Richard Strauss Complete Recordings of the Operas Part II

~ Release by Richard Strauss & Karl Böhm (see all versions of this release, 1 available)

Tracklist

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1▼CD: Ariadne auf Naxos, Salzburg 1954, CD1
#TitleArtistRatingLength
1Ariadne auf Naxos: Vorspiel. Orchestereinleitung (Musiklehrer, Haushofmeister)
bass-baritone vocals [Musiklehrer]:
Paul Schöffler (bass-baritone)
spoken vocals [Haushofmeister]:
Alfred Neugebauer
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:24
2Ariadne auf Naxos: Vorspiel. "Hier finden Euer Gnaden Mamsell Zerbinetta" (Lakai, Offiziere)
bass vocals [Lakai]:
Franz Bierbach (operatic bass)
bass-baritone vocals [Perückenmacher]:
Walter Berry (bass‐baritone)
soprano vocals [Komponist]:
Irmgard Seefried (soprano)
soprano vocals [Primadonna]:
Lisa della Casa (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Offizier]:
Georges Müller (German classical vocalist)
tenor vocals [Tanzmeister]:
Peter Klein (tenor)
tenor vocals [Tenor]:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss8:52
3Ariadne auf Naxos: Vorspiel. "Hast ein Stückerl Notenpapier?" (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister)
bass vocals [Lakai]:
Franz Bierbach (operatic bass)
soprano vocals [Komponist]:
Irmgard Seefried (soprano)
soprano vocals [Primadonna]:
Lisa della Casa (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Tanzmeister]:
Peter Klein (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss3:16
4Ariadne auf Naxos: Vorspiel. "Ist schon geschehn. Wir sind bereit" (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
bass-baritone vocals [Musiklehrer]:
Paul Schöffler (bass-baritone)
soprano vocals [Komponist]:
Irmgard Seefried (soprano)
soprano vocals [Primadonna]:
Lisa della Casa (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
spoken vocals [Haushofmeister]:
Alfred Neugebauer
tenor vocals [Tanzmeister]:
Peter Klein (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss8:21
5Ariadne auf Naxos: Vorspiel. "Nein, Herr, so kommt es nicht" (Komponist, Zerbinetta, Musiklehrer)
bass-baritone vocals [Musiklehrer]:
Paul Schöffler (bass-baritone)
soprano vocals [Komponist]:
Irmgard Seefried (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss9:40
6Ariadne auf Naxos: Vorspiel. "An Ihre Plätze, meine Damen und Herren" (Musiklehrer, Primadonna)
bass-baritone vocals [Musiklehrer]:
Paul Schöffler (bass-baritone)
soprano vocals [Primadonna]:
Lisa della Casa (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss0:53
7Ariadne auf Naxos: Vorspiel. "Seien wir wieder gut" (Komponist, Musiklehrer)
bass-baritone vocals [Musiklehrer]:
Paul Schöffler (bass-baritone)
soprano vocals [Komponist]:
Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss3:49
8Ariadne auf Naxos: Oper. Ouvertüre
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Najade]:
Rita Streich (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss3:59
9Ariadne auf Naxos: Oper. "Schläft sie?" (Najade, Dryade, Echo, Ariadne)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:18
10Ariadne auf Naxos: Oper. "Wo war ich? Tot?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
baritone vocals [Harlekin]:
Alfred Poell (baritone)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss2:56
11Ariadne auf Naxos: Oper. "Ein schönes war: hieß Theseus" (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
baritone vocals [Harlekin]:
Alfred Poell (baritone)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Najade]:
Rita Streich (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Scaramuccio]:
August Jaresch (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss6:40
12Ariadne auf Naxos: Oper. "Ach so versuchet doch ein kleines Land" (Harlekin, Echo, Zerbinetta)
baritone vocals [Harlekin]:
Alfred Poell (baritone)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss2:06
13Ariadne auf Naxos: Oper. "Es gibt ein Reich, wo alles rein ist" (Ariadne)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:16
14Ariadne auf Naxos: Oper. "Die Dame gibt mit trübem Sinn" (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
baritone vocals [Harlekin]:
