Musical Memories

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1That’ll Be the Day (Buddy)
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly2:21
2Cabaret (Cabaret)
Liza Minnelli3:28
3Don’t Cry for Me Argentina (Evita)
voce:
Petula Clark (English singer & actress)
registrazione di:
Don’t Cry for Me Argentina (Evita)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
parte di:
Evita (Andrew Lloyd Webber musical)
Petula Clark4:45
4Memory (Cats)
Andrew Lloyd Webber3:30
5I Dreamed a Dream (Les Miserables)
voce:
Ute Lemper
registrazione cover di:
I Dreamed a Dream (Fantine)
paroliere:
Alain Boublil e Herbert Kretzmer
compositore:
Claude‐Michel Schönberg
editore:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. e Faber Music
versione tradotta di:
J’avais rêvé d’une autre vie (Fantine)
parte di:
Les Misérables (Claude-Michel Schönberg musical, English version)
Ute Lemper5:16
6One (A Chorus Line)
Marvin Hamlisch4:45
7I Feel Pretty (West Side Story)
voce:
Marni Nixon
registrazione di:
West Side Story: I Feel Pretty (nel 1961)
paroliere:
Stephen Sondheim
compositore:
Leonard Bernstein (American conductor, composer, pianist)
editore:
Chappell & Co., Inc. (USA) e The Leonard Bernstein Music Publishing Co., LLC
parte di:
West Side Story
Marni Nixon2:45
8Shall We Dance? (The King and I)
registrazione di:
Shall We Dance? (The King and I)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Company
parte di:
The King and I (Rodgers & Hammerstein musical)
Barbara Cook & Theodore Bikel3:47
9It Ain’t Necessarily So (Porgy and Bess)
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-12-19)
batteria :
Belton Evans (il 1960-12-19)
chitarra :
Lord Westbrook (il 1960-12-19)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-12-19)
sassofono tenore :
Warren Luckey (il 1960-12-19)
voce:
Aretha Franklin (il 1960-12-19)
arrangiatore:
J. Leslie McFarland (composer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1961)
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (il 1960-12-19)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin42:54
10If I Were a Rich Man (Anatevka)
voce:
Topol (Chaim Topol, actor, singer)
voce principale:
Topol (Chaim Topol, actor, singer)
registrazione di:
If I Were a Rich Man (Fiddler on the Roof)
paroliere:
Sheldon Harnick
compositore:
Jerry Bock
editore:
Chappell & Co. e Sunbeam Music Corp.
parte di:
Fiddler on the Roof
Topol5:10
11Happy Talk (South Pacific)
registrazione cover di:
Happy Talk (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Sarah Vaughan4:10
12Mack the Knife (The Three Penny Opera)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:20
13Evergreen (A Star Is Born)
registrazione cover di:
Evergreen (love theme from “A Star Is Born”)
paroliere:
Paul Williams (US songwriter/soft rock vocalist) (nel 1976)
compositore:
Barbra Streisand (nel 1976)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28), Emmanuel Music Corp (nel 1976) e First Artists Music Co. (nel 1976)
parte di:
Academy Award for Best Original Song (numero: 1976 winner)
Johnny Mathis3:14
14Try to Remember (Fantasticks)
registrazione cover di:
Try to Remember (The Fantasticks)
paroliere:
Tom Jones (musical theatre lyricist)
compositore:
Harvey Schmidt
editore:
Chappell & Co., Chappell Music (UK) e Warner/Chappell Music Ltd. (1996–2019)
The Brothers Four2:53
15Hello, Dolly! (Hello, Dolly!)
registrazione cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Andy Williams2:55
16Chattanooga Choo Choo (Sun Valley Serenade)
registrazione di:
Chattanooga Choo Choo
paroliere:
Mack Gordon (nel 1941)
compositore:
Harry Warren (US composer and lyricist) (nel 1941)
editore:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
The Glenn Miller Orchestra3:02
2▼CD
#TitoloArtistaValutazioneDurata
1There’s No Business Like Show Business (Annie, Get Your Gun)
registrazione di:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Ltd., Irving Berlin Music Company e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Annie Get Your Gun
Doris Day & Robert Goulet2:33
2Tonight (West Side Story)
voce:
Jimmy Bryant (singer) e Marni Nixon
direttore d'orchestra:
Johnny Green (composer and conductor, often credited as John Green) (nel 1961)
registrazione di:
West Side Story: Tonight (Maria, Tony) (nel 1961)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) e The Leonard Bernstein Music Publishing Co., LLC
parte di:
West Side Story
Marni Nixon & Jimmy Bryant43:35
3I Could Have Danced All Night (My Fair Lady)
registrazione di:
I Could Have Danced All Night (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
parte di:
My Fair Lady (full musical)
Rosemary Clooney2:24
4I Got Rhythm (Ein Amerikaner in Paris)
registrazione di:
I Got Rhythm
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
Chappell Music Ltd., Warner/Chappell Music Holland BV e New World Music Co. (nel 1930)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Benny Goodman5:08
5Lullaby of Broadway (Lullaby of Broadway)
registrazione di:
Lullaby of Broadway (from “Gold Diggers of 1935”)
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist) (nel 1935)
editore:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 winner)
parte di:
42nd Street (full musical)
Doris Day2:53
6Let’s Face the Music and Dance (Follow the Fleet)
registrata a:
Los Angeles, California, Stati Uniti (il 1936-01-30)
voce:
Fred Astaire (il 1936-01-30)
