Mosaic Select 5: Paul Chambers

~ Release by Paul Chambers (see all versions of this release, 1 available)

Annotation

Label: Mosaic - Catalog #: MS-005 - EAN: 724358393026 - Format: 3CD
Additional:
This compiles Whims of Chambers, Chambers' Music, Bass on Top, The Paul Chambers Quintet.

Label: Mosaic - Catalog #: MS-005 - EAN: 724358393026 - Format: 3CD
Additional:
This compiles Whims of Chambers, Chambers' Music, Bass on Top, The Paul Chambers Quintet.

Label: Mosaic - Catalog #: MS-005 - EAN: 724358393026 - Format: 3CD
Additional:
This compiles Whims of Chambers, Chambers' Music, Bass on Top, The Paul Chambers Quintet.

Annotation last modified on 2012-05-13 05:05 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Dexterity
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Dexterity (on 1956-03-02)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
6:46
2Stablemates
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Stablemates (on 1956-03-02)
composer:
Benny Golson (American jazz saxophonist and composer)
5:52
3Easy to Love
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1956-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1956-03)
piano:
Kenny Drew (in 1956-03)
tenor saxophone:
John Coltrane (in 1956-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
instrumental recording of:
Easy to Love (in 1956-03)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:53
4Visitation
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1956-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1956-03)
piano:
Kenny Drew (in 1956-03)
tenor saxophone:
John Coltrane (in 1956-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
recording of:
Visitation (in 1956-03)
composer:
Paul Chambers (US jazz bassist)
4:57
5Trane's Blues (aka John Paul Jones)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
recording of:
John Paul Jones (on 1956-03-02)
writer:
Phil Charig, Milton Pascal and Dan Shapiro
recording of:
Trane’s Blues (on 1956-03-02)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
6:57
6Eastbound
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Eastbound (on 1956-03-02)
composer:
Kenny Drew
4:24
7Omicron
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Omicron (on 1956-09-21)
composer:
Donald Byrd (American jazz trumpeter)
7:18
8Whims of Chambers
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Whims of Chambers (on 1956-09-21)
composer:
Paul Chambers (US jazz bassist)
4:05
9Nita
6:33
10We Six
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
We Six (on 1956-09-21)
writer:
Donald Byrd (American jazz trumpeter)
7:42
11Dear Ann
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Dear Ann (on 1956-09-21)
writer:
Paul Chambers (US jazz bassist)
4:21
12Tale of the Fingers
recording engineer:
Rudy van Gelder (on 1956-09-21)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Tale of the Fingers (on 1956-09-21)
writer:
Paul Chambers (US jazz bassist)
4:44
13Just for the Love
recording engineer:
Rudy van Gelder (on 1956-09-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-21)
guitar:
Kenny Burrell (on 1956-09-21)
piano:
Horace Silver (on 1956-09-21)
tenor saxophone:
John Coltrane (on 1956-09-21)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-09-21)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-21)
recording of:
Just for the Love (on 1956-09-21)
composer:
John Coltrane
3:42
2▼CD
#TitleRatingLength
1Trane's Strain
recorded in:
Cambridge, Massachusetts, United States (on 1956-04-20)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-04-20)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-04-20)
piano:
Roland Alexander (jazz saxophonist/pianist) (on 1956-04-20)
tenor saxophone:
John Coltrane (on 1956-04-20)
trombone:
Curtis Fuller (on 1956-04-20)
recording of:
Trane's Strain (on 1956-04-20)
composer:
Curtis Fuller
11:04
2High Step
recorded in:
Cambridge, Massachusetts, United States (on 1956-04-20)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-20)
double bass:
Paul Chambers (US jazz bassist) (on 1956-04-20)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-04-20)
tenor saxophone:
John Coltrane (on 1956-04-20)
trombone:
Curtis Fuller (on 1956-04-20)
recording of:
High Step (on 1956-04-20)
composer:
Barry Harris (Jazz pianist)
8:12
3Nixon, Dixon and Yates Blues
recorded in:
Cambridge, Massachusetts, United States (on 1956-04-20)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1956-04-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-04-20)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-04-20)
tenor saxophone:
John Coltrane (on 1956-04-20)
trombone:
Curtis Fuller (on 1956-04-20)
recording of:
Nixon, Dixon and Yates Blues (on 1956-04-20)
composer:
Curtis Fuller
8:30
4Minor Run-Down
7:39
5The Hand of Love
recording of:
The Hand of Love
composer:
Paul Chambers (US jazz bassist)
6:25
6Softly as in a Morning Sunrise
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1957-05-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
3:09
7Four Strings
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
5:28
8What's New
5:41
9Beauteous
recording engineer:
Rudy van Gelder (on 1957-05-19)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-05-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-05-19)
piano:
Tommy Flanagan (on 1957-05-19)
tenor saxophone:
Cliff Jordan (on 1957-05-19)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-05-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-19)
8:08
10Four Strings (alternate take)
double bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Elvin Jones (jazz drummer)
piano:
Tommy Flanagan
tenor saxophone:
Clifford Jordan
trumpet:
Donald Byrd (American jazz trumpeter)
5:12
3▼CD
#TitleRatingLength
1Yesterdays
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
Yesterdays (on 1957-07-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:54
2You'd Be So Nice to Come Home To
7:18
3Chasin' the Bird
6:19
4Dear Old Stockholm
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Dear Old Stockholm (on 1957-07-14)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
6:45
5The Theme
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
The Theme (on 1957-07-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
6:16
6Confessin' (I'm Confessin' That I Love You)
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
electric guitar [guitar]:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
I’m Confessin’ (That I Love You) (on 1957-07-14)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
4:15
7Chamber Mates
5:05
8I've Got My Love to Keep Me Warm
7:10
9What Is This Thing Called Love
5:43