Tracklist

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1CD
#TitleArtistRatingLength
1Le nozze di Figaro: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:52
2Le nozze di Figaro: Atto primo. Cinque... dieci... venti
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:35
3Le nozze di Figaro: Atto primo. Se a caso madama
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:27
4Le nozze di Figaro: Atto primo. Se vuol ballare (Figaro/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:13
5Le nozze di Figaro: Atto primo. La vendetta, oh, la vendetta (Bartolo)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:02
6Le nozze di Figaro: Atto primo. Via resti servita, madama brillante (Marcellina/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:01
7Le nozze di Figaro: Atto primo. Non so più coca son, cosa faccio (Cherubino)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:02
8Le nozze di Figaro: Atto primo. Cosa sento! (Conte/ Basilio/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:44
9Le nozze di Figaro: Atto primo. Giovani liete, fiori spargete (Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:12
10Le nozze di Figaro: Atto primo. Non più andrai (Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:34
11Le nozze di Figaro: Atto secondo. Porgi, amor (Contessa)
producer:
Walter Legge (British classical producer)
soprano vocals [Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Douglas Larter, Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1952)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:07
12Le nozze di Figaro: Atto secondo. Voi, che sapete che cosa è amor (Cherubino)
producer:
Walter Legge (British classical producer)
soprano vocals:
Sena Jurinac (soprano) (in 1950, from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:41
13Le nozze di Figaro: Atto secondo. Venite, inginocchiatevi (Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:57
14Le nozze di Figaro: Atto secondo. Susanna, or via sortite (Conte/Contessa/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:51
15Le nozze di Figaro: Atto secondo. Aprite, presto, aprite (Susanna/Cherubino)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:57
16Le nozze di Figaro: Atto secondo. Esci omai, garzon malnato (Conte/Contessa)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:43
17Le nozze di Figaro: Atto secondo. Signore! Cos'è quel stupore? (Susanna/Conte/Contessa/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart5:27
18Le nozze di Figaro: Atto secondo. Conoscete, signor Figaro (Conte/Figaro/Susanna/Contessa/Antonio)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart8:07
19Le nozze di Figaro: Atto secondo. Voi signor, che giusto siete (Marcellina/Bartolo/Basilio/Conte/Susanna/Contessa/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:48
2CD
#TitleArtistRatingLength
1Le nozze di Figaro: Atto terzo. Crudel! Perchè finora farmi languir cosi? (Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:44
2Le nozze di Figaro: Atto terzo. Hai già vinto la causa! Vedro, mentr'io sospiro (Conte)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:59
3Le nozze di Figaro: Atto terzo. Riconosci in quest' amplesso (Marcellina/Figaro/Bartolo/Don Curzio/Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:55
4Le nozze di Figaro: Atto terzo. E Susanna non vien! Dove sono (Contessa)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart7:05
5Le nozze di Figaro: Atto terzo. Sull'aria (Susanna/Contessa)
producer:
Walter Legge (British classical producer)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1950-06-17 until 1950-10-31)
soprano vocals [Susanna]:
Irmgard Seefried (soprano) (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:47
6Le nozze di Figaro: Atto terzo. Ricevete, o padroncina (Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:06
7Le nozze di Figaro: Atto terzo. Ecco la marcia... constanti (Figaro/Susanna/Conte/Contessa/Due ragazze/Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:26
8Le nozze di Figaro: Atto quarto. L'ho perduta, me meschina! (Barbarina)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:49
9Le nozze di Figaro: Atto quarto. Tutto é disposto... Aprite un po' quegl' occhi (Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:13
10Le nozze di Figaro: Atto quarto. Giunse alfin il momento... Deh, vieni, non tardar (Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:41
11Le nozze di Figaro: Atto quarto. Pipianin, le andró più presso (Cherubino/Contessa/Conte/Susanna/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:21
12Le nozze di Figaro: Atto quarto. Tutto é tranquillo e placido (Figaro/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:00
13Le nozze di Figaro: Atto quarto. Pace, pace, mio dolce tesoro (Figaro/Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:52
14Le nozze di Figaro: Atto quarto. Gente, gente, all'armi, all'armi! (Tutti)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:16