This Is Hardcore (Deluxe Edition)

~ Release by Pulp (see all versions of this release, 16 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1The Fear
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
The Fear (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
writer and composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
This Is Hardcore Launch Party (1998-03-25)
3.755:40
2Dishes
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
strings arranger:
Pulp
arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Dishes
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
This Is Hardcore Launch Party (1998-03-25)
33:30
3Party Hard
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Party Hard (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
This Is Hardcore Launch Party (1998-03-25)
2.654:00
4Help the Aged
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1997)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1996-11) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1997)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Help the Aged
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Clickimin Centre (1996-08-13)
34:29
5This Is Hardcore
programming:
Matthew Vaughan (UK producer)
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
piano:
Anne Dudley (English score composer) and Chris Thomas (UK record producer / remixer)
contains samples by:
Peter Thomas (German composer, arranger)
strings arranger:
Pulp
arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
samples:
Bolero on the Moon Rocks by Peter Thomas Sound Orchestra
recording of:
This Is Hardcore (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
La Monte Young Benefit (1997-10-31)
36:25
6TV Movie
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
TV Movie (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Massey Hall (1998-06-10)
3.353:25
7A Little Soul
programming:
Olle Romo (Swedish music producer, songwriter, and drummer) and Matthew Vaughan (UK producer)
art direction:
John Currin and Peter Saville (UK graphic designer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
piano:
Anne Dudley (English score composer)
strings arranger:
Pulp
arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
A Little Soul (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Paradise Club (1998-06-09)
publisher:
Island Music Ltd.
33:20
8I’m a Man
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
I’m a Man (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Paradise Club (1998-06-09)
45:00
9Seductive Barry
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
additional guest vocals:
Neneh Cherry
strings arranger:
Pulp
arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Seductive Barry (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
La Monte Young Benefit (1997-10-31)
38:31
10Sylvia
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Sylvia (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
3.355:45
11Glory Days
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
piano:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Glory Days (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Antony Genn, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Paradise Club (1998-06-09)
44:55
12The Day After the Revolution
assistant engineer:
Lorraine Francis and Pete Lewis (engineer)
engineer:
Jay Reynolds (engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
The Day After the Revolution (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
214:56
2▼Digital Media
#TitleRatingLength
1Cocaine Socialism (‘proper’ version)
recording of:
Cocaine Socialism
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Antony Genn, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
55:14
2It’s a Dirty World (recording session outtake)
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
It’s a Dirty World (from 1997-03 until 1998-01)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
5:13
3Like a Friend
programming:
Olle Romo (Swedish music producer, songwriter, and drummer) and Matthew Vaughan (UK producer)
art direction:
John Currin and Peter Saville (UK graphic designer)
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
Like a Friend (Pulp song) (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
3.654:33
4The Professional
recorded in:
London (Greater London), England, United Kingdom (in 1997)
assistant engineer:
Andy Nichols (sound engineer)
engineer:
Clive Goddard (engineer)
producer:
Pulp
recording of:
The Professional (in 1997)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
5:09
5Ladies’ Man
recorded in:
London (Greater London), England, United Kingdom (in 1997)
assistant engineer:
Andy Nichols (sound engineer)
engineer:
Clive Goddard (engineer)
producer:
Pulp
recording of:
Ladies’ Man (in 1997)
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:44
6Laughing Boy
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
pedal steel guitar:
Gerry Hogan
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1997)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1996-11 until 1997) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1996-11 until 1997)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Laughing Boy (from 1996-11 until 1997)
lyricist:
Jarvis Cocker
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
3:50
7We Are the Boys
assistant engineer:
Lorraine Francis and Jay Reynolds (engineer)
engineer:
Pete Lewis (engineer)
producer:
Pulp and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1997-03 until 1998-01)
recording of:
We Are the Boys (from 1997-03 until 1998-01)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Paradise Club (1998-06-09)
3:15
8Tomorrow Never Dies (rough mix)
recording of:
Tomorrow Never Lies
lyricist:
Jarvis Cocker
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:53
9Can I Have My Balls Back, Please? (demo)
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (from 1997-01 until 1997-02)
recording of:
Can I Have My Balls Back, Please? (from 1997-01 until 1997-02)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:16
10Modern Marriage (demo)
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (from 1997-01 until 1997-02)
recording of:
Modern Marriage (from 1997-01 until 1997-02)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:54
11My Erection (demo)
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (from 1997-01 until 1997-02)
recording of:
My Erection (from 1997-01 until 1997-02)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:22
12You Are the One (demo)
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (from 1997-01 until 1997-02)
recording of:
You Are the One (from 1997-01 until 1997-02)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
4:28
13Street Operator (demo)
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (from 1997-01 until 1997-02)
recording of:
Street Operator (from 1997-01 until 1997-02)
writer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
3:52
14This Is Hardcore (End of the Line mix)
programming:
Matthew Vaughan (UK producer)
assistant engineer:
Lorraine Francis
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
remixer:
End of the Line (German 1990/2000s emo / punk rock) and Pulp
remix of:
This Is Hardcore (original version) by Pulp
recording of:
This Is Hardcore
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
La Monte Young Benefit (1997-10-31)
2:06