Pierre Boulez conducts Bartók

~ Release by Bartók; Pierre Boulez, New York Philharmonic, BBC Symphony Orchestra, Nimsgern (see all versions of this release, 2 available)

Annotation

The 4 CDs are contained in a cardboard box. Inside are 4 cardboard sleeves, each containing a CD, and an 8-page booklet bearing the same information as on the front and back covers and on the CD sleeves, with added German and French translations of some titles. The 4 discs are reissues of older CBS/Columbia albums

Annotation last modified on 2017-09-05 17:25 UTC.

Tracklist

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1▼CD: Music for Strings, Percussion and Celesta / Concerto for Orchestra
#TitleArtistRatingLength
1Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1967)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:59
2Music for Strings, Percussion and Celesta, Sz 106: II. Allegro - Vivo - Vivace
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1967)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:31
3Music for Strings, Percussion and Celesta, Sz 106: III. Adagio - Allegretto
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1967)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:44
4Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto - Vivacissimo
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1967)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:46
5Concerto for Orchestra, Sz 116: I. Introduzione. Andante non tropo - Allegro vivace
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:58
6Concerto for Orchestra, Sz 116: II. Giuco delle coppie. Allegretto scherzando
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:42
7Concerto for Orchestra, Sz 116: III. Elegia. Andante, no tropo
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:27
8Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto. Allegretto
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:20
9Concerto for Orchestra, Sz 116: V. Finale. Pesante
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Thomas Z. Shepard
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
orchestra:
New York Philharmonic (on 1972-12-18)
conductor:
Pierre Boulez (composer and conductor) (on 1972-12-18)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Manhattan Center: Grand Ballroom in Midtown Manhattan, New York, New York, United States (on 1972-12-18)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (on 1972-12-18)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók8:39
2▼CD: 4 Orchestral Pieces / 3 Village Scenes / The Miraculous Mandarin
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14 Orchestral Pieces, Sz 51 (op. 12): I. Preludio. Moderato
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók7:46
24 Orchestral Pieces, Sz 51 (op. 12): II. Scherzo. Allegro
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:01
34 Orchestral Pieces, Sz 51 (op. 12): III. Intermezzo. Moderato - Andante
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók4:27
44 Orchestral Pieces, Sz 51 (op. 12): IV. Marcia funebre. Maestoso
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (on 1977-02-07)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók4:45
53 Village Scenes, Sz 79: I. Wedding
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
choir vocals:
Camerata Singers (on 1977-02-07)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 1. Lakodalom (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók3:55
63 Village Scenes, Sz 79: II. Lullaby
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 2. Bölcsődal (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók4:50
73 Village Scenes, Sz 79: III. Lad's Dance
engineer:
Bud Graham (classical sound engineer)
producer:
Andrew Kazdin (American record producer)
choir vocals:
Camerata Singers (on 1977-02-07)
contralto vocals:
Joan Fuerstman (on 1977-02-07)
mezzo-soprano vocals:
Lois Winter (on 1977-02-07)
orchestra:
New York Philharmonic (on 1977-02-07)
conductor:
Pierre Boulez (composer and conductor) (on 1977-02-07)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1977-02-07)
recording of:
Three Village Scenes, Sz. 79, BB 87b: No. 3. Legénytánc (on 1977-02-07)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
translator:
Viktor Géza Lányi
part of:
Three Village Scenes, Sz. 79, BB 87b (for a small choir of four to eight female voices and orchestra)
Béla Bartók2:47
8The Miraculous Mandarin, Sz 73 (op. 19): Prelude
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:16
9The Miraculous Mandarin, Sz 73 (op. 19): The Curtain rises
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:41
10The Miraculous Mandarin, Sz 73 (op. 19): First seduction game: a shabby old Rake
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
11The Miraculous Mandarin, Sz 73 (op. 19): Second seduction game: a shy young Man
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:04
12The Miraculous Mandarin, Sz 73 (op. 19): Third seduction game: the Mandarin
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:25
13The Miraculous Mandarin, Sz 73 (op. 19): General consternation: the Ruffians make signs
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:14
14The Miraculous Mandarin, Sz 73 (op. 19): The Girl is undecided; she shudders and draws back
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:33
15The Miraculous Mandarin, Sz 73 (op. 19): The Girl sits on the Mandarin's lap; he starts to tremble excitedly
