Cantatas, Volume 1 (BWV 4, 150, 196)

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:11
2Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:03
3Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
4Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
7Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:29
8Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
9Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:40
10Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:28
11Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria (Soprano) "Doch bin und bleibe ich vergnügt"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:28
12Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:46
13Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria (Terzetto: Alto, Tenore, Basso) "Zedern müssen von den Winden"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:11
14Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:03
15Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:05
16Cantata No. 196 "Der Herr denket an uns" BWV 196: I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:47
17Cantata No. 196 "Der Herr denket an uns" BWV 196: II. Coro "Der Herr denket an uns"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:11
18Cantata No. 196 "Der Herr denket an uns" BWV 196: III. Aria (Soprano) "Er segnet, die den Herrn fürchten"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:30
19Cantata No. 196 "Der Herr denket an uns" BWV 196: IV. Duetto (Tenore, Basso) "Der Herr segnet euch"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
20Cantata No. 196 "Der Herr denket an uns" BWV 196: V. Coro "Ihr seid die Gesegneten des Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:11