Falstaff

~ Release by Verdi; Dietrich Fischer‐Dieskau, Ilva Ligabue, Regina Resnik, Graziella Sciutti, Juan Oncina, Rolando Panerai, Wiener Philharmoniker, Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Falstaff: Atto I. “Falstaff!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi4:49
2Falstaff: Atto I. “Sei polli – sei scellini”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:47
3Falstaff: Atto I. “Ma è tempo d’assottigliar l’ingegno”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:48
4Falstaff: Atto I. “L’onore! Ladri!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi4:09
5Falstaff: Atto I. “Alice… Meg… Nannetta…”
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:06
6Falstaff: Atto I. “Fulgida Alice! Amor t’offro…”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:56
7Falstaff: Atto I. “In due parole” … “L’enorme Falstaff”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:25
8Falstaff: Atto I. “Pst, pst, Nannetta”
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi5:15
9Falstaff: Atto I. “Udrai quanta egli sfoggia”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:07
10Falstaff: Atto II. “Siam pentiti e contriti”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:25
11Falstaff: Atto II. “Va, vecchio John…”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi2:06
12Falstaff: Atto II. “Signore, v’assista il cielo!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi2:49
13Falstaff: Atto II. “C’è a Windsor una dama”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi7:18
14Falstaff: Atto II. “È sogno? O realtà?”
baritone vocals [Ford]:
Rolando Panerai (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:22
15Falstaff: Atto II. “Presenteremo un bill”
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:58
16Falstaff: Atto II. “Gaie comari di Windsor!”
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:34
17Falstaff: Atto II. “Alfin t’ho colto, raggiante fior”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:55
18Falstaff: Atto II. “Quand’ero paggio del Duca di Norfolk”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:56
19Falstaff: Atto II. “Mia signora!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:48
20Falstaff: Atto II. “C’é! C’é!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
choir vocals:
Wiener Staatsopernchor
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:33
21Falstaff: Atto III. “Ehi! Taverniere!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:47
22Falstaff: Atto III. “Reverenza – La bella Alice…”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:23
23Falstaff: Atto III. “Brava! Quelle corna saranno la mia gioia!”
baritone vocals [Ford]:
Rolando Panerai (baritone)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi4:40
24Falstaff: Atto III. “Dal labbro il canto”
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:06
25Falstaff: Atto III. “Una, due, tre, quattro…”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:08
26Falstaff: Atto III. “Ninfe! Elfi! Silfi!”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Wiener Staatsopernchor
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:37
27Falstaff: Atto III. “Alto là! – Chi va là?”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
choir vocals:
Wiener Staatsopernchor
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:15
28Falstaff: Atto III. “Ogni sorta di gente dozzinale”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
choir vocals:
Wiener Staatsopernchor
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi4:22
29Falstaff: Atto III. “Tutto nel mondo è burla”
baritone vocals [Falstaff]:
Dietrich Fischer‐Dieskau (baritone)
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Pistola]:
Erich Kunz (baritone)
choir vocals:
Wiener Staatsopernchor
contralto vocals [Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Meg]:
Hilde Rössel‐Majdan (Austrian contralto)
soprano vocals [Alice]:
Ilva Ligabue (soprano)
soprano vocals [Nannetta]:
Graziella Sciutti (soprano)
tenor vocals [Bardolfo]:
Murray Dickie (tenor)
tenor vocals [Dott. Cajus]:
Gerhard Stolze (German tenor)
tenor vocals [Fenton]:
Juan Oncina (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:57