Rage: Adults Only

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Matrix / Runout: universal ANZ 5328859 A0100944675X0102 12
Matrix / Runout: universal ANZ 5328860 A0100944675XA522 12
Mastering SID Code: IFPI LV87
Mastering SID Code: IFPI LV87
Mould SID Code: IFPI 6543
Mould SID Code: IFPI 6535

Annotation last modified on 2023-06-12 16:01 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:28
2Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
3Satisfaction
Benny Benassi presents The Biz3:11
4The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:20
5Paparazzi
additional programming:
Calvin Gaines
additional co-producer and additional producer:
Lady Gaga
producer:
Rob Fusari
mixer:
Robert Orton
keyboard and piano and synthesizer:
Lady Gaga
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
music videos:
Paparazzi by Lady Gaga
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 53) and Billboard Year-End Hot 100 singles of 2010 (number: 64)
recording of:
Paparazzi
writer:
Rob Fusari and Lady Gaga
Lady Gaga4.43:28
6If U Seek Amy
assistant recording engineer:
Eric Eylands
recording engineer:
Seth Waldmann
programming:
Max Martin (Swedish record producer) and Shellback
additional assistant engineer:
Tim Roberts (engineer)
additional engineer:
John Hanes (audio engineer, mixer)
executive producer:
Larry Rudolph and Teresa LaBarbera Whites
producer:
Max Martin (Swedish record producer)
mixer:
Serban Ghenea
background vocals:
Kinnda, Max Martin (Swedish record producer) and Britney Spears
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
produced for:
Maratone Productions
additionally recorded at:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and Sunset Studios in Hollywood, Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 74)
recording of:
If U Seek Amy
writer:
Savan Kotecha, Alexander Kronlund, Max Martin (Swedish record producer) and Shellback
publisher:
EMI Blackwood Music Inc., Maratone AB, Oh Suki Music and Warner Chappell Music Scandinavia
Britney Spears4.253:36
7Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.654:07
8Red Light Special
recording of:
Red Light Special
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
publisher:
Sony Songs Inc.
TLC5:00
9Untitled (How Does It Feel)
engineer:
Steve Mandel (US engineer, producer, songwriter)
producer:
D’Angelo (US soul singer, songwriter & producer) and Raphael Saadiq
mixer:
D’Angelo (US soul singer, songwriter & producer) and Russell “The Dragon” Elevado
bass guitar and guitar:
Raphael Saadiq
guitar:
C. Edward Alford (Guitarist C. Edward Alford)
instruments and vocals:
D’Angelo (US soul singer, songwriter & producer)
instruments arranger:
D’Angelo (US soul singer, songwriter & producer) and Raphael Saadiq
vocals arranger:
D’Angelo (US soul singer, songwriter & producer)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 379)
recording of:
Untitled (How Does It Feel)
writer:
D’Angelo (US soul singer, songwriter & producer) and Raphael Saadiq
publisher:
Ah‐Choo Publishing (in 1999), First Echo Publishing (in 1999) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1999)
D’Angelo4.57:08
10Do You Want More
The Aston Shuffle feat. Danimal Kingdom3:14
11Smack My Bitch Up
additional recording engineer:
Neil McLellan
producer and mixer:
Liam Howlett
additional vocals:
Shahin Bada
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1997)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
samples:
Bulls on Parade by Rage Against the Machine (electric guitar), Give the Drummer Some by Ultramagnetic MC’s and In Memory Of by Randy Weston
recording of:
Smack My Bitch Up
writer:
Cedric Miller, Liam Howlett, Maurice Smith, Trevor Randolph and Keith Matthew Thornton
publisher:
Beats G Music, EMI Virgin Music Ltd. (do not use this as a release label!) and Next Plateau Music Inc.
The Prodigy3.955:43
12Paranoid Android
recorded at:
Glastonbury Festival 1997, Day 2: Pyramid Stage (1997-06-28)
live recording of:
Paranoid Android (on 1997-06-28)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead6:23
13Post Enebriated Anxiety
recording engineer:
Phil McKellar (Australian producer and engineer) (in 1996-06)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer)
phonographic copyright (℗) by:
Grinspoon (from 1996 to present)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at and mixed at:
Studio 227 (Harris Street, Ultimo NSW) in Sydney, New South Wales, Australia (in 1996-06)
recording of:
Post Enebriated Anxiety (in 1996-06)
writer:
Pat Davern and Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
Grinspoon2:39
14Ballchef
producer:
Eddie Ashworth and Frenzal Rhomb
mixer:
Phil McKellar (Australian producer and engineer)
bass guitar:
Thomas the Wank Engine
guitar:
Jayden Whalley and The Good Doctor
membranophone:
Gordy for Man
background vocals:
The Good Doctor and Thomas the Wank Engine
lead vocals:
Jayden Whalley
recorded at:
Total Access Recording in Redondo Beach, California, United States (in 2002-12)
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
recording of:
Ballchef
lyricist and composer:
Tom Crease, Gordy Forman, Lindsay McDougall and Jason Whalley
Frenzal Rhomb1:20
15Nude School
phonographic copyright (℗) by:
Mushroom Records (in 1988)
recording of:
Nude School
writer:
Vladimir Juric and Chris O'Connor (member of Painters and Dockers)
publisher:
Mushroom Music Publishing
Painters and Dockers3:36
16Addicted to Love
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer5:58
17Gimme Head
recording of:
Gimme Head (The Radiators song)
lyricist and composer:
Geoff Turner
Radiators2:37
18I Touch Myself
Divinyls3:48
2▼DVD
#TitleArtistRatingLength
1Girls on Film
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran?:??