Alfred Poell (baritone)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Brighella]:
Murray Dickie (tenor)
tenor vocals [Scaramuccio]:
August Jaresch (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:01
2▼CD: Ariadne auf Naxos, Salzburg 1954, CD2
#TitleRatingLength
1Ariadne auf Naxos: Oper. "Großmächtige Prinzessin" (Zerbinetta)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
11:01
2Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!" (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
baritone vocals [Harlekin]:
Alfred Poell (baritone)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Brighella]:
Murray Dickie (tenor)
tenor vocals [Scaramuccio]:
August Jaresch (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
7:30
3Ariadne auf Naxos: Oper. "Ein schönes Wunder!" - "Ein reizender Knabe!" (Dryade, Najade, Echo)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Najade]:
Rita Streich (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
3:33
4Ariadne auf Naxos: Oper. "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Echo, Dryade)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Najade]:
Rita Streich (soprano)
tenor vocals [Bacchus]:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
5:40
5Ariadne auf Naxos: Oper. "Theseus! Nein, nein!" (Ariadne, Bacchus)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
tenor vocals [Bacchus]:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
13:32
6Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?" (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Ariadne]:
Lisa della Casa (soprano)
soprano vocals [Echo]:
Lisa Otto (German operatic soprano, 1919–2013)
soprano vocals [Najade]:
Rita Streich (soprano)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano)
tenor vocals [Bacchus]:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
8:15
3▼CD: Elektra, Dresden 1960, CD1
#TitleArtistRatingLength
1Elektra: "Wo bleibt Elektra?" (Fünf Mägde, Aufseherin)
producer:
Wolfgang Lohse
alto vocals [Die erste Magd]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1960-10)
mezzo-soprano vocals [Die dritte Magd]:
Sieglinde Wagner (contralto) (in 1960-10)
mezzo-soprano vocals [Die zweite Magd]:
Margarethe Sjöstedt (soprano) (in 1960-10)
soprano vocals [Die Aufseherin]:
Ilona Steingruber (in 1960-10)
soprano vocals [Die fünfte Magd]:
Gerda Schreyer (german operatic soprano) (in 1960-10)
soprano vocals [Die vierte Magd]:
Judith Hellwig (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Wo bleibt Elektra?" (1., 2., 3. & 4. Magd) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss5:51
2Elektra: "Allein! Weh, ganz allein." (Elektra)
producer:
Wolfgang Lohse
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Allein! Weh ganz allein" (Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss9:12
3Elektra: "Elektra!" / "Ah, das Gesicht!" (Chrysothemis, Elektra)
producer:
Wolfgang Lohse
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Elektra!... Ah, das Gesicht!" (Chrysothemis, Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss2:18
4Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra)
producer:
Wolfgang Lohse
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss5:52
5Elektra: "Es geht ein Lärm los." (Elektra, Chrysothemis)
producer:
Wolfgang Lohse
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Es geht ein Lärm los" (Elektra, Chrysothemis) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss2:45
6Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytämnestra]:
Jean Madeira (mezzo-soprano / alto) (in 1960-10)
soprano vocals [Die Schleppträgerin]:
Hermi Ambros (soprano) (in 1960-10)
soprano vocals [Die Vertraute]:
Renate Reinecke (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss4:47
7Elektra: "Die Götter! bist doch selber eine Göttin" (Elektra, Klytämnestra, Die Vertraute, Die Schleppträgerin)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytemnästra]:
Jean Madeira (mezzo-soprano / alto)
soprano vocals [Die Schleppträgerin]:
Hermi Ambros (soprano)
soprano vocals [Die Vertraute]:
Renate Frank-Reinecke (soprano)
soprano vocals [Elektra]:
Inge Borkh (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
Richard Strauss?:??
