The Chronological Classics: Billy Eckstine and His Orchestra 1944-1945

~ Release by Billy Eckstine and His Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I’ve Got a Date With Rhythm
recorded in:
New York, New York, United States (on 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (on 1944-04-13) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (on 1944-04-13)
double bass:
Oscar Pettiford (on 1944-04-13)
drums (drum set):
Rossiere "Shadow" Wilson (on 1944-04-13)
guitar:
Connie Wainwright (on 1944-04-13)
piano:
Clyde Hart (on 1944-04-13)
tenor saxophone:
Thomas Crump (on 1944-04-13) and Wardell Gray (on 1944-04-13)
trombone:
Claude Jones (on 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (on 1944-04-13) and Trummy Young (on 1944-04-13)
trumpet:
Al Killian (on 1944-04-13) and Freddie Webster (on 1944-04-13)
vocals:
Billy Eckstine (on 1944-04-13)
performer:
Billy Eckstein With Deluxe All Star Band (on 1944-04-13)
2:59
2I Stay in the Mood for You
recorded in:
New York, New York, United States (on 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (on 1944-04-13), Jimmy Powel (on 1944-04-13) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (on 1944-04-13)
double bass:
Oscar Pettiford (on 1944-04-13)
drums (drum set):
Rossiere "Shadow" Wilson (on 1944-04-13)
guitar:
Connie Wainwright (on 1944-04-13)
piano:
Clyde Hart (on 1944-04-13)
tenor saxophone:
Wardell Gray (on 1944-04-13) and Tommy Crump (on 1944-04-13)
trombone:
Claude Jones (on 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (on 1944-04-13) and Trummy Young (on 1944-04-13)
trumpet:
Dizzy Gillespie (on 1944-04-13), Al Killian (on 1944-04-13), Shorty McConnell (on 1944-04-13), Freddie Webster (on 1944-04-13) and Freddy Webster (on 1944-04-13)
lead vocals:
Billy Eckstine (on 1944-04-13)
vocals and conductor:
Billy Eckstine (on 1944-04-13)
orchestra:
Billy Eckstine With Deluxe All Stars (on 1944-04-13)
performer:
Billy Eckstein With Deluxe All Star Band (on 1944-04-13)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
3:01
3Good Jelly Blues
recorded in:
New York, New York, United States (on 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (on 1944-04-13), Jimmy Powel (on 1944-04-13) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (on 1944-04-13)
double bass:
Oscar Pettiford (on 1944-04-13)
drums (drum set):
Rossiere "Shadow" Wilson (on 1944-04-13)
guitar:
Connie Wainwright (on 1944-04-13)
piano:
Clyde Hart (on 1944-04-13)
tenor saxophone:
Thomas Crump (on 1944-04-13) and Wardell Gray (on 1944-04-13)
trombone:
Claude Jones (on 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (on 1944-04-13) and Trummy Young (on 1944-04-13)
trumpet:
Dizzy Gillespie (on 1944-04-13), Al Killian (on 1944-04-13), Shorty McConnell (on 1944-04-13), Freddie Webster (on 1944-04-13) and Freddy Webster (on 1944-04-13)
vocals and conductor:
Billy Eckstine (on 1944-04-13)
orchestra:
Billy Eckstine With Deluxe All Stars (on 1944-04-13)
performer:
Billy Eckstein With Deluxe All Star Band (on 1944-04-13)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
2:56
4If That’s the Way You Feel
recorded in:
New York, New York, United States (on 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-09-05) and John Jackson (American jazz saxophonist) (on 1944-09-05)
baritone saxophone:
Leo Parker (on 1944-09-05)
double bass:
Tommy Potter (on 1944-09-05)
drums (drum set):
Art Blakey (on 1944-09-05)
guitar:
Connie Wainwright (on 1944-09-05)
piano:
John Malachi (on 1944-09-05)
tenor saxophone:
Gene Ammons (on 1944-09-05), Taswell Baird (on 1944-09-05) and Dexter Gordon (on 1944-09-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-09-05), Taswell Baird (on 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-09-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-09-05)
