Mozart Arias

~ Release by Mozart; Anna Moffo, Philharmonia Orchestra, Alceo Galliera (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Atto I. "Non so più" (Cherubino)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:40
2Le nozze di Figaro, K. 492: Atto II. "Voi che sapete" (Cherubino)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:49
3Le nozze di Figaro, K. 492: Atto II. "Venite, inginnocchiatevi" (Susanna)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:07
4Le nozze di Figaro, K. 492: Atto IV. "Giunse alfin il momento...Deh vieni" (Susanna))
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:29
5Così fan tutte, K. 588: Atto I. "In uomini, in soldati" (Despina)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1958-05-17 until 1958-05-19)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano) (from 1958-05-17 until 1958-05-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-05-17 until 1958-05-19)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1958-05-17 until 1958-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-17 until 1958-05-19)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1958-05-17 until 1958-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:40
6Così fan tutte, K. 588: Atto II "Una donna a quindici anni" (Despina)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:24
7Die Entführung aus dem Serail: Akt I. "Ach, ich liebte" (Konstanze)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:12
8Don Giovanni, K. 527: Atto I. "Batti, batti o bel Masetto" (Zerlina)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:49
9Don Giovanni, K. 527: Atto II. "Vedrai, carino" (Zerlina)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:27
10Die Zauberflöte, K. 620: Akt II. "Ach, ich fühl's" (Pamina)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1958-05-17 until 1958-05-19)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano) (from 1958-05-17 until 1958-05-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-05-17 until 1958-05-19)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1958-05-17 until 1958-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-17 until 1958-05-19)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1958-05-17 until 1958-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:38
11Il re pastore, K. 208: Atto II. "L'amerò sarò costante" (Aminta)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [Aminta]:
Anna Moffo (soprano) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
Wolfgang Amadeus Mozart5:46
12"Misera, dove son?...Ah! non son io" K. 369
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 369) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 369)
Wolfgang Amadeus Mozart7:32
13Mass No. 17 in C minor, K.417a/427. "Laudamus te"
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te”
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart4:37
14Mass No. 17 in C minor, K.417a/427. "Et incarnatus est"
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart7:36
15Exsultate, jubilate, KV165/155a. Allelulia
engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1958-05-17 until 1958-05-19)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Anna Moffo (soprano) (from 1958-05-17 until 1958-05-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-05-17 until 1958-05-19)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1958-05-17 until 1958-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-17 until 1958-05-19)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1958-05-17 until 1958-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:51

Credits

Release

liner notes:Tony Locantro
copyrighted (©) by and phonographic copyright (℗) by:Testament (UK classical) (in 2000)
discography entry:https://www.allmusic.com/album/mw0001371368 [info]