orchestra:
Johnny Green and His Orchestra (il 1936-01-30)
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”) (il 1936-01-30)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Fred Astaire2:27
7Tea for Two (No, No, Nanette)
Jack Gilford & Ruby Keeler8:19
8On the Sunny Side of the Street (Sunny Side of the Street)
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Louis Armstrong3:23
9Some of These Days (Broadway Melody of 1938)
registrazione di:
Some of These Days
paroliere e compositore:
Shelton Brooks
autore:
Spencer Williams (US jazz composer, pianist & singer)
Bing Crosby2:35
10Let’s Call the Whole Thing Off (Shall We dance)
voce:
Fred Astaire (il 1937-03-03)
orchestra:
Johnny Green and His Orchestra (il 1937-03-03)
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1937-03-03)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
Fred Astaire3:10
11Night and Day (Night and Day)
Dave Brubeck4:53
12Some Other Time (On the Town)
Peter Hofmann4:21
13I Love Paris (Can‐Can)
Michel Legrand2:35
14Singin’ in the Rain (Singin’ in the Rain)
registrazione di:
Singin’ in the Rain
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Singin’ in the Rain (stage musical)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
parte di:
The Hollywood Revue (1929 MGM musical film)
Doris Day2:38
15Nice Work If You Can Get It (Ein Amerikaner in Paris)
registrata a:
New York, New York, Stati Uniti (il 1950-05-19)
produttore:
George Treadwell
basso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-19)
batteria :
J.C. Heard (il 1950-05-19)
chitarra elettrica :
Mundell Lowe (il 1950-05-19)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-19)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-19)
sassofono tenore :
Budd Johnson (il 1950-05-19)
tromba solista :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-19)
trombone :
Bennie Green (jazz trombonist) (il 1950-05-19)
voce:
Sarah Vaughan (il 1950-05-19)
orchestra:
George Treadwell & His All Stars e with George Treadwell and his All Stars (il 1950-05-19)
registrazione cover di:
Nice Work If You Can Get It (il 1950-05-19)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:38
16On the Street Where You Live (My Fair Lady)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1956)
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone42:42
3▼CD
#TitoloArtistaValutazioneDurata
1Maria (West Side Story)
Peter Hofmann2:40
2Some Enchanted Evening (South Pacific)
José Carreras3:19
3Stranger in Paradies (Kismet)
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:07
4Secret Love (Calamity Jane)
voce:
Doris Day (il 1953-08-05)
orchestra:
The Warner Bros. Studio Orchestra (il 1953-08-05)
direttore d'orchestra:
Ray Heindorf (il 1953-08-05)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1953)
registrata presso:
Warner Bros. Studios (Burbank, CA) in Burbank, California, Stati Uniti (il 1953-08-05)
registrazione di:
Secret Love (song from “Calamity Jane”) (il 1953-08-05)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America e Warner Chappell North America Ltd.
sub-editore:
Universal/MCA Music Ltd. (not for release label use!) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
The 26th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1953 winner)
parte di:
Calamity Jane (stage musical)
Doris Day33:36
5Dear Old Syracuse (The Boys From Syracuse)
Jack Cassidy2:47
6Ol’ Man River (Show Boat)
William Warfield & Chorus3:05
7The Impossible Dream (The Quest) (Man of La Mancha)
Andy Williams2:38
8Somewhere (West Side Story)
Peter Hofmann & Deborah Sasson5:14
9Cheek to Cheek (Top Hat)
registrata a:
New York, New York, Stati Uniti (il 1935-06-26)
voce:
Fred Astaire (il 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (il 1935-06-26)
registrazione di:
Cheek to Cheek (from “Top Hat”) (il 1935-06-26)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Fred Astaire3:18
10Summertime (Porgy and Bess)
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday2:56
11April in Paris (April in Paris)
registrazione di:
April in Paris
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Charlie Parker3:19
12Gigi – Gigi
Vic Damone3:04
13I’ve Got the World on a String (I’ll Get by)
registrazione di:
I’ve Got the World on a String (il 1933-01-26)
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Bing Crosby43:23
14S’ Wonderful (Ein Amerikaner in Paris)
Ray Conniff2:30
15Ain’t Misbehavin’ (Ain’t Misbehavin’)
registrata a:
New York, New York, Stati Uniti (il 1929-07-19)
banjo :
Mancy "Peck" Carr (il 1929-07-19)
batteria :
Zutty Singleton (il 1929-07-19)
pianoforte :
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (il 1929-07-19)
sassofono contralto :
Bert Curry (il 1929-07-19) e Crawford Wethington (il 1929-07-19)
sassofono tenore :
Jimmy Strong (il 1929-07-19)
tromba :
Louis Armstrong (il 1929-07-19) e Homer Hobson (il 1929-07-19)
trombone :
Fred Robinson (American trombonist) (il 1929-07-19)
tuba :
Pete Briggs (il 1929-07-19)
violino :
Carroll Dickerson (il 1929-07-19)
voce:
Louis Armstrong (il 1929-07-19)
direttore d'orchestra:
Carroll Dickerson (il 1929-07-19)
registrazione di:
Ain’t Misbehavin’ (il 1929-07-19)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Louis Armstrong4.853:26
16Just One of Those Things (Lullaby of Broadway)
Les Brown2:40

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ASIN:DE: B0000252N9 [info]