trumpet:
Boonie Haze (on 1944-09-05), Gail Brockman (Jazz trumpet player) (on 1944-09-05), Dizzy Gillespie (on 1944-09-05) and Shorty McConnell (on 1944-09-05)
vocals:
Billy Eckstine (on 1944-09-05) and Sarah Vaughan (on 1944-09-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-09-05)
conductor:
Billy Eckstine (on 1944-09-05)
arranger:
Tadd Dameron
2:43
5I Want to Talk About You
recorded in:
New York, New York, United States (on 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-09-05) and John Jackson (American jazz saxophonist) (on 1944-09-05)
baritone saxophone:
Leo Parker (on 1944-09-05)
double bass:
Tommy Potter (on 1944-09-05)
drums (drum set):
Art Blakey (on 1944-09-05)
guitar:
Connie Wainwright (on 1944-09-05)
piano:
John Malachi (on 1944-09-05)
tenor saxophone:
Gene Ammons (on 1944-09-05), Taswell Baird (on 1944-09-05) and Dexter Gordon (on 1944-09-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-09-05), Taswell Baird (on 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-09-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-09-05)
trumpet:
Boonie Haze (on 1944-09-05), Gail Brockman (Jazz trumpet player) (on 1944-09-05), Dizzy Gillespie (on 1944-09-05) and Shorty McConnell (on 1944-09-05)
vocals and conductor:
Billy Eckstine (on 1944-09-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-09-05)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
2:41
6Blowing the Blues Away
recorded in:
New York, New York, United States (on 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-09-05) and John Jackson (American jazz saxophonist) (on 1944-09-05)
baritone saxophone:
Leo Parker (on 1944-09-05)
double bass:
Tommy Potter (on 1944-09-05)
drums (drum set):
Art Blakey (on 1944-09-05)
guitar:
Connie Wainwright (on 1944-09-05)
piano:
John Malachi (on 1944-09-05)
tenor saxophone:
Gene Ammons (on 1944-09-05), Taswell Baird (on 1944-09-05) and Dexter Gordon (on 1944-09-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-09-05), Taswell Baird (on 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-09-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-09-05)
trumpet:
Boonie Haze (on 1944-09-05), Gail Brockman (Jazz trumpet player) (on 1944-09-05), Dizzy Gillespie (on 1944-09-05) and Shorty McConnell (on 1944-09-05)
vocals and conductor:
Billy Eckstine (on 1944-09-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-09-05)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
recording of:
Blowing the Blues Away (on 1944-09-05)
lyricist:
Billy Eckstine
composer:
Jerry Valentine (trombone, aka Jerry Valentine)
3:14
7Opus X
recorded in:
New York, New York, United States (on 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-12-05) and John Jackson (American jazz saxophonist) (on 1944-12-05)
baritone saxophone:
Leo Parker (on 1944-12-05)
double bass:
Tommy Potter (on 1944-12-05)
drums (drum set):
Art Blakey (on 1944-12-05)
guitar:
Connie Wainwright (on 1944-12-05)
piano:
John Malachi (on 1944-12-05)
tenor saxophone:
Gene Ammons (on 1944-12-05), Taswell Baird (on 1944-12-05) and Dexter Gordon (on 1944-12-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-12-05), Taswell Baird (on 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-12-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-12-05)
trumpet:
Boonie Hazel (on 1944-12-05), Gail Brockman (Jazz trumpet player) (on 1944-12-05), Dizzy Gillespie (on 1944-12-05) and Shorty McConnell (on 1944-12-05)
vocals and conductor:
Billy Eckstine (on 1944-12-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-12-05)
2:40
8I’ll Wait and Pray
recorded in:
New York, New York, United States (on 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-12-05) and John Jackson (American jazz saxophonist) (on 1944-12-05)