8Elektra: "Ich will nichts hören!" (Klytämnestra)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytämnestra]:
Jean Madeira (mezzo-soprano / alto) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Ich will nichts hören" (Klytämnestra) (in 1960-10)
composer:
Richard Strauss (German composer)
part of:
Elektra (op. 58; TrV 223)
Richard Strauss5:06
9Elektra: "Ich habe keine guten Nächte." (Klytämnestra, Elektra)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytämnestra]:
Jean Madeira (mezzo-soprano / alto) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss5:59
10Elektra: "Wenn das rechte Blutopfer unterm Beile fällt" (Elektra, Klytämnestra)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytämnestra]:
Jean Madeira (mezzo-soprano / alto) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Wenn das rechte Blutopfer unterm Beile fällt" (Elektra, Klytämnestra) (in 1960-10)
composer:
Richard Strauss (German composer)
part of:
Elektra (op. 58; TrV 223)
Richard Strauss4:31
11Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Klytämnestra]:
Jean Madeira (mezzo-soprano / alto) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss4:09
4▼CD: Elektra, Dresden 1960, CD2
#TitleArtistRatingLength
1Elektra: "Orest! Orest ist tot!" / "Platz da! Wer lungert so vor einer Tür?" (Chrysothemis, Elektra, Junger Diener, Alter Diener)
producer:
Wolfgang Lohse
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Orest! Orest ist tot!" (Chrysothemis, Elektra, junger Diener, alter Diener) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss3:22
2Elektra: "Nun muß es hier von uns geschehn" / "Du! Du! Denn Du bist stark" / "Nun denn, allein!" (Elektra, Chrysothemis)
producer:
Wolfgang Lohse
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Nun muß es hier von uns geschehn" (Elektra, Chrysothemis) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss2:07
3Elektra: "Was willst du, fremder Mensch?" / "Elektra Elektra" / "Orest!" (Elektra, Orest)
producer:
Wolfgang Lohse
baritone vocals [Orest]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Was willst du, fremder Mensch?" (Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss6:22
4Elektra: "Du wirst es tun? Allein? Du armes Kind!" / "Seid ihr von Sinnen" / "Ich habe ihm das Beil nicht geben können" (Elektra, Orest, Der Pfleger)
producer:
Wolfgang Lohse
baritone vocals [Orest]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Du wirst es tun? Allein?" (Elektra, Orest) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss1:32
5Elektra: "Es muss etwas geschehen sein" / "He! Lichter! Lichter!" (Chrysothemis, Mägde, DIenerinnen, Aegisth, Elektra)
producer:
Wolfgang Lohse
soprano vocals [Elektra]:
Inge Borkh (soprano) (in 1960-10)
tenor vocals [Aegisth]:
Fritz Uhl (tenor) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "He! Lichter! Lichter!" (Aegisth, Elektra) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss3:46
6Elektra: "Elektra! Schwester!" / "Ob ich nicht höre?" / "Hörst du denn nicht, sie tragen ihn" / "Schweig, und tanze." (Chrysothemis, Elektra, Chor)
producer:
Wolfgang Lohse
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1960-10)
soprano vocals [Chrysothemis]:
Marianne Schech (soprano) (in 1960-10)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1960-10)
conductor:
Karl Böhm (Austrian conductor) (in 1960-10)
chorus master:
Ernst Hintze (chorus master)
balance engineer:
Heinrich Keilholz
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1960-10)
recording of:
Elektra: "Elektra! Schwester!" (Chrysothemis, Chor) (in 1960-10)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Elektra (op. 58; TrV 223)
Richard Strauss1:51
5▼CD: Die Frau ohne Schatten, Wien 1955, CD1
#TitleArtistRatingLength
1Die Frau ohne Schatten: I. Aufzug. "Licht überm See" (Die Amme, Der Geisterbote)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Geisterbote]:
Kurt Böhme (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Licht überm See” (Die Amme, der Geisterbote) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:44
2Die Frau ohne Schatten: I. Aufzug. "Amme! Wachst du?" (Der Kaiser, Die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Amme! Wachst du?” (Der Kaiser, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:47
3Die Frau ohne Schatten: I. Aufzug. "Ist mein Liebster dahin" (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Ist mein Liebster dahin, was weckst du mich früh?” (Die Kaiserin, Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
librettist:
Hugo von Hofmannsthal
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss3:34
4Die Frau ohne Schatten: I. Aufzug. "Wie soll ich denn nicht weinen?" (Die Stimme des Falken, Die Kaiserin, Die Amme)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Die Stimme des Falken]:
Judith Hellwig (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss3:42
5Die Frau ohne Schatten: I. Aufzug. "Amme, um alles, du weißt die Wege" / Erdenflug (Die Kaiserin, Die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau Ohne Schatten: I. Aufzug. "Amme, um alles, du weißt die Wege" (from 1955-11-28 until 1955-12-10)
Richard Strauss4:33
6Die Frau ohne Schatten: I. Aufzug. Verwandlung / "Dieb! Da nimm!" / "Reiß ihn nach hinten!" / "Zu Hilfe, Bruder!" (Die Brüder, Färberin, Barak)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss2:41
