Requiem

~ Release by Dvořák; István Kertész (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Requiem, op. 89: I. Requiem aeternam
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: I. Introitus: Requiem aeternam (Requiem in B-flat minor, Op. 89, B. 165: Section I: I. Introitus: Requiem aeternam) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section I)
Antonín Dvořák10:37
2Requiem, op. 89: II. Graduale
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: II. Graduale: Requiem aeternam (Requiem in B-flat minor, Op. 89, B. 165: Section I: II. Graduale: Requiem aeternam) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section I)
Antonín Dvořák5:08
3Requiem, op. 89: III. Dies irae
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Dies irae (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák2:09
4Requiem, op. 89: IV. Tuba mirum
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Tuba mirum (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák8:35
5Requiem, op. 89: V. Quid sum miser
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Quid sum miser (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:02
6Requiem, op. 89: VI. Recordare
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Recordare (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:59
7Requiem, op. 89: VII. Confutatis maledictis
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Confutatis maledictis (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák4:15
8Requiem, op. 89: VIII. Lacrimosa
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Lacrimosa (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:19
9Requiem, op. 89: IX. Offertorium
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Domine Jesu Christe (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonín Dvořák11:12
10Requiem, op. 89: X. Hostias
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Hostias (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonín Dvořák11:14
2▼CD
#TitleArtistRatingLength
1Requiem, op. 89: XI. Sanctus
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Sanctus (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:54
2Requiem, op. 89: XII. Pie Jesu
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:12
3Requiem, op. 89: XIII. Agnus Dei
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: VI. Agnus Dei (Requiem in B-flat minor, Op. 89, B. 165: Section II: VI. Agnus Dei) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section II)
Antonín Dvořák10:59
4Psalmus Hungaricus, op. 13: Mikoron Dávid nagy búsultában
recording engineer:
Colin Moorfoot (engineer) (in 1970-09) and Kenneth Wilkinson (engineer) (in 1970-09)
producer:
Christopher Raeburn (producer)
choir vocals:
Brighton Festival Chorus (in 1970-09) and Wandsworth School Boys’ Choir (in 1970-09)
solo tenor vocals:
Lajos Kozma (tenor) (in 1970-09)
orchestra:
London Symphony Orchestra (in 1970-09)
conductor:
István Kertész (conductor) (in 1970-09)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1970-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-09)
recording of:
Psalmus Hungaricus, op. 13: I. Mikoron Dávid nagy búsultában (in 1970-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Psalmus Hungaricus, op. 13
Zoltán Kodály8:04
5Psalmus Hungaricus, op. 13: Keserűségem annyi nem volna
recording engineer:
Colin Moorfoot (engineer) (in 1970-09) and Kenneth Wilkinson (engineer) (in 1970-09)
producer:
Christopher Raeburn (producer)
choir vocals:
Brighton Festival Chorus (in 1970-09) and Wandsworth School Boys’ Choir (in 1970-09)
solo tenor vocals:
Lajos Kozma (tenor) (in 1970-09)
orchestra:
London Symphony Orchestra (in 1970-09)
conductor:
István Kertész (conductor) (in 1970-09)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1970-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-09)
recording of:
Psalmus Hungaricus, op. 13: II. Keserűségem annyi nem volna (in 1970-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Psalmus Hungaricus, op. 13
Zoltán Kodály6:14
6Psalmus Hungaricus, op. 13: Te azért lelkem, gondolatodat
recording engineer:
Colin Moorfoot (engineer) (in 1970-09) and Kenneth Wilkinson (engineer) (in 1970-09)
producer:
Christopher Raeburn (producer)
choir vocals:
Brighton Festival Chorus (in 1970-09) and Wandsworth School Boys’ Choir (in 1970-09)
solo tenor vocals:
Lajos Kozma (tenor) (in 1970-09)
orchestra:
London Symphony Orchestra (in 1970-09)
conductor:
István Kertész (conductor) (in 1970-09)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1970-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-09)
recording of:
Psalmus Hungaricus, op. 13: III. Te azért lelkem, gondolatodat (in 1970-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Psalmus Hungaricus, op. 13
Zoltán Kodály2:20
7Psalmus Hungaricus, op. 13: Igaz vagy Uram, ítéletedben
recording engineer:
Colin Moorfoot (engineer) (in 1970-09) and Kenneth Wilkinson (engineer) (in 1970-09)
producer:
Christopher Raeburn (producer)
choir vocals:
Brighton Festival Chorus (in 1970-09) and Wandsworth School Boys’ Choir (in 1970-09)
solo tenor vocals:
Lajos Kozma (tenor) (in 1970-09)
orchestra:
London Symphony Orchestra (in 1970-09)
conductor:
István Kertész (conductor) (in 1970-09)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1970-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-09)
recording of:
Psalmus Hungaricus, op. 13: IV. Igaz vagy Uram, ítéletedben (in 1970-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Psalmus Hungaricus, op. 13
Zoltán Kodály6:26
8Hymn of Zrinyi
recording engineer:
Stanley Goodall (engineer) (in 1977-11)
producer:
James Mallinson (producer)
baritone vocals:
Benjamin Luxon (baritone) (in 1977-11)
choir vocals:
Brighton Festival Chorus (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Guildford Cathedral in Guildford, Surrey, England, United Kingdom (in 1977-11)
recording of:
Zrínyi szózata (Hymn of Zrínyi) (in 1977-11)
lyricist:
Zrínyi Miklós
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
Zoltán Kodály19:49

Credits

Release

manufactured in:West Germany
printed in:West Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
part of:Ovation (Decca/London Classics) (order: 3)
Discogs:https://www.discogs.com/release/15560665 [info]