The Complete Verve Recordings of the Teddy Wilson Trio

~ Release by Teddy Wilson Trio (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1The One I Love (Belongs to Someone Else)
double bass:
John Simmons (bassist) (on 1952-12-16)
drums (drum set):
Buddy Rich (on 1952-12-16)
piano:
Teddy Wilson (on 1952-12-16)
instrumental recording of:
The One I Love (Belongs to Somebody Else) (on 1952-12-16)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild, WB Music Corp. (1929–2019) and Milton Weil Music Co. (on 1924-01-07)
2:58
2Darn That Dream
double bass:
John Simmons (bassist) (on 1952-12-16)
drums (drum set):
Buddy Rich (on 1952-12-16)
piano:
Teddy Wilson (on 1952-12-16)
instrumental recording of:
Darn That Dream (on 1952-12-16)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
2:16
3Tea for Two
double bass:
John Simmons (bassist) (on 1952-12-16)
drums (drum set):
Buddy Rich (on 1952-12-16)
piano:
Teddy Wilson (on 1952-12-16)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1952-12-16)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:18
4Lady Be Good
double bass:
John Simmons (bassist) (on 1952-12-16)
drums (drum set):
Buddy Rich (on 1952-12-16)
piano:
Teddy Wilson (on 1952-12-16)
instrumental recording of:
Oh, Lady Be Good! (on 1952-12-16)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
recording of:
Oh, Lady Be Good! (on 1952-12-16)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:00
5Emaline
double bass:
Aaron Bell (jazz double bassist) (on 1953-04-13)
drums (drum set):
Denzil Best (on 1953-04-13)
piano:
Teddy Wilson (on 1953-04-13)
instrumental recording of:
Emaline (on 1953-04-13)
writer:
Mitchell Parish and Frank Perkins
publisher:
Peter Maurice Music Co. Ltd.
2:36
6Tenderly
double bass:
Aaron Bell (jazz double bassist) (on 1953-04-13)
drums (drum set):
Denzil Best (on 1953-04-13)
piano:
Teddy Wilson (on 1953-04-13)
instrumental recording of:
Tenderly (on 1953-04-13)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:09
7Everything Happens to Me
double bass:
Aaron Bell (jazz double bassist) (on 1953-04-13)
drums (drum set):
Denzil Best (on 1953-04-13)
piano:
Teddy Wilson (on 1953-04-13)
instrumental recording of:
Everything Happens to Me (on 1953-04-13)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:12
8Liza
double bass:
Aaron Bell (jazz double bassist) (on 1953-04-13)
drums (drum set):
Denzil Best (on 1953-04-13)
piano:
Teddy Wilson (on 1953-04-13)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (on 1953-04-13)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
2:26
9Nice Work If You Can Get It
double bass:
Arvell Shaw (on 1953-09-04)
drums (drum set):
J.C. Heard (on 1953-09-04)
piano:
Teddy Wilson (on 1953-09-04)
instrumental recording of:
Nice Work If You Can Get It (on 1953-09-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:58
10Air Mail Special
double bass:
Arvell Shaw (on 1953-09-04)
drums (drum set):
J.C. Heard (on 1953-09-04)
piano:
Teddy Wilson (on 1953-09-04)
instrumental recording of:
Good Enough to Keep (Air Mail Special) (on 1953-09-04)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
3:20
11Night and Day
double bass:
Arvell Shaw (on 1953-09-04)
drums (drum set):
J.C. Heard (on 1953-09-04)
piano:
Teddy Wilson (on 1953-09-04)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1953-09-04)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:59
12Cheek to Cheek
double bass:
Arvell Shaw (on 1953-09-04)
drums (drum set):
J.C. Heard (on 1953-09-04)
piano:
Teddy Wilson (on 1953-09-04)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (on 1953-09-04)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:52
13East of the Sun
double bass:
Arvell Shaw (on 1953-09-08)
drums (drum set):
J.C. Heard (on 1953-09-08)
piano:
Teddy Wilson (on 1953-09-08)
instrumental recording of:
East of the Sun (and West of the Moon) (on 1953-09-08)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:08
14Autumn in New York
double bass:
Arvell Shaw (on 1953-09-08)
drums (drum set):
J.C. Heard (on 1953-09-08)
piano:
Teddy Wilson (on 1953-09-08)
instrumental recording of:
Autumn in New York (1934) (on 1953-09-08)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
2:45
15Isn't It Romantic?
