The Dark Knight

~ Release by Hans Zimmer & James Newton Howard (see all versions of this release, 15 available)

Annotation

Packaging

This release may have a black sticker (labelled “THE DARK KNIGHT / THE ORIGINALMOTION PICTURE SOUNDTRACK / MUSIC COMPOSED BY HANS ZIMMER / AND JAMES NEWTON HOWARD / www.TheDarkKnightScore.com / 9362-49860-0”) attached to the jewel case.

Barcodes, Catalogue Numbers

  • The spine has the catalogue number “9362-49860-0”.
  • The medium has the catalogue number “936249860-0”.

Codes, Numbers, Etc.

Unless otherwise noticed, the following may help to identify this release, however other (not yet listed) sets of that data may match this release as well and should be added below:

Set 1

Added by calestyo.

Medium 1

Matrix Number: 936249860-0 V01 JOY
Master SID Code: IFPI L016
Mould SID Code: IFPI 05M6
Stamper: none
Other Inscriptions Near The Hub: none
Rights Society (As Printed On The Medium): GEMA/BIEM
Label Code (As Printed On The Medium): LC 00392

Annotation last modified on 2016-03-03 03:42 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Why So Serious?
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Why So Serious? (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.59:14
2I’m Not a Hero
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I’m Not a Hero (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer46:35
3Harvey Two‐Face
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Harvey Two-Face (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.856:17
4Aggressive Expansion
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Aggressive Expansion (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.554:36
5Always a Catch
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Always a Catch (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard31:40
6Blood on My Hands
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Blood on My Hands (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.852:17
7A Little Push
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Little Push (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard2.152:43
8Like a Dog Chasing Cars
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Like a Dog Chasing Cars (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.655:03
9I Am the Batman
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I Am the Batman (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard2.52:00
10And I Thought My Jokes Were Bad
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
And I Thought My Jokes Were Bad (The Dark Knight)
composer:
Lorne Balfe (Scottish score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe3.12:29
11Agent of Chaos
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Agent of Chaos (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard3.256:55
12Introduce a Little Anarchy
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Introduce a Little Anarchy (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe3.453:43
13Watch the World Burn
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Watch the World Burn (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard3.13:48
14A Dark Knight
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Dark Knight (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer3.516:15

Credits

Release

mixer:Alan Meyerson
graphic design:Steven R. Gilmore (album cover design)
additional engineer:Chris Barrett (British sound engineer, @AIR Lyndhurst Studios)
co-producer:Lorne Balfe (Scottish score composer)
Alex Gibson (musician/editor)
executive producer:Christopher Nolan
editor:Alex Gibson (musician/editor)
bass:Mary Scully (double bassist)
cello:Anthony Pleeth (cellist)
horn:Richard Watkins (hornist)
piano:Simon Chamberlain (pianist)
James Newton Howard (American score composer)
synthesizer:Hans Zimmer (German score composer)
trombone:Peter Davis (Trombonist)
trumpet:Maurice Murphy (trumpet player)
viola:Peter Lale (violist)
conductor:Matt Dunkley
Gavin Greenaway
recorded at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (ended)
Remote Control Productions in Santa Monica, California, United States (ended)
mastered at:Marcussen Mastering in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/1398331 [info]
ASIN:DE: B0017I1FP8 [info]