Das Kantatenwerk/Sacred Cantatas, Volume 4: BWV 61-78

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 5 available)

Annotation

Individual barcode: 0745099175825

Annotation last modified on 2015-10-28 11:38 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata No 61 Nun komm, der Heiden Heiland BWV61 : I Overture - "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:42
2Cantata No 61 Nun komm, der Heiden Heiland BWV61 : II Recitative - "Der Heiland ist gekommen"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:33
3Cantata No 61 Nun komm, der Heiden Heiland BWV61 : III Aria - "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:58
4Cantata No 61 Nun komm, der Heiden Heiland BWV61 : IV Recitative - "Siehe, ich stehe vor der Tür"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:04
5Cantata No 61 Nun komm, der Heiden Heiland BWV61 : V Aria - "Öffne dich, mein ganzes Herze"
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:23
6Cantata No 61 Nun komm, der Heiden Heiland BWV61 : VI Chorale - "Amen, Amen! komm du schöne Freudenkrone"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach0:57
7Cantata No 62 Nun komm, der Heiden Heiland BWV62 : I Chorus - "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:05
8Cantata No 62 Nun komm, der Heiden Heiland BWV62 : II Aria - "Bewundert, o Menschen, dies grosse Geheimnis"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach7:29
9Cantata No 62 Nun komm, der Heiden Heiland BWV62 : III Recitative - "So geht aus Gottes Herrlichkeit"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:36
10Cantata No 62 Nun komm, der Heiden Heiland BWV62 : IV Aria - "Streite, siege, starker Held"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:09
11Cantata No 62 Nun komm, der Heiden Heiland BWV62 : V Recitative - "Wir ehren diese Herrlichkeit"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:57
12Cantata No 62 Nun komm, der Heiden Heiland BWV62 : VI Chorale - "Lob sei Gott, dem Vater, ton"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:38
13Cantata No 63 Christen, ätzet diesen Tag BWV63 : I Chorus - "Christen, ätzet diesen Tag"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
performer:
Concentus Musicus Wien
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:26
14Cantata No 63 Christen, ätzet diesen Tag BWV63 : II Recitative - "O selger Tag! o ungemeines Heute"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:32
15Cantata No 63 Christen, ätzet diesen Tag BWV63 : III Duet - "Gott, du hast es wohl gefüget"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:24
16Cantata No 63 Christen, ätzet diesen Tag BWV63 : IV Recitative - "So kehret sich nun heut das bange Leid"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
17Cantata No 63 Christen, ätzet diesen Tag BWV63 : V Duet - "Ruft und fleht den Himmel an"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:23
18Cantata No 63 Christen, ätzet diesen Tag BWV63 : VI Recitative - "Verdoppelt euch demnach"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:06
19Cantata No 63 Christen, ätzet diesen Tag BWV63 : VII Chorus - "Höchster, schau in Gnaden an"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:18
2▼CD
#TitleArtistRatingLength
1Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : I Chorus - "Sehet, welch eine Liebe hat uns der Vater erzeiget"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach3:28
2Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : II Chorale - "Das hat er alles uns getan"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1975-11)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:45
3Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : III Recitative - "Geh, Welt! behalte nur das Deine"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:38
4Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : IV Chorale - "Was frag ich nach der Welt"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1975-11)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:51
5Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : V Aria - "Was die Welt in sich hält"
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:11
6Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : VI Recitative - "Der Himmel bleibet mir gewiss"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:03
7Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : VII Aria - "Von der Welt verlang ich nichts"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach6:50
8Cantata No 64 Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget Bwv64 : VIII Chorale - "Gute Nacht, O Wesen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1975-11)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:21
9Cantata No 65 Sie werden aus Saba alle kommen BWV65 : I Chorus - "Sie werden aus Saba alle kommen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach5:00
10Cantata No 65 Sie werden aus Saba alle kommen BWV65 : II Chorale - "Die Kön'ge aus Saba kamen dar"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:40
11Cantata No 65 Sie werden aus Saba alle kommen BWV65 : III Recitative - "Was dort Jesaias vorhergesehn"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:42
12Cantata No 65 Sie werden aus Saba alle kommen BWV65 : IV Aria - "Gold aus Ophir ist zu schlecht"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:53
13Cantata No 65 Sie werden aus Saba alle kommen BWV65 : V Recitative - "Verschmähe nicht, du, meiner Seelen Licht"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:26
14Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VI Aria - "Nimm mich dir zu eigen hin"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:53
15Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VII Chorale - "Ei nun, mein Gott, so fall ich dir"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1975-11)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:17
16Cantata No 66 Erfreut euch, ihr Herzen BWV66 : I Chorus - "Erfreut euch, ihr Herzen"
choir vocals:
Collegium Vocale Gent (from 1976-06-10 until 1976-06-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Coro "Erfreut euch, ihr Herzen" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach10:44
17Cantata No 66 Erfreut euch, ihr Herzen BWV66 : II Recitative - "Es bricht das Grab und damit unsre Not"
bass vocals:
Max van Egmond (bass-baritone) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Bass) "Es bricht das Grab und damit unsre Not" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:32
18Cantata No 66 Erfreut euch, ihr Herzen BWV66 : III Aria - "Lasset dem Höchsten ein Danklied erschallen"
bass vocals:
Max van Egmond (bass-baritone) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Bass) "Lasset dem Höchsten ein Danklied erschallen" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach6:38
19Cantata No 66 Erfreut euch, ihr Herzen BWV66 : IV Recitative - "Bei Jesu Leben freudig sein"
alto vocals:
Paul Esswood (countertenor) (from 1976-06-10 until 1976-06-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo à 2 (Tenor, Alt) "Bei Jesu Leben freudig sein" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach4:46
20Cantata No 66 Erfreut euch, ihr Herzen BWV66 : V Duet - "Ich furchte zwar des Grabes Finsternissen"
alto vocals:
Paul Esswood (countertenor) (from 1976-06-10 until 1976-06-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Duetto Alt, Tenor) "Ich furchte zwar nicht des Grabes Finsternissen" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach8:14
21Cantata No 66 Erfreut euch, ihr Herzen BWV66 : VI Chorale - "Alleluja! Alleluja! Alleluja!"
choir vocals:
Collegium Vocale Gent (from 1976-06-10 until 1976-06-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Alleluja! Alleluja! Alleluja!" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 37)
part of:
Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:28
3▼CD
#TitleArtistRatingLength
1Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : I Chorus - "Halt im Gedächtnis Jesum Christ"
choir vocals:
Collegium Vocale Gent (from 1976-06-10 until 1976-06-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach3:09
2Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : II Aria - "Mein Jesus ist erstanden"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:40
3Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : III Recitative - "Mein Jesu, heissest du des Todes Gift"
alto vocals:
Paul Esswood (countertenor) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:26
4Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : IV Chorale - "Erschienen ist der herrlich Tag"
choir vocals:
Collegium Vocale Gent (from 1976-06-10 until 1976-06-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (from 1976-06-10 until 1976-06-16)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:24
5Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : V Recitative - "Doch scheinet fast, dass mich der Feinde Rest"
alto vocals:
Paul Esswood (countertenor) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:50
6Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : VI Aria - "Friede sei mit euch"
bass vocals:
Max van Egmond (bass-baritone) (from 1976-06-10 until 1976-06-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-10 until 1976-06-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-10 until 1976-06-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-10 until 1976-06-16)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (from 1976-06-10 until 1976-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach5:16
7Cantata No 67 Halt im Gedächtnis Jesum Christ BWV67 : VII Chorale - "Du Friedefürst, Herr Jesu Christ"
choir vocals:
Collegium Vocale Gent (from 1976-06-11 until 1976-06-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1976-06-11 until 1976-06-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-06-11 until 1976-06-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1976-06-11 until 1976-06-15)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (from 1976-06-11 until 1976-06-15)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:42
8Cantata No 68 Also hat Gott die Welt geliebt BWV68 : I Chorus - "Also hat Gott die Welt geliebt"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": I. Choral "Also hat Gott die Welt geliebt" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomo Liscow (in 1675)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach5:43
9Cantata No 68 Also hat Gott die Welt geliebt BWV68 : II Aria - "Mein gläubiges Herze"
soprano vocals [boy soprano]:
Peter Jelosits (tenor)
treble vocals:
Peter Jelosits (tenor) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach4:01
10Cantata No 68 Also hat Gott die Welt geliebt BWV68 : III Recitative - "Ich bin mit Petro nicht vermessen"
bass vocals:
Ruud van der Meer (operatic bass) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": III. Recitativo (Bass) "Ich bin mit Petro nicht vermessen" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach0:37
11Cantata No 68 Also hat Gott die Welt geliebt BWV68 : IV Aria - "Du bist geboren mir zugute"
bass vocals:
Ruud van der Meer (operatic bass) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": IV. Aria (Bass) "Du bist geboren mir zugute" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach3:15
