More Classic Verve Albums

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

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1Digital Media: Louis Armstrong Meets Oscar Peterson
#TitleArtistRatingLength
1That Old Feeling
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
That Old Feeling (on 1957-10-14)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
Louis Armstrong & Oscar Peterson2:42
2Let's Fall in Love
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Est-ce par hasard ? (Let's Fall in Love) (on 1957-10-14)
lyricist:
Patrick Loiseau
composer:
Harold Arlen
version of:
Let’s Fall in Love
Louis Armstrong & Oscar Peterson3:14
3I'll Never Be the Same
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I’ll Never Be the Same (on 1957-10-14)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Louis Armstrong & Oscar Peterson3:29
4Blues in the Night
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1957-10-14)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Louis Armstrong & Oscar Peterson5:10
5How Long Has This Been Going On?
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-10-14)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Louis Armstrong & Oscar Peterson5:56
6I Was Doing All Right
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I Was Doing All Right (on 1957-10-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Louis Armstrong & Oscar Peterson3:20
7What's New
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
What’s New? (on 1957-10-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Louis Armstrong & Oscar Peterson2:40
8Moon Song
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Moon Song (on 1957-10-14)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Louis Armstrong & Oscar Peterson4:31
9Just One of Those Things
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Just One of Those Things (on 1957-10-14)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Louis Armstrong & Oscar Peterson4:02
10There's No You
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
There’s No You (on 1957-10-14)
lyricist:
Thomas Montgomery Adair
writer:
G. Durgom
composer:
Hal Hopper
publisher:
Barton Music Corp.
Louis Armstrong & Oscar Peterson2:14
11You Go to My Head
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet and lead vocals:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
You Go to My Head (on 1957-10-14)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Louis Armstrong & Oscar Peterson6:24
12Sweet Lorraine
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Sweet Lorraine (on 1957-10-14)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Louis Armstrong & Oscar Peterson5:11
2Digital Media: The Oscar Peterson Trio with Sonny Stitt
#TitleArtistRatingLength
1Will You Still Be Mine
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
The Oscar Peterson Trio5:00
2Joy Spring
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
The Oscar Peterson Trio7:34
3Gal in Calico
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
recording of:
A Gal in Calico
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
The Oscar Peterson Trio6:15
452nd Street Theme
recorded in:
Stratford Shakespearean Festival, Ontario, Canada (on 1956-08-08) and Newport, Rhode Island, United States (on 1957-07-07)
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
double bass:
Ray Brown (jazz bassist) (on 1956-08-08)
electric guitar [guitar]:
Herb Ellis (jazz guitarist) (on 1956-08-08)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-08, on 1957-07-07)
recorded at:
Stratford Shakespearean Festival 1956 (1956)
live recording of:
52nd Street Theme (on 1956-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
recording of:
52nd Street Theme
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
The Oscar Peterson Trio4:24
5[Jo Jones introduction]
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
guest alto saxophone and tenor saxophone:
Sonny Stitt (on 1957-07-07)
guest drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-07)
guest trumpet:
Roy Eldridge (on 1957-07-07)
Oscar Peterson1:40
6Monitor Blues
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guest alto saxophone and tenor saxophone:
Sonny Stitt (on 1957-07-07)
guest drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-07)
guest trumpet:
Roy Eldridge (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
Oscar Peterson7:13
7Willow Weep for Me
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guest drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-07)
guest trumpet:
Roy Eldridge (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson3:15
8Autumn in New York
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guest alto saxophone and tenor saxophone:
Sonny Stitt (on 1957-07-07)
guest drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Oscar Peterson2:47
9Roy's Son
recorded in:
Newport, Rhode Island, United States (on 1957-07-07)
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
guest alto saxophone and tenor saxophone:
Sonny Stitt (on 1957-07-07)
guest drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-07)
guest trumpet:
Roy Eldridge (on 1957-07-07)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-07)
Oscar Peterson9:01
3Digital Media: The Jazz Soul of Oscar Peterson
#TitleRatingLength
1Liza (All the Clouds’ll Roll Away)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
34:31
2Con Alma
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (in 1959-08)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, in 1959-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, in 1959-08)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09) and Universal Recording Studio (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
recording of:
Con Alma (from 1959-07-14 until 1959-08-09)
composer:
Dizzy Gillespie
publisher:
Dizlo Music Corp.
cover recording of:
Con Alma (from 1959-07-24 until 1959-08-01)
composer:
Dizzy Gillespie
publisher:
Dizlo Music Corp.