7Die Frau ohne Schatten: I. Aufzug. "Sie aus dem Hause" (Färberin, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Sie aus dem Hause” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss8:13
8Die Frau ohne Schatten: I. Aufzug. "Dritthalb Jahr bin ich dein Weib" (Färberin, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Dritthalb Jahr bin ich dein Weib” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:05
9Die Frau ohne Schatten: I. Aufzug. "Was wollt ihr hier?" (Färberin, Die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Was wollt ihr hier?” (Die Frau, die Amme, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss6:39
10Die Frau ohne Schatten: I. Aufzug. "Ach, Herrin, süße Herrin!" (Die Dienerinnen, Die Kaiserin, Der Jüngling, Färberin)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss3:01
11Die Frau ohne Schatten: I. Aufzug. "Hat es dich blutige Tränen gekostet" (Die Amme, Färberin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Hat es dich blutige Tränen gekostet” (Die Amme, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:39
12Die Frau ohne Schatten: I. Aufzug. "Mutter, Mutter, laß uns nach Hause!" (Die Kinderstimmen, Färberin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) and Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. "Mutter, Mutter, laß uns nach Hause!" (Kinderstimmen, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss1:49
13Die Frau ohne Schatten: I. Aufzug. "Trag ich die Ware selber zu Markt" / "Ihr Garten in den Häusern dieser Stadt" (Barak, Färberin, Die Wächter)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss1:51
6▼CD: Die Frau ohne Schatten, Wien 1955, CD2
#TitleArtistRatingLength
1Die Frau ohne Schatten: II. Aufzug. "Komm bald wieder nach Haus, mein Gebieter" (Die Amme, Färberin, Die Kaiserin, Stimmen)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Komm bald wieder nach Haus, mein Gebieter” (Die Amme, die Frau, die Kaiserin, Chor) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss6:59
2Die Frau ohne Schatten: II. Aufzug. "Was ist nun deine Rede, du Prinzessin" (Barak, Die Brüder, Die Bettelkinder, Färberin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Einarmige]:
Oskar Czerwenka (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Der Einäugige]:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals [Bettelkinder]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Bucklige]:
Murray Dickie (tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Was ist nun deine Rede, du Prinzessin” (Barak, die Brüder, Bettelkinder, die Frau, die Wächter) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss6:24
3Die Frau ohne Schatten: II. Aufzug. Verwandlung
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. Verwandlung (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:04
4Die Frau ohne Schatten: II. Aufzug. "Falke, Falke, du wiedergefundener" (Der Kaiser)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Falke, Falke, du Wiedergefundener” (Der Kaiser) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:35
5Die Frau ohne Schatten: II. Aufzug. Verwandlung / "Es gibt derer, die haben immer Zeit" (Färberin, Barak, Die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Es gibt derer, die haben immer Zeit” (Die Frau, Barak, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:05
6Die Frau ohne Schatten: II. Aufzug. "Schlange, was hab ich mit dir zu schaffen!" (Färberin, Der Jüngling, Die Amme, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Die Erscheinung eines Jünglings]:
Karl Terkal (Austrian Tenor) (, from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Schlange, was hab’ ich mit dir zu schaffen?” (Die Frau, die Erscheinung eines Jünglings, die Amme, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss3:36
7Die Frau ohne Schatten: II. Aufzug. "Ein Handwerk verstehst du sicher nicht" / "Um Nahrung für mich gräme dich nicht" / "Wer da?" / Verwandlung (Barak, Die Kaiserin, Färberin)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss5:23
8Die Frau ohne Schatten: II. Aufzug. "Sieh - Amme - sieh" (Die Kaiserin, Stimmen, Die Stimme des Falken)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Die Stimme des Falken]:
Judith Hellwig (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss4:04
9Die Frau ohne Schatten: II. Aufzug. "Wehe, mein Mann!" (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Wehe, mein Mann!” (Die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
librettist:
Hugo von Hofmannsthal
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:25
10Die Frau ohne Schatten: II. Aufzug. Verwandlung / "Es dunkelt, daß ich nicht sehe zur Arbeit" / "Es gibt derer" / "Ab tu ich von meinem Leibe die Kleider" (Barak, Die Brüder, Die Amme, Färberin, Die Kaiserin)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss1:56
11Die Frau ohne Schatten: II. Aufzug. "Das Weib ist irre" / "Barak, ich hab es nicht getan!" (Barak, Die Brüder, Die Amme, Die Kaiserin, Färberin)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss1:36
7▼CD: Die Frau ohne Schatten, Wien 1955, CD3
#TitleArtistRatingLength
