Flieg, Gedanke… Beliebte Opernchöre (disc "made in Germany")

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Nabucco: »Gli arredi festivi«
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi5:10
2Nabucco: »Va, pensiero, sull’ali dorate" (Chor der Gefangenen)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:16
3Fidelio: »O welche Lust« (Chor der Gefangenen)
bass vocals [2. Gefangener]:
Günther Leib (baritone)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) and Rundfunkchor Leipzig
tenor vocals [1. Gefangener]:
Eberhard Büchner (tenor)
vocals:
Eberhard Büchner (tenor) and Günther Leib (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
chorus master:
Horst Neumann (choir master and conductor) and Gerhart Wüstner (chorus master)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:37
4Otello: »Fuoco di gioia« (Feuerchor)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:40
5Aida: »Gloria all’Egitto« (Chor und Triumphmarsch)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:13
6Don Carlos: »Spuntato ecco il di d’esultanza«
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi6:23
7Der Troubadour: »Vedi! Le fosche notturne spoglie« (Zigeunerchor)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:51
8La traviata: »Di Madride noi siam mattadori« (Chor der Matadore)
choir vocals:
Coro del Teatro alla Scala di Milano
vocals:
Virgilio Carbonari (baritone), Silvio Maionica (operatic bass), Franco Ricciardi (Italian singer-songwriter) and Giuliana Tavolaccini (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
chorus master:
Norberto Mola (chorus master)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:05
9Macbeth: »Che faceste? dite su!« (Chor der Hexen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2a Coro d'introduzione “Che faceste? dite su!” (Streghe) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi3:23
10Carmen: »Avec la garde montante« (Marsch und Chor der Gassenjungen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
vocals:
Plácido Domingo (tenor), Stuart Harling (English baritone) and Robert Lloyd (operatic bass)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:52
11Carmen: »Les voici! Voici la quadrille« (Einzug des Toreros)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
John McCarthy (British choral conductor, scholar, composer and arranger) and Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
12Der Bajazzo: »Andiam! Andiam!« (Glockenchor)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggiero Leoncavallo2:40
13Cavalleria rusticana: »Gli aranci olezzano« (Osterchor)
choir vocals:
Coro del Teatro alla Scala di Milano
vocals:
Mariagrazia Allegri (mezzo-soprano), Fiorenza Cossotto (mezzo-soprano) and Giangiacomo Guelfi (baritone)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni6:57
14Cavalleria rusticana: »Beato voi, compar Alfio« – »Regina coeli laetare«
choir vocals:
Coro del Teatro alla Scala di Milano
vocals:
Mariagrazia Allegri (mezzo-soprano), Fiorenza Cossotto (mezzo-soprano) and Giangiacomo Guelfi (baritone)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Cavalleria rusticana: “Beato voi, compar Alfio” (Lucia, Alfio)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni8:30

Credits

Release

art direction:Hartmut Pfeiffer
ASIN:DE: B000026EML [info]
other databases:https://d-nb.info/1003841236 [info]