6:58
3Close Your Eyes
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Close Your Eyes (from 1959-07-14 until 1959-08-09)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
5:46
4Maidens of Cadiz
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (in 1959-08)
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09, in 1959-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09, in 1959-08)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental cover recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
7:42
5My Heart Stood Still
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
My Heart Stood Still (from 1959-07-14 until 1959-08-09)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
5:43
6Woody’n You
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
phonographic copyright (℗) by:
Verve (jazz label, aka “Verve Records”, use this for release labels) (in 1959)
recording of:
Woody ’n’ You (from 1959-07-14 until 1959-08-09)
composer:
Dizzy Gillespie
3:46
4Digital Media: Sonny Stitt Sits with the Oscar Peterson Trio
#TitleArtistRatingLength
1I Can't Give You Anything But Love
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:05
2Au Privave
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:00
3The Gypsy
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt3:27
4I'll Remember April
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:43
5Scrapple From The Apple
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:21
6Moten Swing
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
tenor saxophone:
Sonny Stitt (on 1959-05-18)
Sonny Stitt7:10
7Blues For Pres, Sweets, Ben & All The Other Funky Ones
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
tenor saxophone:
Sonny Stitt (on 1959-05-18)
Sonny Stitt6:05
5Digital Media: On the Town with the Oscar Peterson Trio
#TitleArtistRatingLength
1Sweet Georgia Brown
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
live instrumental cover recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Oscar Peterson Trio7:51
2Should I?
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live instrumental cover recording of:
Should I
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
The Oscar Peterson Trio5:07
3When Lights Are Low
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live instrumental cover recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
The Oscar Peterson Trio5:59
4Easy Listenin' Blues
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live cover recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
The Oscar Peterson Trio6:51
5Pennies From Heaven
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
The Oscar Peterson Trio7:25
6The Champ
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live cover recording of:
The Champ
composer:
Dizzy Gillespie
publisher:
Skyview Music
The Oscar Peterson Trio5:28
7Moonlight in Vermont
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
live instrumental cover recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Oscar Peterson Trio6:07
6Digital Media: Very Tall
#TitleArtistRatingLength
1Green Dolphin Street
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
On Green Dolphin Street (in 1961-09)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
The Oscar Peterson Trio with Milt Jackson7:27
2Heartstrings
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
The Oscar Peterson Trio with Milt Jackson5:38
3The Work Song
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Work Song (original instrumental) (in 1961-09)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
The Oscar Peterson Trio with Milt Jackson7:29
4John Brown's Body
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
John Brown’s Body (Glory, Glory, Hallelujah) (in 1961-09)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 771)
The Oscar Peterson Trio with Milt Jackson7:48
5Reunion Blues
double bass [bass]:
Ray Brown (jazz bassist) (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Reunion Blues
composer:
Milt Jackson
The Oscar Peterson Trio with Milt Jackson7:20
7Digital Media: Oscar Peterson at the Concertgebouw
#TitleArtistRatingLength
1The Lady Is A Tramp
live recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
The Oscar Peterson Trio4:50
2We'll Be Together Again
The Oscar Peterson Trio2:33
3Bluesology
The Oscar Peterson Trio9:21
4Budo
The Oscar Peterson Trio4:25
5I've Got The World On A String
live recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Oscar Peterson Trio6:28
6Daahoud
recording of:
Daahoud
composer:
Clifford Brown (trumpet)
The Oscar Peterson Trio6:58
7When Lights Are Low
live recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
The Oscar Peterson Trio4:02
8Evrev
recording of:
Evrev
composer:
Oscar Peterson (Canadian jazz pianist and composer)
The Oscar Peterson Trio4:19
8Digital Media: Bursting Out with the All-Star Big Band!