1Die Frau ohne Schatten: III. Aufzug. "Schweigt doch, ihr Stimmen!" (Färberin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Schweigt doch, ihr Stimmen!” (Die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss8:12
2Die Frau ohne Schatten: III. Aufzug. "Mir anvertraut" (Barak, Färberin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Mir anvertraut, daß ich sie hege” (Barak, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss3:33
3Die Frau ohne Schatten: III. Aufzug. "Auf, geh nach oben, Mann" / Verwandlung (Eine Stimme von oben, Färberin, Die dienenden Geister, Der Geisterbote)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss5:04
4Die Frau ohne Schatten: III. Aufzug. "Fort von hier!" (Die Amme, Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Fort von hier!” (Die Amme, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss6:57
5Die Frau ohne Schatten: III. Aufzug. "Wehe, mein Kind" / Verwandlung / "Sterben! Sterben!" (Die Amme, Der Geisterbote, Färberin, Barak, Die Geister)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss1:54
6Die Frau ohne Schatten: III. Aufzug. "Vater, bist du's?" (Die Kaiserin, Der Hüter der Schwelle des Tempels, Färberin, Barak)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss7:53
7Die Frau ohne Schatten: III. Aufzug. "Weh mir! Erfüllt der Fluch!" (Die Kaiserin, Unterirdische Stimmen, Der Hüter der Schwelle des Tempels, Barak, Färberin)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss1:57
8Die Frau ohne Schatten: III. Aufzug. "Wenn das Herz aus Kristall zerbricht mit einem Schrei" / Verwandlung (Der Kaiser, Die Stimmen der Ungebohrenen, Die Kaiserin)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss6:20
9Die Frau ohne Schatten: III. Aufzug. "Trifft mich sein Lieben nicht" / "Nun will ich jubeln" / "Vater, dir drohet nichts" (Barak, Der Kaiser, Die Kaiserin, Färberin, Die Stimmen der Ungebohrenen)
recording engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak]:
Paul Schöffler (bass-baritone)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano)
soprano vocals [Färberin]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria
Richard Strauss2:23
8▼CD: Daphne, Wien 1944 CD1
#TitleArtistRatingLength
1Daphne: Orchestereinleitung / "Kleontes!"(Schäfer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss6:00
2Daphne: "Leb wohl, du Tag!" (Chor, Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss1:37
3Daphne: "Sonne gesegneter Schein" / "Oh wie gerne blieb ich bei dir, mein lieber Baum" (Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss8:12
4Daphne: "Leukippos, du? (Daphne, Leukippos, Gaea)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
tenor vocals [Leukippos]:
Anton Dermota (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss6:04
5Daphne: "Den Zagen kenn ich" (Gaea, Daphne)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss4:52
6Daphne: "Ei, so fliegt sie dahin" (Mägde, Leukippos)
tenor vocals [Leukippos]:
Anton Dermota (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss4:15
7Daphne: "Seid ihr um mich, ihr Hirten alle?" (Peneios, Schäfer, Gaea, Chor)
bass vocals [Peneios]:
Herbert Alsen (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:36
8Daphne: "Ich grüße dich, weiser, erfahrener Fischer" (Apollo, Peneios, Gaea, Schäfer, Chor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss3:40
9Daphne: "Was führt dich her im niedern Gewande?" (Apollo, Daphne)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:02
10Daphne: "Seltsam singst Du und voller Rätsel" (Daphne, Apollo)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:36
9▼CD: Daphne, Wien 1944 CD2
#TitleArtistRatingLength
1Daphne: "Ich liebe dich, Daphne" (Apollo, Daphne, Chor)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss4:02
2Daphne: "Allüberall blühe Dionysos" (Peneios, Schäfer, Gaea, Mägde, Daphne, Chor)
bass vocals [Peneios]:
Herbert Alsen (operatic bass)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss4:01
3Daphne: "Trinke, du Tochter!" (Gaea, Daphne, Schäfer, Chor, Mägde)
contralto vocals [Gaea]:
Melanie Frutschnigg (Austrian operatic contralto)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss2:43
4Daphne: "Furchtbare Schmach dem Gotte!" (Apollo, Schäfer Mägde)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss1:45
5Daphne: "Zu dir nun, Knabe!" (Apollo, Leukippos, Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
tenor vocals [Leukippos]:
Anton Dermota (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss2:41
6Daphne: "Jeden heiligen Morgen" (Apollo, Daphne, Leukippos)
soprano vocals [Daphne]:
Maria Reining (soprano)
tenor vocals [Leukippos]:
Anton Dermota (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss4:11
7Daphne: "Daphne -Gespielin" (Leukippos)
tenor vocals [Leukippos]:
Anton Dermota (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss1:32
8Daphne: "Unheilvolle Daphne!" (Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss3:39
9Daphne: "Geliebter Gespiele!" (Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:35
10Daphne: "Was erblicke ich?" (Apollo)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss5:45
11Daphne: Verwandlung "Ich komme, ich komme" / Mondscheinmusik (Daphne)
soprano vocals [Daphne]:
Maria Reining (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
Richard Strauss11:33
10▶CD: The Historical Bonus