2The Bad Touch
remixer:
Eiffel 65 (Italian Italo-dance/Euro-dance group)
karaoke version of:
The Bad Touch (Eiffel 65 Instrumental Mix) by Bloodhound Gang
remix of:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang?:??
3Relax
Frankie Goes to Hollywood?:??
4Satisfaction
recording of:
Satisfaction
writer:
Alle Benassi
Benny Benassi presents The Biz3?:??
5Call on Me
recording of:
Call On Me
writer:
Will Jennings, Eric Prydz and Steve Winwood
publisher:
Blue Sky Rider Songs, EMI Blackwood Music Inc., Irving Music (BMI), O/B/O Music Pub. Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Valerie
Eric Prydz?:??
6My My My
recording of:
My My My
writer:
Armand van Helden, Barry Mann, Cynthia Weil and Gary Wright (US singer/keyboardist)
publisher:
Breakdancin Bob Publishing and Dyad Music Ltd.
Armand van Helden4?:??
7Paparazzi
additional programming:
Calvin Gaines
additional co-producer and additional producer:
Lady Gaga
producer:
Rob Fusari
mixer:
Robert Orton
keyboard and piano and synthesizer:
Lady Gaga
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
music videos:
Paparazzi by Lady Gaga
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 53) and Billboard Year-End Hot 100 singles of 2010 (number: 64)
recording of:
Paparazzi
writer:
Rob Fusari and Lady Gaga
Lady Gaga4.4?:??
8Sober
assistant recording engineer:
Keith Gretlein (in 2008) and Neil Kanal (in 2008)
recording engineer:
Jake Davies (in 2008), Jimmy Harry (pop music composer, producer, engineer) (in 2008) and Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer) (in 2008)
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Danja (US producer Nate Hills), Jimmy Harry (pop music composer, producer, engineer) and Tony Kanal
mixer:
Serban Ghenea
bass:
Tony Kanal (in 2008)
drums (drum set) [drums]:
Joey Waronker (in 2008)
guitar and keyboard [keyboards]:
Jimmy Harry (pop music composer, producer, engineer) (in 2008)
strings:
Stevie Blacke (British‐American producer and multi‐instrumentalist) (in 2008)
strings arranger:
Stevie Blacke (British‐American producer and multi‐instrumentalist)
phonographic copyright (℗) by:
Arista Records LLC (holding company - file NO releases here!) (in 2008) and LaFace Records LLC (in 2008)
produced for:
Danjahandz Productions, Inc.
recorded at:
3:20 Studios in Los Feliz, Los Angeles, California, United States (in 2008), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States (in 2008) and Sha Recording in Malibu, California, United States (in 2008)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Sober (music video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 38)
recording of:
Sober (in 2008)
writer:
Alecia Moore (American singer/songwriter), Kara DioGuardi, Marcella Araica (American songwriter, recording and mixing engineer) and Nathaniel Hills (US producer Nate Hills)
publisher:
Arthouse Entertainment LLC, Bug (music publishing), Danjahandz Music, David M. Ehrlich, Esq., P.C., EMI Blackwood Music Inc., P!nk Inside Publishing, Sunshine Terrace, W.B.M. Music Corp. and Yaslina Music Publishing Inc.
P!nk3.3?:??
9Country Girl
recording engineer:
Clive Goddard (engineer)
programming:
Tim Bran
assistant engineer:
Joel Cormack and George Renwick
engineer:
Ryan Castle
producer:
Youth for Big Life Management (producer/bassist Martin Glover)
mixer:
David Sardy (American score composer)
background vocals:
John Gibbons (UK backing singer), Sharlene Hector, Sylvia Mason‐James (British singer) and Juliet Roberts (British jazz, rock, and house music singer)
music videos:
Country Girl by Primal Scream (Scottish rock band)
recording of:
Country Girl
writer:
Martin Duffy, Bobby Gillespie, Andrew Innes and Gary Mounfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.5?:??
10I Miss You
recording of:
I Miss You
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Hi My Name Is Mark and Universal Music Corp. (USA, affiliated with ASCAP)
blink‐182?:??
