Romeo and Juliet

~ Release by Prokofiev; The Orchestra of the Royal Opera House Covent Garden, Mark Ermler (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Romeo and Juliet, op. 64: No. 1 Introduction
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 1. Introduction (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:42
2Romeo and Juliet, op. 64: No. 2 Romeo
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 2. Romeo (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:26
3Romeo and Juliet, op. 64: No. 3 The Street Wakens
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:30
4Romeo and Juliet, op. 64: No. 4 Morning Dance
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 4. Morning dance (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:08
5Romeo and Juliet, op. 64: No. 5 The Quarrel
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 5. The Quarrel (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:42
6Romeo and Juliet, op. 64: No. 6 The Fight
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 6. The fight (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:52
7Romeo and Juliet, op. 64: No. 7 The Duke’s Command
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 7. The prince gives his order (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:24
8Romeo and Juliet, op. 64: No. 8 Interlude
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 8. Interlude (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:02
9Romeo and Juliet, op. 64: No. 9 Preparations for the Ball
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 9. Preparing for the ball (Juliet and the nurse) (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:05
10Romeo and Juliet, op. 64: No. 10 The Young Juliet
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 10. Juliet as a young girl (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:25
11Romeo and Juliet, op. 64: No. 11 Arrival of the Guests
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 11. Arrival of the guests (Minuet) (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:46
12Romeo and Juliet, op. 64: No. 12 Masks
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:57
13Romeo and Juliet, op. 64: No. 13 Dance of the Knights
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:45
14Romeo and Juliet, op. 64: No. 14 Juliet’s Variation
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:35
15Romeo and Juliet, op. 64: No. 15 Mercutio
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 15. Mercutio (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:16
16Romeo and Juliet, op. 64: No. 16 Madrigal
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 16. Madrigal (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:32
17Romeo and Juliet, op. 64: No. 17 Tybalt Recognises Romeo
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 17. Tybalt recognizes Romeo (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:45
18Romeo and Juliet, op. 64: No. 18 Gavotte
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 18. Departure of the guests (Gavotte) (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev4:09
19Romeo and Juliet, op. 64: No. 19 Balcony Scene
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:30
20Romeo and Juliet, op. 64: No. 20 Romeo’s Variation
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 20. Romeo’s variation (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:10
21Romeo and Juliet, op. 64: No. 21 Love Dance
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 21. Love dance (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:19
22Romeo and Juliet, op. 64: No. 22 Folk Dance
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 22. Folk dance (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:29
23Romeo and Juliet, op. 64: No. 23 Romeo and Mercutio
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 23. Romeo and Mercutio (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:18
24Romeo and Juliet, op. 64: No. 24 Dance of the Five Couples
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 24. Dance of the five couples (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:54
25Romeo and Juliet, op. 64: No. 25 Dance with Mandolins
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 25. Dance with the mandolins (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:13
2▼Digital Media
#TitleArtistRatingLength
1Romeo and Juliet, op. 64: No. 26 Nurse
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 26. The nurse (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:11
2Romeo and Juliet, op. 64: No. 27 The Nurse and Romeo
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 27. The nurse gives Romeo the note from Juliet (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev0:57
3Romeo and Juliet, op. 64: No. 28 Romeo at Friar Laurence’s
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene II. No. 28. Romeo at Friar Laurence’s (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:04
4Romeo and Juliet, op. 64: No. 29 Juliet at Friar Laurence’s
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene II. No. 29. Juliet at Friar Laurence’s (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:34
5Romeo and Juliet, op. 64: No. 30 Public Merrymaking
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 30. The people continue to make merry (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:28
6Romeo and Juliet, op. 64: No. 31 Further Public Festivities
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 31. The folk dance again (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:21
7Romeo and Juliet, op. 64: No. 32 Meeting of Tybalt and Mercutio
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 32. Tybalt meets Mercutio (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:01
8Romeo and Juliet, op. 64: No. 33 The Duel
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 33. Tybalt and Mercutio fight (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev1:26
9Romeo and Juliet, op. 64: No. 34 Death of Mercutio
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 34. Mercutio dies (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:27
10Romeo and Juliet, op. 64: No. 35 Romeo Decides to Avenge Mercutio
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 35. Romeo decides to avenge Mercutio’s death (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:07
11Romeo and Juliet, op. 64: No. 36 Finale
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 36. Finale (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:14
12Romeo and Juliet, op. 64: No. 37 Introduction
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 37. Introduction (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:27
13Romeo and Juliet, op. 64: No. 38 Romeo and Juliet
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 38. Romeo and Juliet (Juliet’s bedroom) (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:33
14Romeo and Juliet, op. 64: No. 39 Romeo Bids Juliet Farewell
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 39. The last farewell (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev5:07
15Romeo and Juliet, op. 64: No. 40 Nurse
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 40. The nurse (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:47
16Romeo and Juliet, op. 64: No. 41 Juliet Refuses to Marry Paris
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 41. Juliet refuses to marry Paris (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:43
17Romeo and Juliet, op. 64: No. 42 Juliet Alone
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 42. Juliet alone (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:33
18Romeo and Juliet, op. 64: No. 43 Interlude
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 43. Interlude (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:24
19Romeo and Juliet, op. 64: No. 44 At Friar Laurence’s Cell
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene II. No. 44. At Friar Laurence’s (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev4:39
20Romeo and Juliet, op. 64: No. 45 Interlude
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene II. No. 45. Interlude (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:37
21Romeo and Juliet, op. 64: No. 46 Juliet’s Room
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 46. Juliet’s bedroom (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev3:29
22Romeo and Juliet, op. 64: No. 47 Juliet Alone
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 47. Juliet alone (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev4:14
23Romeo and Juliet, op. 64: No. 48 Aubade
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 48. Morning serenade (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:58
24Romeo and Juliet, op. 64: No. 49 Dance of the Girls with Lilies
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:19
25Romeo and Juliet, op. 64: No. 50 At Juliet’s Bedside
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 50. At Juliet’s bedside (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:14
26Romeo and Juliet, op. 64: No. 51 Juliet’s Funeral
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III. Epilogue. No. 51. Juliet’s funeral (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev6:22
27Romeo and Juliet, op. 64: No. 52 Juliet’s Death
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act III. Epilogue. No. 52. Death of Juliet (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev4:06

Credits