The Best of the Song Books

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Something’s Gotta Give
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (in 1964)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
2:36
2Love Is Here to Stay
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
3:55
3Bewitched, Bothered, and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
7:05
4I’ve Got My Love to Keep Me Warm
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:59
5The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.653:24
6I Got It Bad (and That Ain’t Good)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Johnny Hodges (von 1957-06-25 bis 1957-06-27)
alto saxophone und Klarinette:
Russell Procope (von 1957-06-25 bis 1957-06-27)
Bassklarinette und Klarinette:
Harry Carney (von 1957-06-25 bis 1957-06-27)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (von 1957-06-25 bis 1957-06-27)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (von 1957-06-25 bis 1957-06-27)
Kontrabass:
Jimmy Woode (von 1957-06-25 bis 1957-06-27)
Posaune:
Quentin Jackson (von 1957-06-25 bis 1957-06-27), John Sanders (US jazz trombonist) (von 1957-06-25 bis 1957-06-27) und Britt Woodman (von 1957-06-25 bis 1957-06-27)
Schlagzeug:
Sam Woodyard (von 1957-06-25 bis 1957-06-27)
Tenorsaxophon:
Frank Foster (saxophonist) (von 1957-06-25 bis 1957-06-27) und Paul Gonsalves (von 1957-06-25 bis 1957-06-27)
Trompete:
William “Cat” Anderson (von 1957-06-25 bis 1957-06-27), Willie Cook (US jazz trumpeter) (von 1957-06-25 bis 1957-06-27) und Clark Terry (American swing trumpeter) (von 1957-06-25 bis 1957-06-27)
Trompete und Geige / Violine:
Ray Nance (von 1957-06-25 bis 1957-06-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-06-25 bis 1957-06-27)
Interpret(in):
Duke Ellington and His Orchestra (von 1957-06-25 bis 1957-06-27)
cover recording of:
I Got It Bad (and That Ain’t Good) (von 1957-06-25 bis 1957-06-27)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
6:16
7Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
33:03
8’S Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-07-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ronnie Lang (am 1959-07-16)
baritone saxophone:
Chuck Gentry (am 1959-07-16)
Bass:
Joe Comfort (am 1959-07-16)
Bassposaune:
George Roberts (american bass trombone) (am 1959-07-16)
Bratsche / Viola:
Alvin Dinkin (am 1959-07-16), Lou Kievman (violist) (am 1959-07-16), Ralph Lane (viola) (am 1959-07-16) und Barbara Simons (am 1959-07-16)
Cello:
Armand Kaproff (am 1959-07-16), Edgar Lustgarten (am 1959-07-16) und Kurt Reher (cellist) (am 1959-07-16)
Geige / Violine:
Victor Bay (am 1959-07-16), Alex Beller (am 1959-07-16), Ben Gill (am 1959-07-16), Jacques Gasselin (am 1959-07-16), Joseph Livoti (violinist) (am 1959-07-16), Dan Lube (am 1959-07-16), Misha Russell (am 1959-07-16), Paul Shure (am 1959-07-16), Marshall Sosson (am 1959-07-16) und Gerald Vinci (American violinist and strings conductor) (am 1959-07-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-07-16)
Holzblasinstrumente:
Buddy Collette (am 1959-07-16), Harry Klee (am 1959-07-16) und Champ Webb (am 1959-07-16)
Klavier:
Lou Levy (am 1959-07-16)
Perkussion:
Frank Flynn (am 1959-07-16)
Posaune:
James Priddy (am 1959-07-16), Richard Noel (trombonist) (am 1959-07-16) und Tommy Pederson (am 1959-07-16)
Schlagzeug:
Alvin Stoller (am 1959-07-16)
Trompete:
Pete Candoli (am 1959-07-16), Cappy Lewis (am 1959-07-16), Dale McMickle (am 1959-07-16) und Shorty Sherock (am 1959-07-16)
Tuba:
Red Callender (am 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-07-16)
conductor:
Nelson Riddle (am 1959-07-16)
Interpret(in):
Nelson Riddle and His Orchestra (am 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (am 1959-07-16)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
3:30
9Between the Devil and the Deep Blue Sea
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1961-01-16)
conductor:
Billy May (am 1961-01-16)
Interpret(in):
Billy May & His Orchestra (am 1961-01-16)
arranger:
Billy May
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-01-16)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1961-01-16)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:24
10Love for Sale
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-08)
conductor:
Buddy Bregman (in 1956, am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Love for Sale (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:55
11They Can’t Take That Away From Me
Produzent(in):
Norman Granz
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01-05 bis 1959-07-17)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (von 1959-01-05 bis 1959-07-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:12
12Midnight Sun
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
arranger:
Nelson Riddle
cover recording of:
Midnight Sun
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
4:54
13Hooray for Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Hooray for Love (in 1960)
Texter:
Leo Robin (US composer, lyricist & songwriter) (in 1948)
Komponist(in):
Harold Arlen (in 1948)
2:45
14Why Was I Born?
cover recording of:
Why Was I Born?
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
3:47
15Cotton Tail
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Geige / Violine:
Stuff Smith (jazz violinist) (von 1957-09-04 bis 1957-09-16)
Gitarre:
Barney Kessel (von 1957-09-04 bis 1957-09-16)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1957-09-04 bis 1957-09-16)
Kontrabass:
Joe Mondragon (von 1957-09-04 bis 1957-09-16)
Schlagzeug:
Alvin Stoller (von 1957-09-04 bis 1957-09-16)
Tenorsaxophon:
Ben Webster (von 1957-09-04 bis 1957-09-16)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-09-04 bis 1957-09-16)
cover recording of:
Cotton Tail (von 1957-09-04 bis 1957-09-16)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:27
16Ev’ry Time We Say Goodbye
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
Orchester:
Buddy Bregman Orchestra (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.653:32

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of the Song Books (Selected from The Complete Ella Fitzgerald Song Books) (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/397952 [Info]
Allmusic:https://www.allmusic.com/album/mw0000103940 [Info]