11Y Control
engineer:
Paul Mahajan
producer:
David Andrew Sitek and YYY
assistant mixer:
Ric Levy
mixer:
Alan Moulder (producer and engineer) and Nick Zinner (US guitarist, composer, and producer)
recorded at:
Headgear in Williamsburg, New York, New York, United States
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
recording of:
Y Control
writer:
Yeah Yeah Yeahs
publisher:
Chrysalis Songs
Yeah Yeah Yeahs3.95?:??
12Smack My Bitch Up
live recording of:
Smack My Bitch Up
writer:
Cedric Miller, Liam Howlett, Maurice Smith, Trevor Randolph and Keith Matthew Thornton
publisher:
Beats G Music, EMI Virgin Music Ltd. (do not use this as a release label!) and Next Plateau Music Inc.
The Prodigy?:??
13Criminal
recording engineer and mixer:
Mark Endert
producer:
Andrew Slater
assistant mixer:
Tom Banghart
bass:
Dan Rothchild
chamberlin [chamberlain]:
Jon Brion
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Rob Laufer
piano:
Patrick Warren
vocals:
Fiona Apple (singer-songwriter and pianist)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
mixed at:
Brooklyn Recording Studio in Los Angeles, California, United States
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 2) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 423)
recording of:
Criminal
lyricist and composer:
Fiona Apple (singer-songwriter and pianist)
publisher:
FHW Publishing (in 1996)
Fiona Apple4.15?:??
14Untitled (How Does It Feel)
edit of:
Untitled (How Does It Feel) by D’Angelo (US soul singer, songwriter & producer)
music videos:
Untitled by D’Angelo (US soul singer, songwriter & producer)
recording of:
Untitled (How Does It Feel)
writer:
D’Angelo (US soul singer, songwriter & producer) and Raphael Saadiq
publisher:
Ah‐Choo Publishing (in 1999), First Echo Publishing (in 1999) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1999)
D’Angelo4?:??
15Red Light Special
assistant recording engineer:
Eric Fischer (engineer) and Lamont Hyde
recording engineer:
Brad Gilderman
drum machine programming:
Babyface (R&B musician Kenny Edmonds)
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Dave Way
guitar:
Dwight Sills
synthesizer:
Babyface (R&B musician Kenny Edmonds)
background vocals:
Bebé (Backup singer for TLC), Chilli (Rozonda Thomas, member of TLC), Debra Killings and T‐Boz
vocals:
Chilli (Rozonda Thomas, member of TLC), Lisa “Left Eye” Lopes and T‐Boz
recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Red Light Special
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
publisher:
Sony Songs Inc.
TLC3.3?:??
16La Tortura
recording engineer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) and Kevin Killen
programming:
Gian Arias, Pete Davis (UK engineer, programmer, keyboards), Jose “Gocho” Torres (José Ángel Torres Castro) and Juan Santana (programmer)
additional producer:
Jose “Gocho” Torres (José Ángel Torres Castro)
co-producer:
Lester Mendez
producer:
Shakira (Colombian singer-songwriter)
mixer:
Gustavo Celis
accordion:
Humberto Judex and Frank Marocco
acoustic guitar:
René Toledo
electric bass guitar:
Paul Bushnell (session bassist, producer and music director)
guitar:
Luis Fernando Ochoa and Lyle Workman
keyboard:
Lester Mendez
percussion:
Archie Peña
tres [Cuban tres], guest vocals and guest performer:
Alejandro Sanz
co-produced for:
Living Stereo, Inc.
mixed at:
Supersonic Studios in Miami, Florida, United States
music video for:
La tortura (video) by Shakira (Colombian singer-songwriter)
recording of:
La tortura
lyricist:
Alejandro Sanz and Shakira (Colombian singer-songwriter)
composer:
Luis Fernando Ochoa and Shakira (Colombian singer-songwriter)
Shakira2.45?:??
17Sexual Healing
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye?:??
18Addicted to Love
producer:
Bernard Edwards (American bassist and record producer)
music videos:
Addicted to Love by Robert Palmer (English singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 85)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer4.75?:??
19Physical
phonographic copyright (℗) by:
ONJ Productions (Olivia Newton-John) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 11), Cachitos Nochevieja 2022 (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 457)
recording of:
Physical
writer:
Steve Kipner and Terry Shaddick
publisher:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. and Floating World Music
Olivia Newton‐John4.35?:??
20Toe Jam
recording of:
Toe Jam
writer:
David Byrne (Talking Heads) and Norman Cook
publisher:
Asongs and Moldy Fig Music
The BPA feat. David Byrne & Dizzee Rascal?:??
21Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.05?:??
22Paranoid Android
live recording of:
Paranoid Android (on 1997-12-19)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead?:??
23I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.5?:??