#TitleArtistRatingLength
1Blues for Big Scotia
recorded in:
New York, New York, United States (on 1962-06-13)
alto saxophone:
Cannonball Adderley (on 1962-06-13) and Norris Turney (on 1962-06-13)
baritone saxophone:
George Dorsey (on 1962-06-13) and Seldon Powell (on 1962-06-13)
cornet:
Nat Adderley (on 1962-06-13)
double bass:
Ray Brown (jazz bassist) (on 1962-06-13)
drums (drum set):
Ed Thigpen (on 1962-06-13)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-13)
French horn:
Ray Alonge (french horn) (on 1962-06-13), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-13), Willie Ruff (on 1962-06-13), Morris Secon (on 1962-06-13) and Julius Watkins (on 1962-06-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-13)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-13) and Jerome Richardson (on 1962-06-13)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-13), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-13), Slide Hampton (on 1962-06-13), Melba Liston (US jazz trombonist) (on 1962-06-13) and Britt Woodman (on 1962-06-13)
trumpet:
Roy Eldridge (on 1962-06-13), Jimmy Nottingham (on 1962-06-13), Ernie Royal (on 1962-06-13) and Snooky Young (on 1962-06-13)
tuba:
Don Butterfield (on 1962-06-13)
conductor:
Ernie Wilkins (on 1962-06-13)
arranger:
Ernie Wilkins
recording of:
Blues for Big Scotia (on 1962-06-13)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
The Oscar Peterson Trio5:58
2West Coast Blues
recorded in:
New York, New York, United States (on 1962-06-15)
alto saxophone:
Cannonball Adderley (on 1962-06-15) and Norris Turney (on 1962-06-15)
baritone saxophone:
George Dorsey (on 1962-06-15) and Seldon Powell (on 1962-06-15)
cornet:
Nat Adderley (on 1962-06-15)
double bass:
Ray Brown (jazz bassist) (on 1962-06-15)
drums (drum set):
Ed Thigpen (on 1962-06-15)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-15)
French horn:
Ray Alonge (french horn) (on 1962-06-15), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-15), Willie Ruff (on 1962-06-15), Morris Secon (on 1962-06-15) and Julius Watkins (on 1962-06-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-15)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-15) and Jerome Richardson (on 1962-06-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-15), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-15), Slide Hampton (on 1962-06-15), Melba Liston (US jazz trombonist) (on 1962-06-15) and Britt Woodman (on 1962-06-15)
trumpet:
Roy Eldridge (on 1962-06-15), Jimmy Nottingham (on 1962-06-15), Ernie Royal (on 1962-06-15) and Snooky Young (on 1962-06-15)
tuba:
Don Butterfield (on 1962-06-15)
conductor:
Ernie Wilkins (on 1962-06-15)
arranger:
Ernie Wilkins
recording of:
West Coast Blues
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
The Oscar Peterson Trio3:57
3Here’s That Rainy Day
recorded in:
New York, New York, United States (on 1962-06-24)
alto saxophone:
Cannonball Adderley (on 1962-06-24) and Norris Turney (on 1962-06-24)
baritone saxophone:
George Dorsey (on 1962-06-24) and Seldon Powell (on 1962-06-24)
cornet:
Nat Adderley (on 1962-06-24)
double bass:
Ray Brown (jazz bassist) (on 1962-06-24)
drums (drum set):
Ed Thigpen (on 1962-06-24)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-24)
French horn:
Ray Alonge (french horn) (on 1962-06-24), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-24), Willie Ruff (on 1962-06-24), Morris Secon (on 1962-06-24) and Julius Watkins (on 1962-06-24)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-24)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-24) and Jerome Richardson (on 1962-06-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-24), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-24), Slide Hampton (on 1962-06-24), Melba Liston (US jazz trombonist) (on 1962-06-24) and Britt Woodman (on 1962-06-24)
trumpet:
