The Complete Albums Collection 1956-1960

~ Release by Paul Chambers (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Afternoon in Paris
recording engineer:
Rudy van Gelder (on 1956-05-09)
producer:
Ozzie Cadena
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-05-09)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-09)
drums (drum set):
Kenny Clarke (on 1956-05-09)
guitar:
Kenny Burrell (on 1956-05-09)
piano:
Tommy Flanagan (on 1956-05-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-09)
recording of:
Afternoon in Paris (on 1956-05-09)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
5:58
2You Turned the Tables on Me
recording engineer:
Rudy van Gelder (on 1956-05-09)
producer:
Ozzie Cadena
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-05-09)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-09)
drums (drum set):
Kenny Clarke (on 1956-05-09)
guitar:
Kenny Burrell (on 1956-05-09)
piano:
Tommy Flanagan (on 1956-05-09)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-09)
instrumental recording of:
You Turned the Tables on Me (on 1956-05-09)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
4:45
3Apothegm
5:28
4Your Host
recording engineer:
Rudy van Gelder (on 1956-04-30)
producer:
Ozzie Cadena
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-30)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-04-30)
drums (drum set):
Kenny Clarke (on 1956-04-30)
guitar:
Kenny Burrell (on 1956-04-30)
piano:
Tommy Flanagan (on 1956-04-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-04-30)
recording of:
Your Host (on 1956-04-30)
composer:
Kenny Burrell
5:20
5Cottontail
recording engineer:
Rudy van Gelder (on 1956-04-30)
producer:
Ozzie Cadena
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-30)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-04-30)
drums (drum set):
Kenny Clarke (on 1956-04-30)
guitar:
Kenny Burrell (on 1956-04-30)
piano:
Tommy Flanagan (on 1956-04-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-04-30)
recording of:
Cotton Tail (on 1956-04-30)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:35
6Tom's Thumb
recording engineer:
Rudy van Gelder (on 1956-04-30)
producer:
Ozzie Cadena
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-30)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-04-30)
drums (drum set):
Kenny Clarke (on 1956-04-30)
guitar:
Kenny Burrell (on 1956-04-30)
piano:
Tommy Flanagan (on 1956-04-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-04-30)
recording of:
Tom's Thumb (on 1956-04-30)
composer:
Kenny Burrell
6:40
7Dexterity
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Dexterity (on 1956-03-02)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
6:46
8Stablemates
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Stablemates (on 1956-03-02)
composer:
Benny Golson (American jazz saxophonist and composer)
5:52
9Easy to Love
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1956-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1956-03)
piano:
Kenny Drew (in 1956-03)
tenor saxophone:
John Coltrane (in 1956-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
instrumental recording of:
Easy to Love (in 1956-03)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:52
10Visitation
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1956-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1956-03)
piano:
Kenny Drew (in 1956-03)
tenor saxophone:
John Coltrane (in 1956-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
recording of:
Visitation (in 1956-03)
composer:
Paul Chambers (US jazz bassist)
4:57
11John Paul Jones
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
recording of:
John Paul Jones (on 1956-03-02)
writer:
Phil Charig, Milton Pascal and Dan Shapiro
recording of:
Trane’s Blues (on 1956-03-02)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
6:56
12Eastbound
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Eastbound (on 1956-03-02)
composer:
Kenny Drew
4:26
2▼CD
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1Omicron
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Omicron (on 1956-09-21)
composer:
Donald Byrd (American jazz trumpeter)
7:18
2Whims of Chambers
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Whims of Chambers (on 1956-09-21)
composer:
Paul Chambers (US jazz bassist)
4:05
3Nita
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Nita (on 1956-09-21)
composer:
John Coltrane
publisher:
Jowcol Music
6:33
4We Six
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
We Six (on 1956-09-21)
writer:
Donald Byrd (American jazz trumpeter)
7:42
5Dear Ann
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Dear Ann (on 1956-09-21)
writer:
Paul Chambers (US jazz bassist)
4:20
6Tale of the Fingers
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Tale of the Fingers (on 1956-09-21)
writer:
Paul Chambers (US jazz bassist)
4:44
7Just for the Love
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Just for the Love (on 1956-09-21)
composer:
John Coltrane
3:42
8Minor Run-Down
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
7:40
9The Hand of Love
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
6:26
10Softly, as in a Morning Sunrise
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1957-05-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
3:10
11Four Strings
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
5:30
12What's New?