double bass:
Arvell Shaw (on 1953-09-08)
drums (drum set):
J.C. Heard (on 1953-09-08)
piano:
Teddy Wilson (on 1953-09-08)
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1953-09-08)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
4:09
16You Go to My Head
double bass:
Arvell Shaw (on 1953-09-08)
drums (drum set):
J.C. Heard (on 1953-09-08)
piano:
Teddy Wilson (on 1953-09-08)
instrumental recording of:
You Go to My Head (on 1953-09-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:09
17Unforgettable
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Unforgettable (on 1954-06-03)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
2:59
18Almost Like Being in Love
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1954-06-03)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:28
19Lover
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Lover (on 1954-06-03)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:02
20If Dreams Come True
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
If Dreams Come True (on 1954-06-03)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
3:01
21Don't Be That Way
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Don’t Be That Way (on 1954-06-03)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
3:02
22Stompin' at the Savoy
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Stompin’ at the Savoy (on 1954-06-03)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:09
23Love Is Here to Stay
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Love Is Here to Stay (on 1954-06-03)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:35
24Sweet and Lovely
double bass:
Milt Hinton (on 1954-06-03)
drums (drum set):
Sticks Evans (on 1954-06-03)
piano:
Teddy Wilson (on 1954-06-03)
instrumental recording of:
Sweet and Lovely (on 1954-06-03)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
2:56
2▼CD
#TitleRatingLength
1Blues for the Oldest Profession
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
2:59
2It Had to Be You
3:09
3You Took Advantage of Me
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
You Took Advantage of Me (on 1955-02-01)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
4:19
4Three Little Words
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
Three Little Words (on 1955-02-01)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
2:41
5If I Had You
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
If I Had You (jazz standard) (on 1955-02-01)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:36
6Who's Sorry Now
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental cover recording of:
Who’s Sorry Now? (1923 song) (on 1955-02-01)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
3:36
7The Birth of the Blues
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
Birth of the Blues (on 1955-02-01)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
2:53
8When Your Lover Has Gone
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
When Your Lover Has Gone (on 1955-02-01)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
2:49
9Moonlight on the Ganges
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
Moonlight on the Ganges (on 1955-02-01)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
3:48
10April in Paris
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
April in Paris (on 1955-02-01)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:24
11Hallelujah
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
Hallelujah! (on 1955-02-01)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:10
12Get Out of Town
double bass:
Milt Hinton (on 1955-02-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-02-01)
piano:
Teddy Wilson (on 1955-02-01)
instrumental recording of:
Get Out of Town (on 1955-02-01)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
3:32
13Stompin' at the Savoy
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Stompin’ at the Savoy (on 1956-03-05)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:11
14Say It Ain't So
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Say It Isn’t So (on 1956-03-05)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
2:44
15All of Me
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
All of Me (on 1956-03-05)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:59
16Stars Fell on Alabama
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Stars Fell on Alabama (on 1956-03-05)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3:07
17I Got Rhythm
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
I Got Rhythm (on 1956-03-05)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:36
18On the Sunny Side of the Street
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
On the Sunny Side of the Street (on 1956-03-05)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:20
19Sweet Georgia Brown
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Sweet Georgia Brown (on 1956-03-05)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:43
20As Time Goes By
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
As Time Goes By (the song from “Casablanca”) (on 1956-03-05)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:10
21Smiles
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Smiles (1917) (on 1956-03-05)
lyricist:
J. Will Callahan
composer:
Lee S. Roberts (1884-1949)
3:25
22When Your Lover Has Gone
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
When Your Lover Has Gone (on 1956-03-05)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:12
3▼CD
#TitleRatingLength
1Limehouse Blues
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
Limehouse Blues (on 1956-03-05)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
4:06
2Blues for Daryl
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
3:33
3You're Driving Me Crazy
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
You’re Driving Me Crazy (on 1956-03-05)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:17
4I Want to Be Happy
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1956-09-13)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
3:47
5Ain't Misbehavin'
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Ain’t Misbehavin’ (on 1956-09-13)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:32
6Honeysuckle Rose
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Honeysuckle Rose (on 1956-09-13)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
4:01
7Fine and Dandy
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Fine and Dandy (on 1956-09-13)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
3:34
8Sweet Lorraine
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Sweet Lorraine (on 1956-09-13)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:20
9I Found a New Baby
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
I’ve Found a New Baby (on 1956-09-13)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
3:36
10It's the Talk of the Town
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
It’s the Talk of the Town (on 1956-09-13)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
3:28
11Laura
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Laura (1945 song) (on 1956-09-13)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:32
12Undecided
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Undecided (on 1956-09-13)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
4:13
13Time on My Hands
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Time on My Hands (on 1956-09-13)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
3:51
14Who Cares?
