Guillermo del Toro’s Pinocchio: Soundtrack From the Netflix Film

~ Release by Alexandre Desplat (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#	Title	Artist	Rating	Length
1	Better Tomorrows	Ewan McGregor		4:16
2	Carlo’s Theme recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Carlo’s Theme orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:10
3	My Son	David Bradley		2:48
4	Going to Town recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Going to Town orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		3:11
5	The Pine Cone recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Pine Cone orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:07
6	Sebastian J Cricket recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Sebastian J Cricket orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		3:38
7	Geppetto’s Creature recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Geppetto’s Creature orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		4:48
8	Everything Is New to Me	Gregory Mann & David Bradley		2:19
9	The Circus recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Circus orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:23
10	Pinocchio recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:42
11	We Were a King Once	Christoph Waltz		2:34
12	Spazzatura recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Spazzatura orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:56
13	A Wooden Boy recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: A Wooden Boy orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:21
14	Memory of Carlo recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Memory of Carlo orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:57
15	Friendship With Candlewick phonographic copyright (℗) by: Netflix Music, LLC recording of: Friendship With Candlewick composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:25
16	Ciao Papa	Gregory Mann		2:48
17	Resurrection phonographic copyright (℗) by: Netflix Music, LLC recording of: Resurrection composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:41
18	Pinocchio Has Left recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio Has Left orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:57
19	Small Lies phonographic copyright (℗) by: Netflix Music, LLC recording of: Small Lies composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:49
20	Fatherland March	Gregory Mann		1:36
21	In the Army phonographic copyright (℗) by: Netflix Music, LLC recording of: In the Army composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:49
22	Pinocchio Soldier recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio Soldier orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:17
23	Volpe’s Charm phonographic copyright (℗) by: Netflix Music, LLC recording of: Volpe’s Charm composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:37
24	To Catania recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: To Catania orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:41
25	The Blue Fairy phonographic copyright (℗) by: Netflix Music, LLC recording of: The Blue Fairy composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:31
26	The Late Lamented	Tim Blake Nelson		2:17
27	The Sphinx recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Sphinx orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:39
28	Capice phonographic copyright (℗) by: Netflix Music, LLC recording of: Capice composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:59
29	Pinocchio’s Solitude phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio’s Solitude composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:58
30	Il Duce phonographic copyright (℗) by: Netflix Music, LLC recording of: Il Duce composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:03
31	My Bubblegum	Gregory Mann		1:44
32	Paint Battle recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Paint Battle orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:37
33	The Dogfish recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Dogfish orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:46
34	Shoot the Puppet recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Shoot the Puppet orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		5:55
35	The Mine recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Mine orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:15
36	Papa! phonographic copyright (℗) by: Netflix Music, LLC recording of: Papa! composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:49
37	Big Lies recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Big Lies orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:19
38	Saving Geppetto recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Saving Geppetto orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:14
39	Pinocchio’s Choice recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio’s Choice orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:37
40	Big Baby II Duce March	Gregory Mann		1:36
41	Farewell to Geppetto phonographic copyright (℗) by: Netflix Music, LLC recording of: Farewell to Geppetto composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:23

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purchase for download:	https://music.apple.com/it/album/1653184761 [info]
stream for free:	https://open.spotify.com/album/7GQqZap38LT44AcbZriYqt [info] https://www.deezer.com/album/383630047 [info]
discography entry:	https://www.filmmusicsite.com/en/soundtracks.cgi?id=102304 [info] https://www.game-ost.ru/albums/485898/guillermo_del_toros_pinocchio_soundtrack_from_the_netflix_film/ [info]

Release group

IMDb:	https://www.imdb.com/title/tt1488589/ [info]
standalone website:	https://www.netflix.com/title/80218455 [info]
Wikidata:	Q73895818 [info] Q115824333 [info]

Guillermo del Toro’s Pinocchio: Soundtrack From the Netflix Film

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