baritone saxophone:
Leo Parker (on 1944-12-05)
double bass:
Tommy Potter (on 1944-12-05)
drums (drum set):
Art Blakey (on 1944-12-05)
guitar:
Connie Wainwright (on 1944-12-05)
piano:
John Malachi (on 1944-12-05)
tenor saxophone:
Gene Ammons (on 1944-12-05), Taswell Baird (on 1944-12-05) and Dexter Gordon (on 1944-12-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-12-05), Taswell Baird (on 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-12-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-12-05)
trumpet:
Boonie Hazel (on 1944-12-05), Gail Brockman (Jazz trumpet player) (on 1944-12-05), Dizzy Gillespie (on 1944-12-05) and Shorty McConnell (on 1944-12-05)
vocals and conductor:
Billy Eckstine (on 1944-12-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-12-05)
2:59
9The Real Thing Happened to Me
recorded in:
New York, New York, United States (on 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-12-05) and John Jackson (American jazz saxophonist) (on 1944-12-05)
baritone saxophone:
Leo Parker (on 1944-12-05)
double bass:
Tommy Potter (on 1944-12-05)
drums (drum set):
Art Blakey (on 1944-12-05)
guitar:
Connie Wainwright (on 1944-12-05)
piano:
John Malachi (on 1944-12-05)
tenor saxophone:
Gene Ammons (on 1944-12-05), Taswell Baird (on 1944-12-05) and Dexter Gordon (on 1944-12-05)
trombone:
Alfred “Chippy” Outcalt (on 1944-12-05), Taswell Baird (on 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-12-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-12-05)
trumpet:
Boonie Hazel (on 1944-12-05), Gail Brockman (Jazz trumpet player) (on 1944-12-05), Dizzy Gillespie (on 1944-12-05) and Shorty McConnell (on 1944-12-05)
vocals and conductor:
Billy Eckstine (on 1944-12-05)
orchestra:
Billy Eckstine and His Orchestra (on 1944-12-05)
2:45
10Lonesome Lover Blues
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (on 1945-05-02) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (Jazz trumpet player) (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
recording of:
Lonesome Lover Blues
lyricist and composer:
Billy Eckstine
2:51
11A Cottage for Sale
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (on 1945-05-02) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (Jazz trumpet player) (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
cover recording of:
A Cottage for Sale (on 1945-05-02)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
2:50
12I Love the Rhythm in a Riff
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred "Chippy" Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (on 1945-05-02) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (Jazz trumpet player) (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
2:53
13Last Night
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (on 1945-05-02) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (Jazz trumpet player) (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
3:04
14My Deep Blue Dream
recorded in:
New York, New York, United States (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) and John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
double bass:
Tommy Potter (in 1945-09)
drums (drum set):
Art Blakey (in 1945-09)
guitar:
Connie Wainwright (in 1945-09)
piano:
Richard Ellington (in 1945-09)
tenor saxophone:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) and Arthur Simmons (in 1945-09)
trombone:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
trumpet:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) and Raymond Orr (in 1945-09)
vocals and conductor:
Billy Eckstine (in 1945-09)
orchestra:
Billy Eckstine and His Orchestra (in 1945-09)
recording of:
My Deep Blue Dream
lyricist:
Spence Andrews
composer:
Dave Rivera (jazz pianist)
publisher:
Colgems-EMI Music Inc.
