Sixties Jukebox Classics: 54 Jukebox Smashes From the 60’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1I Can’t Explain
produttore:
Shel Talmy
basso :
John Entwistle (nel 1964-11)
batteria e percussione :
Keith Moon (drummer) (nel 1964-11)
chitarra :
Jimmy Page (nel 1964-11) e Pete Townshend (of The Who) (nel 1964-11)
pianoforte :
Perry Ford (English pop singer) (nel 1964-11)
voce:
John Entwistle (nel 1964-11) e Pete Townshend (of The Who) (nel 1964-11)
voce di accompagnamento:
The Ivy League (60s rock) (nel 1964-11)
voce principale:
Roger Daltrey (nel 1964-11)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965)
registrata presso:
Pye Records Ltd Studio in London (Greater London), England, Regno Unito (nel 1964-11)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 44)
registrazione di:
I Can’t Explain (nel 1964-11)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who42:07
2Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:33
3Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.33:00
4You’ve Lost That Lovin’ Feeling
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:40
5I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
6You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:50
7It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:01
8The Sun Ain’t Gonna Shine Any More
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3.53:02
9Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:35
10With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:06
11I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
registrazione di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.62:45
12I’ll Be There
Four Tops2:59
13Needles and Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:14
14Do You Love Me?
registrazione cover di:
Do You Love Me
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:24
15Pictures of Matchstick Men
tecnico:
Alan Florence
produttore:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
basso elettrico e chitarra basso :
Alan Lancaster
batteria :
John Coghlan
chitarra e chitarra elettrica :
Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
organo e organo elettrico :
Roy Lynes
voce:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
diritti fonografici (℗) detenuti da:
Castle Communications Ltd. (nel 1968), Pye Records Ltd. (company owning the label Pye Records) (nel 1968) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1968)
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3.53:11
16You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:15
17Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair43:00
18Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:39
19Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:09
20Out of Time
registrazione cover di:
Out of Time
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia e EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:35
21You’ve Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:24
22The Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:50
23All or Nothing
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966)
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
Small Faces3.53:06
24From the Underworld
esecutore:
Peter Frampton
registrazione di:
From the Underworld
paroliere e compositore:
Alan Blaikley
The Herd43:18
25Keep On Running
produttore:
Chris Blackwell (Island Records)
voce e esecutore:
Steve Winwood
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1965)
registrazione cover di:
Keep On Running
paroliere e compositore:
Jackie Edwards
editore:
Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group3.652:41
26Hold Tight
registrazione di:
Hold Tight
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich2:48
27The Game of Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1965)
registrazione cover di:
Game of Love
paroliere e compositore:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:07
2▼CD
#TitoloArtistaValutazioneDurata
1Fire
produttore:
Kit Lambert
produttore associato:
Pete Townshend (of The Who)
basso :
Sean Nicholas
batteria :
Dracken Theaker
organo :
Vincent Crane
voce:
Arthur Brown
arrangiatore:
Vincent Crane
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1968)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Fire
autore:
Arthur Brown, Vincent Crane, Mike Finesilver e Peter Ker (producer and songwriter)
editore:
Gowmonk, Inc. e Onward Music Ltd.
The Crazy World of Arthur Brown3.852:59
2Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:57
3Sunny Afternoon
registrazione di:
Sunny Afternoon
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Davray Music Ltd., Carlin (nel 1984) e Davray (publisher) (nel 1984)
The Kinks3:34
4Sha‐La‐La‐La‐Lee
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
registrazione cover di:
Sha-La-La-La-Lee
autore:
Kenny Lynch (English singer, songwriter, entertainer & actor) e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
Small Faces2:56
5Blackberry Way
registrazione di:
Blackberry Way
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd. e Essex Music International, Inc. (nel 1968)
The Move53:37
6Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:21
7Sorrow
registrazione cover di:
Sorrow
autore e compositore:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
EMI Catalogue Partnership, EMI United Partnership Ltd. e Grand Canyon Music Inc.
The Merseys2:16
8Here It Comes Again
registrazione di:
Here It Comes Again
autore:
Barry Mason (English songwriter) e Les Reed
The Fortunes23:06
9Baby, Now That I’ve Found You
registrazione di:
Baby Now That I’ve Found You (nel 1967)
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:36
10I Feel Feel
registrazione di:
I Feel Free
paroliere:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
compositore:
Jack Bruce
editore:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Unichappell-Stigwood Music (nel 1967)
Cream2:56
11(I’m a) Road Runner
tecnico di missaggio:
Suha Gur
basso :
James Jamerson
chitarra :
Willie Woods (US guitarist & songwriter)
membranofono :
James Graves
sassofono :
Junior Walker
tastiera :
Vic Thomas (keyboard)
registrazione di:
(I’m a) Road Runner
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Jr. Walker & the All Stars22:49
12Yeh Yeh
Georgie Fame & the Blue Flames2:47
13Halfway to Paradise
registrazione cover di:
Halfway to Paradise
paroliere:
Gerry Goffin
compositore:
Carole King
Billy Fury2:28
14Brown Eyed Handsome Man
tecnico di registrazione:
Norman Petty (dal 1956-12 al 1957-01)
produttore:
Norman Petty
basso :
Larry Welborn (dal 1956-12 al 1957-01)
batteria :
Jerry Allison (dal 1956-12 al 1957-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1963) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1956-12 al 1957-01)
registrazione cover di:
Brown Eyed Handsome Man (dal 1956-12 al 1957-01)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
15With a Girl Like You
registrazione di:
With a Girl Like You
autore:
Reg Presley
The Troggs4.42:10
16Jesamine
registrazione cover di:
When Jesamine Goes
autore:
Frere Manston e Jack Gellar (a British pop music promoter, group manager and songwriter)
registrazione di:
When Jesamine Goes
autore:
Frere Manston e Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:38
17Reflections of My Life
registrazione di:
Reflections of My Life
autore:
Junior Campbell e Thomas McAleese
Marmalade4:17
18Twenty Four Hours From Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.52:59
19I Think of You
registrazione di:
I Think of You
paroliere e compositore:
Peter Lee Stirling (English pop singer/songwriter)
The Merseybeats2:30
20Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.352:55
21A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
22Make It Easy on Yourself
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Make It Easy on Yourself
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e MCA Music Ltd.
The Walker Brothers53:14
23Somebody Help Me
produttore:
Chris Blackwell (Island Records)
The Spencer Davis Group2:03
24Bend It
registrazione di:
Bend It (nel 1966)
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich32:34
25Don’t Throw Your Love Away
diritti fonografici (℗) detenuti da:
Wyncote Music Co. Ltd. (nel 1964)
registrazione cover di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner (pianist, producer and songwriter)
The Searchers42:17
26I Don’t Want Our Loving to Die
The Herd2:58
27Bend Me Shape Me
Amen Corner2:38

Accreditamenti

Pubblicazione

ASIN:UK: B000077DU9 [info]