Roy Eldridge (on 1962-06-24), Jimmy Nottingham (on 1962-06-24), Ernie Royal (on 1962-06-24) and Snooky Young (on 1962-06-24)
tuba:
Don Butterfield (on 1962-06-24)
recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Oscar Peterson Trio4:03
4I Love You
recorded in:
New York, New York, United States (on 1962-06-14)
alto saxophone:
Cannonball Adderley (on 1962-06-14) and Norris Turney (on 1962-06-14)
baritone saxophone:
George Dorsey (on 1962-06-14) and Seldon Powell (on 1962-06-14)
cornet:
Nat Adderley (on 1962-06-14)
double bass:
Ray Brown (jazz bassist) (on 1962-06-14)
drums (drum set):
Ed Thigpen (on 1962-06-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-14)
French horn:
Ray Alonge (french horn) (on 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-14), Willie Ruff (on 1962-06-14), Morris Secon (on 1962-06-14) and Julius Watkins (on 1962-06-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-14)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-14) and Jerome Richardson (on 1962-06-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-14), Slide Hampton (on 1962-06-14), Melba Liston (US jazz trombonist) (on 1962-06-14) and Britt Woodman (on 1962-06-14)
trumpet:
Roy Eldridge (on 1962-06-14), Jimmy Nottingham (on 1962-06-14), Ernie Royal (on 1962-06-14) and Snooky Young (on 1962-06-14)
tuba:
Don Butterfield (on 1962-06-14)
conductor:
Ernie Wilkins (on 1962-06-14)
arranger:
Ernie Wilkins
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Oscar Peterson Trio2:33
5Daahoud
recorded in:
New York, New York, United States (on 1962-06-14)
alto saxophone:
Cannonball Adderley (on 1962-06-14) and Norris Turney (on 1962-06-14)
baritone saxophone:
George Dorsey (on 1962-06-14) and Seldon Powell (on 1962-06-14)
cornet:
Nat Adderley (on 1962-06-14)
double bass:
Ray Brown (jazz bassist) (on 1962-06-14)
drums (drum set):
Ed Thigpen (on 1962-06-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-14)
French horn:
Ray Alonge (french horn) (on 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-14), Willie Ruff (on 1962-06-14), Morris Secon (on 1962-06-14) and Julius Watkins (on 1962-06-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-14)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-14) and Jerome Richardson (on 1962-06-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-14), Slide Hampton (on 1962-06-14), Melba Liston (US jazz trombonist) (on 1962-06-14) and Britt Woodman (on 1962-06-14)
trumpet:
Roy Eldridge (on 1962-06-14), Jimmy Nottingham (on 1962-06-14), Ernie Royal (on 1962-06-14) and Snooky Young (on 1962-06-14)
tuba:
Don Butterfield (on 1962-06-14)
conductor:
Ernie Wilkins (on 1962-06-14)
arranger:
Ernie Wilkins
recording of:
Daahoud
composer:
Clifford Brown (trumpet)
The Oscar Peterson Trio2:57
6Tricrotism
recorded in:
New York, New York, United States (on 1962-06-14)
alto saxophone:
Cannonball Adderley (on 1962-06-14) and Norris Turney (on 1962-06-14)
baritone saxophone:
George Dorsey (on 1962-06-14) and Seldon Powell (on 1962-06-14)
cornet:
Nat Adderley (on 1962-06-14)
double bass:
Ray Brown (jazz bassist) (on 1962-06-14)
drums (drum set):
Ed Thigpen (on 1962-06-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-14)
French horn:
Ray Alonge (french horn) (on 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-14), Willie Ruff (on 1962-06-14), Morris Secon (on 1962-06-14) and Julius Watkins (on 1962-06-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-14)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-14) and Jerome Richardson (on 1962-06-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-14), Slide Hampton (on 1962-06-14), Melba Liston (US jazz trombonist) (on 1962-06-14) and Britt Woodman (on 1962-06-14)
trumpet:
Roy Eldridge (on 1962-06-14), Jimmy Nottingham (on 1962-06-14), Ernie Royal (on 1962-06-14) and Snooky Young (on 1962-06-14)