12Cantata No 68 Also hat Gott die Welt geliebt BWV68 : V Chorus - "Wer an ihn gläubet"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": V. Coro "Wer an ihn gläubet, der wird nicht gerichtet" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach3:20
13Cantata No 69 Lobe den Herrn, meine Seele BWV69 : I Recitative - "Wie gross ist Gottes Güte doch"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-01-14 until 1976-10-24)
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Wie groß ist Gottes Güte doch!" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:17
14Cantata No 69 Lobe den Herrn, meine Seele BWV69 : II Aria - "Mein Seele, auf, erzähle"
alto vocals:
Paul Esswood (countertenor) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": III. Aria (Alt) "Meine Seele, auf! erzähle" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach6:04
15Cantata No 69 Lobe den Herrn, meine Seele BWV69 : III Recitative - "Der Herr hat grosse Ding an uns getan"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": IV. Recitativo (Tenor) "Der Herr hat große Ding an uns getan" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:03
16Cantata No 69 Lobe den Herrn, meine Seele BWV69 : IV Chorale - "Es danke, Gott, und lobe dich"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": VI. Choral "Es danke, Gott, und lobe dich" (from 1976-01-14 until 1976-10-24)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 97)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:57
17Cantata No 69a Lobe den Herrn, meine Seele BWV69a : I Chorus - "Lobe den Herrn, meine Seele"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn meine Seele" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach6:45
18Cantata No 69a Lobe den Herrn, meine Seele BWV69a : II Recitative - "Ach, dass ich tausend Zungen hätte"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:44
19Cantata No 69a Lobe den Herrn, meine Seele BWV69a : III Aria - "Meine Seele, auf, erzähle"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach6:29
20Cantata No 69a Lobe den Herrn, meine Seele BWV69a : IV Recitative - "Gedenk ich nur zurück"
alto vocals:
Paul Esswood (countertenor) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:11
21Cantata No 69a Lobe den Herrn, meine Seele BWV69a : V Aria - "Mein Erlöser und Erhalter"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Mein Erlöser und Erhalter" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach3:27
22Cantata No 69a Lobe den Herrn, meine Seele BWV69a : VI Chorale - "Was Gott tut, das ist wohlgetan"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-01-14 until 1976-10-24)
orchestra:
Concentus Musicus Wien (from 1976-01-14 until 1976-10-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-01-14 until 1976-10-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-01-14 until 1976-10-24)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": VI Chorale "Was Gott tut, das ist wohlgetan" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:54
4▼CD
#TitleArtistRatingLength
1Cantata No 70 Wachet! betet! betet! wachet! BWV70 : I Chorus - "Wachet! betet! betet! wachtet!"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:22
2Cantata No 70 Wachet! betet! betet! wachet! BWV70 : II Recitative - "Erschrecket, ihr verstockten Sünder"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:01
3Cantata No 70 Wachet! betet! betet! wachet! BWV70 : III Aria - "Wenn kömmt der Tag"
alto vocals:
Paul Esswood (countertenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:41
4Cantata No 70 Wachet! betet! betet! wachet! BWV70 : IV Recitative - "Auch bei dem himmlischen Verlangen"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:32
5Cantata No 70 Wachet! betet! betet! wachet! BWV70 : V Aria - "Lasst der Spötter Zungen schmähen"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:36
6Cantata No 70 Wachet! betet! betet! wachet! BWV70 : VI Recitative - "Jedoch bei dem unartigen Geschlechte"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:27
7Cantata No 70 Wachet! betet! betet! wachet! BWV70 : VII Chorale - "Freu dich sehr, o meine Seele"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:15
8Cantata No 70 Wachet! Betet! Betet! Wachet! Bwv70 : VIII Aria - "Hebt Euer Haupt Empor"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:47
9Cantata No 70 Wachet! betet! betet! wachet! BWV70 : IX Recitative - "Ach, soll nicht dieser grosse Tag"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:49
10Cantata No 70 Wachet! betet! betet! wachet! BWV70 : X Aria - "Seligster Erquickungstag"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:33
11Cantata No 70 Wachet! betet! betet! wachet! BWV70 : XI Chorale - "Nicht nach Welt, nach Himmel nicht"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (from 1976-05 until 1976-10-31)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:00
12Cantata No 71 Gott ist mein König BWV71 : I Chorus - "Gott ist mein König"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:12
13Cantata No 71 Gott ist mein König BWV71 : II Aria - "Ich bin nun achtzig Jahr - Soll ich auf dieser Welt"
tenor vocals:
Kurt Equiluz (tenor) (from 1976-05 until 1976-10-31)
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": II. Aria (Sopran, Tenor) "Ich bin nun achtzig Jahr" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:33
14Cantata No 71 Gott ist mein König BWV71 : III Chorus - "Dein Alter sei wie deine Jugend"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": III. Fuga (Coro) "Dein Alter sei wie deine Jugend" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:05
15Cantata No 71 Gott ist mein König BWV71 : IV Aria - "Tag und Nacht ist dein"
bass vocals:
