell Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Daryl Hall & John Oates34:22
15Love Somebody
recording of:
Love Somebody
Texter und Komponist(in):
Rick Springfield
Rick Springfield43:35
16When Tomorrow Comes
Techniker(in):
Jon Bavin und Emmanuel Guiot (sound engineer)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Remaster von:
When Tomorrow Comes von Eurythmics
recording of:
When Tomorrow Comes
Orchestrator(in):
Michael Kamen (American score composer)
Texter und Komponist(in):
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und RCA Music Ltd. (publisher)
Eurythmics44:16
17Uptown Girl (radio edit)
Mastering:
Dick Beetham
assistierende(r) Techniker(in):
Daniel Pursey (UK engineer)
Techniker(in):
Chris Laws (engineer, keyboardist & songwriter) und Daniel Pursey (UK engineer)
Produzent(in) und Mix:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Bass:
Steve Pearce (UK bassist)
guitar family:
Friðrik Karlsson
Instrumente:
Frizzy Karlsson
Klavier:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Saxophon:
Phil Todd (UK flautist/saxophonist)
Schlagzeug:
Chris Laws (engineer, keyboardist & songwriter)
Trompete:
Guy Barker
zusätzlich Hintergrundgesang:
Andy Caine
Interpret(in):
Brian, Kian, Mark (Mark Feehily), Nicky und Shane
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 2001)
Musikvideo für:
Uptown Girl von Westlife
cover recording of:
Uptown Girl (in 2001)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.353:07
18We Could Be Together
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Debbie Gibson und Fred Zarr
Mix:
Bassy Bob Brockmann (engineer, producer, remixer), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Horn:
Cadillac Horns
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Posaune:
Matt Finders
Tenorsaxophon:
Ed Palermo (US saxophonist, guitarist and composer)
Trompete:
Bud Burridge (trunpet player)
Hintergrundgesang:
Debbie Gibson, Carrie Johnson, Libby Johnson, Linda Moran und Keith Stewart
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
Texter und Komponist(in):
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson45:36
19All Out of Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Robie Porter
assistierende(r) Mix:
Linda Corbin
Mix:
Jim Hilton
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien und Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 290)
recording of:
All Out of Love
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:04
20A Little Less Conversation (JXL radio edit remix)
assistierende(r) Techniker(in):
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Techniker(in):
Ray Bardani
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1968-03-07 bis 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-03-07 bis 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-03-07 bis 1968-06-23)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
recording of:
A Little Less Conversation
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis vs JXL3.43:32

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ASIN:JP: B00008NKC7 [Info]