tuba:
Don Butterfield (on 1962-06-14)
conductor:
Ernie Wilkins (on 1962-06-14)
arranger:
Ernie Wilkins
The Oscar Peterson Trio4:12
7I’m Old Fashioned
recorded in:
New York, New York, United States (on 1962-06-24)
alto saxophone:
Cannonball Adderley (on 1962-06-24) and Norris Turney (on 1962-06-24)
baritone saxophone:
George Dorsey (on 1962-06-24) and Seldon Powell (on 1962-06-24)
cornet:
Nat Adderley (on 1962-06-24)
double bass:
Ray Brown (jazz bassist) (on 1962-06-24)
drums (drum set):
Ed Thigpen (on 1962-06-24)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-24)
French horn:
Ray Alonge (french horn) (on 1962-06-24), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-24), Willie Ruff (on 1962-06-24), Morris Secon (on 1962-06-24) and Julius Watkins (on 1962-06-24)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-24)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-24) and Jerome Richardson (on 1962-06-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-24), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-24), Slide Hampton (on 1962-06-24), Melba Liston (US jazz trombonist) (on 1962-06-24) and Britt Woodman (on 1962-06-24)
trumpet:
Roy Eldridge (on 1962-06-24), Jimmy Nottingham (on 1962-06-24), Ernie Royal (on 1962-06-24) and Snooky Young (on 1962-06-24)
tuba:
Don Butterfield (on 1962-06-24)
The Oscar Peterson Trio4:27
8Young and Foolish
recorded in:
New York, New York, United States (on 1962-06-24)
alto saxophone:
Cannonball Adderley (on 1962-06-24) and Norris Turney (on 1962-06-24)
baritone saxophone:
George Dorsey (on 1962-06-24) and Seldon Powell (on 1962-06-24)
cornet:
Nat Adderley (on 1962-06-24)
double bass:
Ray Brown (jazz bassist) (on 1962-06-24)
drums (drum set):
Ed Thigpen (on 1962-06-24)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-24)
French horn:
Ray Alonge (french horn) (on 1962-06-24), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-24), Willie Ruff (on 1962-06-24), Morris Secon (on 1962-06-24) and Julius Watkins (on 1962-06-24)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-24)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-24) and Jerome Richardson (on 1962-06-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-24), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-24), Slide Hampton (on 1962-06-24), Melba Liston (US jazz trombonist) (on 1962-06-24) and Britt Woodman (on 1962-06-24)
trumpet:
Roy Eldridge (on 1962-06-24), Jimmy Nottingham (on 1962-06-24), Ernie Royal (on 1962-06-24) and Snooky Young (on 1962-06-24)
tuba:
Don Butterfield (on 1962-06-24)
The Oscar Peterson Trio4:51
9Manteca
recorded in:
New York, New York, United States (on 1962-06-14)
alto saxophone:
Cannonball Adderley (on 1962-06-14) and Norris Turney (on 1962-06-14)
baritone saxophone:
George Dorsey (on 1962-06-14) and Seldon Powell (on 1962-06-14)
cornet:
Nat Adderley (on 1962-06-14)
double bass:
Ray Brown (jazz bassist) (on 1962-06-14)
drums (drum set):
Ed Thigpen (on 1962-06-14)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1962-06-14)
French horn:
Ray Alonge (french horn) (on 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (on 1962-06-14), Willie Ruff (on 1962-06-14), Morris Secon (on 1962-06-14) and Julius Watkins (on 1962-06-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-06-14)
tenor saxophone:
James Moody (jazz saxophonist) (on 1962-06-14) and Jerome Richardson (on 1962-06-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-06-14), Slide Hampton (on 1962-06-14), Melba Liston (US jazz trombonist) (on 1962-06-14) and Britt Woodman (on 1962-06-14)
trumpet:
Roy Eldridge (on 1962-06-14), Jimmy Nottingham (on 1962-06-14), Ernie Royal (on 1962-06-14) and Snooky Young (on 1962-06-14)
tuba:
Don Butterfield (on 1962-06-14)
conductor:
Ernie Wilkins (on 1962-06-14)
arranger:
Ernie Wilkins
The Oscar Peterson Trio3:57