Lieuwe Visser (bass-baritone) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:39
16Cantata No 71 Gott ist mein König BWV71 : V Aria - "Durch mächtige Kraft"
alto vocals:
Paul Esswood (countertenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": V. Aria (Alt) "Durch mächtige Kraft" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:19
17Cantata No 71 Gott ist mein König BWV71 : VI Chorus - "Du wollest dem Feinde nicht geben"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VI. Coro "Du wollest dem Feinde" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:46
18Cantata No 71 Gott ist mein König BWV71 : VII Chorus - "Das neue Regiment"
alto vocals:
Paul Esswood (countertenor) (from 1976-05 until 1976-10-31)
bass vocals:
Lieuwe Visser (bass-baritone) (from 1976-05 until 1976-10-31)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
tenor vocals:
Kurt Equiluz (tenor) (from 1976-05 until 1976-10-31)
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VII. Coro (Sopran, Alt, Tenor, Bass) "Das neue Regiment" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:40
19Cantata No 72 Alles nur nach Gottes Willen BWV72 : I Chorus - "Alles nur nach Gottes Willen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": I. Coro "Alles nur nach Gottes Willen" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach4:34
20Cantata No 72 Alles nur nach Gottes Willen BWV72 : II Recitative - "O selger Christ"
alto vocals:
Paul Esswood (countertenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": II. Recitativo (Alt) "O selger Christ" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach2:01
21Cantata No 72 Alles nur nach Gottes Willen BWV72 : III Aria - "Mit allem, was ich hab und bin"
alto vocals:
Paul Esswood (countertenor) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": III. Aria (Alt) "Mit allem, was ich hab und bin" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach4:18
22Cantata No 72 Alles nur nach Gottes Willen BWV72 : IV Recitative - "So glaube nun!"
bass vocals:
Ruud van der Meer (operatic bass) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": IV. Recitativo (Bass) "So glaube nun!" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach0:49
23Cantata No 72 Alles nur nach Gottes Willen BWV72 : V Aria - "Mein Jesus will es tun"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": V. Aria (Sopran) "Mein Jesus will es tun" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach4:36
24Cantata No 72 Alles nur nach Gottes Willen BWV72 : VI Chorale - "Was mein Gott will, das gescheh allzeit"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1976-05 until 1976-10-31)
orchestra:
Concentus Musicus Wien (from 1976-05 until 1976-10-31)
conductor:
Nikolaus Harnoncourt (conductor) (from 1976-05 until 1976-10-31)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1976-05 until 1976-10-31)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": VI. Choral "Was mein Gott will, das gscheh allzeit" (from 1976-05 until 1976-10-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Breitkopf 389 Choralgesänge (number: 344)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
Johann Sebastian Bach1:19
25Cantata No 73 Herr, wie du willt, so schicks mit mir BWV73 : I Chorus & Recitative - "Herr, wie du willt, so schicks mit mir"
bass vocals:
Max van Egmond (bass-baritone) (in 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (in 1977-05)
treble vocals:
Jorg Erler (boy soprano) (in 1977-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1977-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-05)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": I. Choral e Recitativo (Tenor, Bass, Sopran) "Herr, wie du willt, so schicks mit mir" (in 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach5:30
26Cantata No 73 Herr, wie du willt, so schicks mit mir BWV73 : II Aria - "Ach, senke doch den Geist der Freuden"
tenor vocals:
Kurt Equiluz (tenor) (in 1977-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1977-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-05)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": II. Aria (Tenor) "Ach senke doch den Geist der Freuden" (in 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach4:02
27Cantata No 73 Herr, wie du willt, so schicks mit mir BWV73 : III Recitative - "Ach, unser Wille bleibt verkehrt"
bass vocals:
Max van Egmond (bass-baritone) (in 1977-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1977-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-05)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": III. Recitativo (Bass) "Ach, unser Wille bleibt verkehrt" (in 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach0:32
28Cantata No 73 Herr, wie du willt, so schicks mit mir BWV73 : IV Aria - "Herr, so du willt"
bass vocals:
Max van Egmond (bass-baritone) (in 1977-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1977-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-05)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": IV. Aria (Bass) "Herr, so du willt" (in 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach4:13
29Cantata No 73 Herr, wie du willt, so schicks mit mir BWV73 : V Chorale - "Das ist des Vaters Wille"
choir vocals:
Collegium Vocale Gent (in 1977-05) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1977-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1977-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-05)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": V. Choral "Das ist des Vaters Wille" (in 1977-05)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 328)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach0:48
5▶CD
6▶CD