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Who Cares? (Of Thee I Sing) (on 1956-09-13)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
3:29
15Love Is Here to Stay
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
instrumental recording of:
Love Is Here to Stay (on 1956-09-13)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:37
16When You're Smiling
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1956-09-13)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
3:44
17Imagination
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Imagination (on 1956-09-13)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
4:08
18The World Is Waiting for the Sunrise
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
The World Is Waiting for the Sunrise (on 1956-09-13)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
3:41
19I've Got the World on a String
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
I’ve Got the World on a String (on 1956-09-13)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:38
20Whispering
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Whispering (on 1956-09-13)
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (Malvin Schonberger) (in 1920)
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) (in 1920) and John Schoenberger (John Schonberger) (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. (Carlin) and Sherman, Clay & Co. (in 1920)
3:28
4▼CD
#TitleRatingLength
1Poor Butterfly
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Poor Butterfly (on 1956-09-13)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:38
2Rosetta
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Rosetta (on 1956-09-13)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
4:20
3Basin Street Blues
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Basin Street Blues (on 1956-09-13)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:45
4How Deep Is the Ocean
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
How Deep Is the Ocean? (on 1956-09-13)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:57
5Just One of Those Things
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Just One of Those Things (on 1956-09-13)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
4:40
6Have You Met Miss Jones
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-09-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:06
7It Don't Mean a Thing
producer:
Norman Granz
double bass:
Al Lucas (Canadian jazz bassist) (on 1956-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-09-13)
piano:
Teddy Wilson (on 1956-09-13)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-13)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1956-09-13)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:38
8Avalon
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
Avalon (on 1957-08-12)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
2:39
9The Little Things That Mean So Much
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
Little Things That Mean So Much (on 1957-08-12)
lyricist:
Harold Adamson
composer:
Teddy Wilson
3:06
10'S Wonderful
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
’S Wonderful (on 1957-08-12)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
4:00
11Someone to Watch Over Me
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1957-08-12)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:03
12Jeepers Creepers
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
Jeepers Creepers (on 1957-08-12)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
4:12
13If You Are But a Dream
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
If You Are But a Dream (on 1957-08-12)
lyricist and composer:
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) and Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
2:50
14Bye Bye Blues
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
recording of:
Bye Bye Blues (on 1957-08-12)
composer:
Dave Bennett (Songwriter) (until 1925), Chauncey Gray (until 1925), Fred Hamm (1920s US jazz musician/composer) (until 1925) and Bert Lown (until 1925)
2:51
15Sunny Morning
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
recording of:
Sunny Morning (on 1957-08-12)
composer:
Teddy Wilson
2:55
16Talking to the Moon
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
2:48
17Dream House
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
2:48
18Sometimes I'm Happy
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
Sometimes I’m Happy (on 1957-08-12)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:35
19That Old Feeling
double bass:
Arvell Shaw (on 1957-08-12)
drums (drum set):
Roy Burns (on 1957-08-12)
piano:
Teddy Wilson (on 1957-08-12)
instrumental recording of:
That Old Feeling (on 1957-08-12)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
2:47
5▼CD
#TitleRatingLength
1Stompin' at the Savoy
double bass:
Milt Hinton (on 1957-07-06)
drums (drum set):
Specs Powell (on 1957-07-06)
piano:
Teddy Wilson (on 1957-07-06)
performer:
Teddy Wilson Trio (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
instrumental recording of:
Stompin’ at the Savoy (on 1957-07-06)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
live instrumental recording of:
Stompin’ at the Savoy (on 1957-07-06)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:00
2Air Mail Special
double bass:
Milt Hinton (on 1957-07-06)
drums (drum set):
Specs Powell (on 1957-07-06)
piano:
Teddy Wilson (on 1957-07-06)
performer:
Teddy Wilson Trio (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Good Enough to Keep (Air Mail Special) (on 1957-07-06)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
recording of:
Good Enough to Keep (Air Mail Special) (on 1957-07-06)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
3:50
3Basin Street Blues
double bass:
Milt Hinton (on 1957-07-06)
drums (drum set):
Specs Powell (on 1957-07-06)
piano:
Teddy Wilson (on 1957-07-06)
performer:
Teddy Wilson Trio (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live instrumental recording of:
Basin Street Blues (on 1957-07-06)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:10
4I Got Rhythm
double bass:
Milt Hinton (on 1957-07-06)
drums (drum set):
Specs Powell (on 1957-07-06)
piano:
Teddy Wilson (on 1957-07-06)
performer:
Teddy Wilson Trio (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live instrumental recording of:
I Got Rhythm (on 1957-06-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
instrumental recording of:
I Got Rhythm (on 1957-07-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:22
5Sweet Georgia Brown
baritone saxophone:
Gerry Mulligan (on 1957-07-06)
double bass:
Milt Hinton (on 1957-07-06)
drums (drum set):
Specs Powell (on 1957-07-06)
piano:
Teddy Wilson (on 1957-07-06)
performer:
Teddy Wilson Trio (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
instrumental recording of:
Sweet Georgia Brown (on 1957-07-06)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
live instrumental recording of:
Sweet Georgia Brown (on 1957-07-06)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
6:00
6Stompin' at the Savoy
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
instrumental recording of:
Stompin’ at the Savoy (on 1957-08-22)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:35
7Tea for Two
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1957-08-22)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:03
8Medley: Body and Soul / Sweet Lorraine / I've Got the World on a String
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
medley including a instrumental recording of:
Body and Soul (on 1957-08-22)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a instrumental recording of:
I’ve Got the World on a String (on 1957-08-22)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
medley including a instrumental recording of:
Sweet Lorraine (on 1957-08-22)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
4:13
9Runnin' Wild
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
instrumental recording of:
Runnin’ Wild (on 1957-08-22)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
3:26
10How High the Moon
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
instrumental recording of:
How High the Moon (on 1957-08-22)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:33
11Air Mail Special
double bass:
Arvell Shaw (on 1957-08-22)
drums (drum set):
Nils-Bertil Dahlander (on 1957-08-22)
piano:
Teddy Wilson (on 1957-08-22)
instrumental recording of:
Good Enough to Keep (Air Mail Special) (on 1957-08-22)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
3:39