Breathe: The Relaxing Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2007 Telarc International Corp., Distributed by Concord.»
℗ «This Compilation»

Countries excluded (Spotify + Deezer)

(As of 2024-12-03).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2024-12-03 02:51 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Water Music, Suite no. 3 in G Major, HWV 350: I. Sarabande
orchestra:
Boston Baroque
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
George Frideric Handel2:29
2Orchestral Suite no. 1 in C Major, BWV 1066: V. Menuets I & II
orchestra:
Boston Baroque (from 2003-09-24 until 2003-09-26)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (from 2003-09-24 until 2003-09-26)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:57
3Harpsichord Concerto no. 5 in F Minor, BWV 1056: II. Largo (Arr. for Guitar)Johann Sebastian Bach3:00
4The Well‐Tempered Clavier, Book 1: Prelude no. 1 in C Major, BWV 846Johann Sebastian Bach2:15
5Music for the Royal Fireworks, HWV 351: III. La paix
orchestra:
Boston Baroque
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:06
6Chorale Prelude in E‐Flat Major, BWV 645 “Wachet auf, ruft uns die Stimme”
assistant engineer:
Nathan James (mastering engineer)
engineer:
Thomas Knab (editor)
producer and editor:
Rosalind Ilett (Telarc editor)
classical guitar:
David Russell (classical guitarist) (in 2001-02)
arranger:
David Russell (classical guitarist)
recorded at:
Gordon Arts Center, Owings Mills in Maryland, United States (in 2001-02)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (in 2001-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach5:05
7Suite no. 3 in D Major, BWV 1068: II. Air
orchestra:
Boston Baroque (from 2003-09-24 until 2003-09-26)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (from 2003-09-24 until 2003-09-26)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:42
8Guitar Concerto in D Major, RV 93: II. Largo (From “The Cowboys”)
Antonio Vivaldi4:36
9Concerto grosso in F Major, op. 6 no. 2, HWV 320: I. Andante larghetto
recording engineer:
Michael Bishop (Telarc engineer/producer)
miscellaneous support:
Elaine Martone (engineer)
assistant engineer:
Kajo Paukert (technical)
producer:
James Mallinson (producer)
editor:
Dawn Frank (editor) and Rosalind Ilett (Telarc editor)
harpsichord:
Peter Sykes (harpsichordist)
oboe:
Marc Schachman (oboist)
recorder:
Christopher Krueger (flute and recorder player)
trumpet:
Friedemann Immer
violin:
Daniel Stepner (violinist)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1994-01-03 until 1994-01-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
George Frideric Handel3:15
10Brandenburg Concerto no. 6 in B‐Flat Major, BWV 1051: II. Adagio ma non tanto
recording engineer:
Jack Renner (engineer for Telarc)
miscellaneous support:
Elaine Martone (engineer)
assistant engineer:
John Newton (editor, engineer mixer)
producer:
James Mallinson (producer)
editor:
Rosalind Ilett (Telarc editor) and Henk Kooistra (dutch audio engineer)
cello:
Karen Kaderavek (cellist)
harpsichord:
Martin Pearlman (US conductor, harpsichordist, composer)
viola:
Marilyn McDonald and Daniel Stepner (violinist)
orchestra:
Boston Baroque
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1993-01-03 until 1993-01-05)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach4:43
11Concerto grosso in E Minor, op. 6 no. 3, HWV 321: IV. Polonaise. Andante
miscellaneous support:
Michael Bishop (Telarc engineer/producer)
engineer:
Jack Renner (engineer for Telarc)
assistant producer:
Elaine Martone (engineer)
producer:
James Mallinson (producer)
editor:
Erica Brenner (producer/editor) and Thomas Knab (editor)
orchestra:
Boston Baroque
conductor:
Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1992-01-05 until 1992-01-07)
recording of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise, andante (from 1992-01-05 until 1992-01-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in E minor, op. 6 no. 3, HWV 321
George Frideric Handel5:35
12Jesu, Joy Of Man’s Desiring (From Cantata no. 147)
Johann Sebastian Bach4:36