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
16The Miraculous Mandarin, Sz 73 (op. 19): The Ruffians leap out, seize the Mandarin and rob him
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
17The Miraculous Mandarin, Sz 73 (op. 19): Suddenly the Mandarin's head appears and he looks longingly at the Girl
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:00
18The Miraculous Mandarin, Sz 73 (op. 19): The terrified Ruffians discuss how they are to get rid of the Mandarin
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:21
19The Miraculous Mandarin, Sz 73 (op. 19): The Body of the Mandarin begins to glow; the Girl resists no longer
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:09
3▼CD: The Wooden Prince
#TitleArtistRatingLength
1The Wooden Prince, Sz 60 (op. 13): Introduction
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: I. Prelude (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók4:34
2The Wooden Prince, Sz 60 (op. 13): First Dance: Dance of the Princess in the Forest
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók4:54
3The Wooden Prince, Sz 60 (op. 13): Second Dance: Dance of the Trees
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:32
4The Wooden Prince, Sz 60 (op. 13): Third Dance: Dance of the Waves
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
partial recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók9:01
5The Wooden Prince, Sz 60 (op. 13): The Princess notices the Staff with the golden Locks
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
partial recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók2:19
6The Wooden Prince, Sz 60 (op. 13): Fourth Dance: Dance of the Princess with the wooden Doll
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
partial recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók12:19
7The Wooden Prince, Sz 60 (op. 13): Great Apotheosis: Homage of the Trees, Water and Flowers
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
partial recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók2:40
8The Wooden Prince, Sz 60 (op. 13): Fifth Dance: The Princess pulls and tugs the Wooden Prince to make him dance
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:56
9The Wooden Prince, Sz 60 (op. 13): Sixth Dance: The Princess tries to attract the real Prince with her seductive dancing
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:26
10The Wooden Prince, Sz 60 (op. 13): Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók8:06
11The Wooden Prince, Sz 60 (op. 13): Slow Curtain
xylophone:
Walter Rosenberger (on 1975-10-13)
orchestra:
New York Philharmonic (on 1975-10-13)
conductor:
Pierre Boulez (composer and conductor) (on 1975-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1975-10-13)
recording of:
The Wooden Prince, Sz. 60: IX. Postlude (on 1975-10-13)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók0:35
4▼CD: Duke Bluebeard's Castle / Dance Suite
#TitleArtistRatingLength
1Duke Bluebeard's Castle, Sz 48 (op. 11): "We are here now"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:24
2Duke Bluebeard's Castle, Sz 48 (op. 11): "So this is really Bluebeard's Castle!"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók5:12
3Duke Bluebeard's Castle, Sz 48 (op. 11): "Ah, I see seven great shut doorways"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:00
4Duke Bluebeard's Castle, Sz 48 (op. 11): The First Door: "Woe!"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:36
5Duke Bluebeard's Castle, Sz 48 (op. 11): The Second Door: "What seest thou?"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:14
6Duke Bluebeard's Castle, Sz 48 (op. 11): The Third Door: "Mountains of Gold"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók2:32
7Duke Bluebeard's Castle, Sz 48 (op. 11): The Fourth Door: "Ah! What lovely Flowers!"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók5:02
8Duke Bluebeard's Castle, Sz 48 (op. 11): The Fifth Door: "Ah!"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:49
9Duke Bluebeard's Castle, Sz 48 (op. 11): The Sixth Door: "I can see a Sheet of Water"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:41
10Duke Bluebeard's Castle, Sz 48 (op. 11): "Tell me, tell me my dearest Bluebeard
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:38
11Duke Bluebeard's Castle, Sz 48 (op. 11): The Seventh Door: "Hearts that I have loved and cherished
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók2:24
12Duke Bluebeard's Castle, Sz 48 (op. 11): "The first I found at daybreak"
bass-baritone vocals [Bluebeard]:
Siegmund Nimsgern (bass-baritone)
mezzo-soprano vocals [Judith]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat"
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:43
13Dance Suite, Sz 77: I. Moderato
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók4:02
14Dance Suite, Sz 77: II. Allegro molto
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:11
15Dance Suite, Sz 77: III. Allegro vivace
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:07
16Dance Suite, Sz 77: IV. Molto tranquillo
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:19
17Dance Suite, Sz 77: V. Comodo -
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók1:00
18Dance Suite, Sz 77: VI. Finale. Allegro
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók4:12