3:02
15Prisoner of Love
recorded in:
New York, New York, United States (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) and John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
double bass:
Tommy Potter (in 1945-09)
drums (drum set):
Art Blakey (in 1945-09)
guitar:
Connie Wainwright (in 1945-09)
piano:
Richard Ellington (in 1945-09)
tenor saxophone:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) and Arthur Simmons (in 1945-09)
trombone:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
trumpet:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) and Raymond Orr (in 1945-09)
vocals and conductor:
Billy Eckstine (in 1945-09)
orchestra:
Billy Eckstine and His Orchestra (in 1945-09)
2:57
16A Penny for Your Thoughts
recorded in:
New York, New York, United States (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) and John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
double bass:
Tommy Potter (in 1945-09)
drums (drum set):
Art Blakey (in 1945-09)
guitar:
Connie Wainwright (in 1945-09)
piano:
Richard Ellington (in 1945-09)
tenor saxophone:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) and Arthur Simmons (in 1945-09)
trombone:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
trumpet:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) and Raymond Orr (in 1945-09)
vocals and conductor:
Billy Eckstine (in 1945-09)
orchestra:
Billy Eckstine and His Orchestra (in 1945-09)
2:59
17I Ain’t Like That No More
recorded in:
New York, New York, United States (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) and John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
double bass:
Tommy Potter (in 1945-09)
drums (drum set):
Art Blakey (in 1945-09)
guitar:
Connie Wainwright (in 1945-09)
piano:
Richard Ellington (in 1945-09)
tenor saxophone:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) and Arthur Simmons (in 1945-09)
trombone:
Alfred "Chippy" Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
trumpet:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) and Raymond Orr (in 1945-09)
vocals and conductor:
Billy Eckstine (in 1945-09)
orchestra:
Billy Eckstine and His Orchestra (in 1945-09)
2:55
18I’m in the Mood for Love
recorded in:
New York, New York, United States (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) and John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
double bass:
Tommy Potter (in 1945-10)
drums (drum set):
Art Blakey (in 1945-10)
guitar:
Connie Wainwright (in 1945-10)
piano:
Richard Ellington (in 1945-10)
tenor saxophone:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) and Arthur Simmons (in 1945-10)
trombone:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
trumpet:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) and Raymond Orr (in 1945-10)
vocals and conductor:
Billy Eckstine (in 1945-10)
orchestra:
Billy Eckstine and His Orchestra (in 1945-10)
cover recording of:
I’m in the Mood for Love (in 1945-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:58
19You Call It Madness
recorded in:
New York, New York, United States (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) and John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
double bass:
Tommy Potter (in 1945-10)
drums (drum set):
Art Blakey (in 1945-10)
guitar:
Connie Wainwright (in 1945-10)
piano:
Richard Ellington (in 1945-10)
tenor saxophone:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) and Arthur Simmons (in 1945-10)
trombone:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
trumpet:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) and Raymond Orr (in 1945-10)
vocals and conductor:
Billy Eckstine (in 1945-10)
orchestra:
Billy Eckstine and His Orchestra (in 1945-10)
3:04
20All I Sing Is the Blues
recorded in:
New York, New York, United States (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) and John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
double bass:
Tommy Potter (in 1945-10)
drums (drum set):
Art Blakey (in 1945-10)
guitar:
Connie Wainwright (in 1945-10)
piano:
Richard Ellington (in 1945-10)
tenor saxophone:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) and Arthur Simmons (in 1945-10)
trombone:
Alfred "Chippy" Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
trumpet:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) and Raymond Orr (in 1945-10)
vocals and conductor:
Billy Eckstine (in 1945-10)
orchestra:
Billy Eckstine and His Orchestra (in 1945-10)
2:52
21Long Long Journey
recorded in:
New York, New York, United States (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) and John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
double bass:
Tommy Potter (in 1945-10)
drums (drum set):
Art Blakey (in 1945-10)
guitar:
Connie Wainwright (in 1945-10)
piano:
Richard Ellington (in 1945-10)
tenor saxophone:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) and Arthur Simmons (in 1945-10)
trombone:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) and Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
trumpet:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) and Raymond Orr (in 1945-10)
vocals and conductor:
Billy Eckstine (in 1945-10)
orchestra:
Billy Eckstine and His Orchestra (in 1945-10)
3:08

Credits

Release

ASIN:FR: B00007GXEU [info]

Release group

part of:The Chronological Classics (number: 914) (order: 423)
Discogs:https://www.discogs.com/master/2704805 [info]