| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | Because We Want To- recording engineer:
- Pete Craigie
- Programmierung:
- Jim Marr
- zusätzliche Programmierung:
- Yak Bondy
- Produzent(in):
- Jim Marr und Wendy Page
- Mix:
- Pete Craigie, Jim Marr und Wendy Page
- Keyboard [keyboards]:
- Jim Marr
- zusätzlich Keyboard [keyboards]:
- Roger Jackson
- Hintergrundgesang [backing vocals]:
- Wendy Page
- vocals:
- Billie Piper
- vocals arranger:
- Wendy Page
- phonographisches Urheberrecht (℗) von:
- Virgin Records Ltd. (vom 1998 bis heute)
- mixed at:
- Metropolis Studios in London , England, Vereinigtes Königreich
- recording of:
- Because We Want To
- Verfasser(in):
- Jim Marr, Wendy Page, Dion Rambo und Jacques Richmond
- publisher:
- Chrysalis Music , Chrysalis Songs, Hit & Run Music , Homeless Youth Music, PolyGram International Publishing, Inc. und Scu Music
| 2.4 | 3:50 |
| 2 | Girlfriend | 1.5 | 3:52 |
| 3 | Officially Yours | 3 | 3:28 |
| 4 | She Wants You- recording engineer und Mix:
- Pete Craigie
- Programmierung:
- Yak Bondy und Jim Marr
- Produzent(in):
- Jim Marr und Wendy Page
- Keyboard [keyboards]:
- Yak Bondy und Jim Marr
- Hintergrundgesang [backing vocals]:
- Wendy Page
- vocals:
- Billie Piper
- mixed at:
- Metropolis Studios in London , England, Vereinigtes Königreich
- cover recording of:
- She Wants You
- Verfasser(in):
- Tim Laws und Pam Sheyne
- publisher:
- Chrysalis Music , Chrysalis Songs, Concord Music Publishing LLC, Hit & Run Music , Homeless Youth Music, Mother’s Finest Songs , PolyGram International Publishing, Inc. , Scu Music, Sony Music Publishing (Japan) Inc. , T-Rox Music Publishing & Productions Ltd, ユニバーサル・ミュージック・パブリッシング Synch事業部 , フジパシフィック音楽出版 (bis 2014-12-31) und フジパシフィックミュージック (vom 2015-01-01 bis heute)
| 3 | 3:40 |
| 5 | Love Groove | 1 | 4:29 |
| 6 | Party on the Phone | 1 | 4:15 |
| 7 | Saying I'm Sorry Now | 2 | 4:02 |
| 8 | You've Got It | 2 | 3:45 |
| 9 | I Dream | 1 | 5:35 |
| 10 | Honey to the Bee | 2 | 5:05 |
| 11 | Whatcha Gonna Do | 2 | 4:34 |
| 12 | Don't Forget to Remember | 1 | 4:50 |