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
instrumental recording of:
What’s New? (on 1957-05-19)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
5:40
13Beauteous
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
8:10
3▼CD
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1Yesterdays
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
Yesterdays (on 1957-07-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:50
2You'd Be So Nice to Come Home To
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-07-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
7:13
3Chasin' the Bird
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Chasing the Bird (on 1957-07-14)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
6:15
4Dear Old Stockholm
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Dear Old Stockholm (on 1957-07-14)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
6:41
5The Theme
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
The Theme (on 1957-07-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
6:11
6Confessin'
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
I’m Confessin’ (That I Love You) (on 1957-07-14)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
4:11
7Reflection
recording engineer:
Rudy van Gelder (on 1958-11-14)
producer:
Esmond Edwards
double bass:
Paul Chambers (US jazz bassist) (on 1958-11-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-11-14)
piano:
Phineas Newborn (American jazz pianist) (on 1958-11-14)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-11-14)
cover recording of:
Reflection (on 1958-11-14)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
recording of:
Reflection (on 1958-11-14)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
4:25
8Sugar Ray
recording engineer:
Rudy van Gelder (on 1958-11-14)
producer:
Esmond Edwards
double bass:
Paul Chambers (US jazz bassist) (on 1958-11-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-11-14)
piano:
Phineas Newborn (American jazz pianist) (on 1958-11-14)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-11-14)
recording of:
Sugar Ray (Phineas Newborn, Jr.) (on 1958-11-14)
composer:
Phineas Newborn (American jazz pianist)
6:26
9Solitaire
recording engineer:
Rudy van Gelder (on 1958-11-14)
producer:
Esmond Edwards
double bass:
Paul Chambers (US jazz bassist) (on 1958-11-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-11-14)
piano:
Phineas Newborn (American jazz pianist) (on 1958-11-14)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-11-14)
cover recording of:
Solitaire (on 1958-11-14)
writer:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) and Carl Nutter
8:56
10After Hours
recording engineer:
Rudy van Gelder (on 1958-11-14)
producer:
Esmond Edwards
double bass:
Paul Chambers (US jazz bassist) (on 1958-11-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-11-14)
piano:
Phineas Newborn (American jazz pianist) (on 1958-11-14)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-11-14)
recording of:
After Hours (blues piano composition by Avery Parrish) (on 1958-11-14)
composer:
Avery Parrish
11:22
11Sneakin' Around
recording engineer:
Rudy van Gelder (on 1958-11-14)
producer:
Esmond Edwards
double bass:
Paul Chambers (US jazz bassist) (on 1958-11-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-11-14)
piano:
Phineas Newborn (American jazz pianist) (on 1958-11-14)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-11-14)
cover recording of:
Sneakin’ Around (jazz standard) (on 1958-11-14)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
4:27
12Our Delight
4:02
4▼CD
#TitleRatingLength
1Awful Mean
alto saxophone:
Cannonball Adderley (in 1959-02) and Julian “Cannonball” Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (in 1959-02, on 1959-02-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959-02, on 1959-02-03)
piano:
Wynton Kelly (in 1959-02, on 1959-02-03)
trumpet:
Freddie Hubbard (on 1959-02-03)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-03)
6:59
2Just Friends
alto saxophone:
Julian “Cannonball” Adderley (on 1959-02-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-02)
piano:
Wynton Kelly (on 1959-02-02)
trumpet:
Freddie Hubbard (on 1959-02-02)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-02)
instrumental cover recording of:
Just Friends (on 1959-02-02)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
instrumental recording of:
Just Friends (on 1959-02-02)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
5:16
3Julie Ann
alto saxophone:
Julian “Cannonball” Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
trumpet:
Freddie Hubbard (on 1959-02-03)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-03)
6:01
4There Is No Greater Love
alto saxophone:
Julian “Cannonball” Adderley (in 1959-02)
double bass:
Paul Chambers (US jazz bassist) (in 1959-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1959-02)
piano:
Wynton Kelly (in 1959-02)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (in 1959-02)
instrumental recording of:
There Is No Greater Love (in 1959-02)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
8:17
5Ease It
alto saxophone:
Julian “Cannonball” Adderley (on 1959-02-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-02)
piano:
Wynton Kelly (on 1959-02-02)
trumpet:
Freddie Hubbard (on 1959-02-02)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-02)
recording of:
Ease It (on 1959-02-02)
composer:
Paul Chambers (US jazz bassist)
6:59
6I Got Rhythm
alto saxophone:
Julian “Cannonball” Adderley (on 1959-02-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-02)
piano:
Wynton Kelly (on 1959-02-02)
trumpet:
Freddie Hubbard (on 1959-02-02)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-02)
instrumental recording of:
I Got Rhythm (on 1959-02-02)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
6:09
7Melody
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-05-12)
drums (drum set):
Lex Humphries (on 1960-05-12)
piano:
Wynton Kelly (on 1960-05-12)
tenor saxophone:
Yusef Lateef (on 1960-05-12)
trombone:
Curtis Fuller (on 1960-05-12)
trumpet:
Tommy Turrentine (on 1960-05-12)
recording of:
Melody
writer:
Yusef Lateef
4:11
8Bass Region
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-05-12)
drums (drum set):
Lex Humphries (on 1960-05-12)
piano:
Wynton Kelly (on 1960-05-12)
tenor saxophone:
Yusef Lateef (on 1960-05-12)
trombone:
Curtis Fuller (on 1960-05-12)
trumpet:
Tommy Turrentine (on 1960-05-12)
recording of:
Bass Region
writer:
Yusef Lateef
10:38
9Retrogress
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-05-12)
drums (drum set):
Lex Humphries (on 1960-05-12)
piano:
Wynton Kelly (on 1960-05-12)
tenor saxophone:
Yusef Lateef (on 1960-05-12)
trumpet:
Tommy Turrentine (on 1960-05-12)
recording of:
Retrogress
writer:
Yusef Lateef
3:33
10Mopp Shoe Blues
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-05-12)
drums (drum set):
Lex Humphries (on 1960-05-12)
piano:
Wynton Kelly (on 1960-05-12)
tenor saxophone:
Yusef Lateef (on 1960-05-12)
trombone:
Curtis Fuller (on 1960-05-12)
trumpet:
Tommy Turrentine (on 1960-05-12)
recording of:
Mopp Shoe Blues
writer:
Yusef Lateef
6:08
11Blessed
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-05-12)
drums (drum set):
Lex Humphries (on 1960-05-12)
flute and tenor saxophone and tenor saxophone:
Yusef Lateef (on 1960-05-12)
piano:
Wynton Kelly (on 1960-05-12)
trombone:
Curtis Fuller (on 1960-05-12)
trumpet:
Tommy Turrentine (on 1960-05-12)
recording of:
Blessed
writer:
Yusef Lateef
7:08