Liberation Music Orchestra

~ Release by Charlie Haden (see all versions of this release, 13 available)

Tracklist

1▼SHM-CD
#TitleArtistRatingLength
1The Introduction / Song of the United Front
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
Charlie Haden’s Liberation Music Orchestra3:13
2El quinto reqimiento / Los cuatro generales / Viva la quince brigada
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
cornet and flute:
Don Cherry (jazz trumpeter) (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
guitar:
Sam Brown (jazz guitarist) (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
medley including a recording of:
El quinto regimiento (The Fifth Regiment, Carla Bley arrangement) (in 1969-04)
writer:
[traditional] (special purpose artist)
arranger:
Carla Bley (American jazz pianist and composer)
arrangement of:
El quinto regimiento
medley including a recording of:
Los cuatro generales (The Four Generals, Carla Bley arrangement) (in 1969-04)
writer:
[traditional] (special purpose artist)
arranger:
Carla Bley (American jazz pianist and composer)
arrangement of:
Los cuatro generales
medley including a cover recording of:
Viva la quince brigada (Long Live the Fifteenth Brigade) (in 1969-04)
lyricist:
Bart van der Schelling
writer:
[traditional] (special purpose artist)
Charlie Haden’s Liberation Music Orchestra21:03
3The Ending to the First Side
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
guitar:
Sam Brown (jazz guitarist) (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
recording of:
The Ending to the First Side (in 1969-04)
composer:
Carla Bley (American jazz pianist and composer)
Charlie Haden’s Liberation Music Orchestra2:11
4Song for Che
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
cornet and flute:
Don Cherry (jazz trumpeter) (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
guitar:
Sam Brown (jazz guitarist) (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
recording of:
Song for Che (in 1969-04)
composer:
Haden Charles Edward (American jazz bassist)
publisher:
Liberation Music Co. (BMI, publisher for Charlie Haden)
quotes music from:
Hasta siempre, Comandante
version of:
Song for Che
Charlie Haden’s Liberation Music Orchestra9:34
5War Orphans
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
guitar:
Sam Brown (jazz guitarist) (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
cover recording of:
War Orphans (in 1969-04)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Charlie Haden’s Liberation Music Orchestra6:47
6The Interlude
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
guitar:
Sam Brown (jazz guitarist) (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
recording of:
The Interlude (Drinking Music) (in 1969-04)
composer:
Carla Bley (American jazz pianist and composer)
publisher:
Alrac Music (publisher for Carla Bley)
Charlie Haden’s Liberation Music Orchestra1:29
7Circus ’68 ’69
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Andrew Cyrille (American jazz drummer) (from 1969-04-27 until 1969-04-29) and Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
recording of:
Circus ’68 ’69 (in 1969-04)
composer:
Charlie Haden (American jazz bassist)
Charlie Haden’s Liberation Music Orchestra6:15
8We Shall Overcome
engineer:
Dave Greene (engineer recording, mixing)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Perry Robinson (jazz clarinetist) (from 1969-04-27 until 1969-04-29)
clarinet and tenor saxophone:
Gato Barbieri (from 1969-04-27 until 1969-04-29)
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1969-04-27 until 1969-04-29)
drums (drum set) and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1969-04-27 until 1969-04-29)
French horn:
Brother Ah (from 1969-04-27 until 1969-04-29)
piano:
Carla Bley (American jazz pianist and composer) (from 1969-04-27 until 1969-04-29)
saxophone:
Dewey Redman (American saxophonist) (from 1969-04-27 until 1969-04-29)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1969-04-27 until 1969-04-29)
trumpet:
Michael Mantler (from 1969-04-27 until 1969-04-29)
tuba:
Howard Johnson (tuba & baritone saxophone) (from 1969-04-27 until 1969-04-29)
remixer:
Bob Arnold (engineer)
phonographic copyright (℗) by:
impulse! (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label)
recorded at:
Judson Hall in New York, New York, United States (from 1969-04-27 until 1969-04-29)
cover recording of:
We Shall Overcome (in 1969-04)
lyricist:
Guy Carawan, Frank Hamilton (folk musician), Zilphia Horton and Pete Seeger
composer:
Charles Albert Tindley
Charlie Haden’s Liberation Music Orchestra1:19