Tracklist

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1CD
#TitleArtistRatingLength
1Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure"
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi1:23
2Don Carlos : Acte I. Récit et Romance « Fontainebleau ! Forêt immense et solitaire … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi1:47
3Don Carlos : Acte I. « Je l’ai vue »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi2:20
4Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse » (Carlos, Thibault, Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse » (Carlos, Thibault, Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi2:40
5Don Carlos : Acte I. « Que faites-vous donc ? … De quels transports »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. « Que faites-vous donc ? » … « De quels transports » (Elisabeth, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. « Que faites-vous donc ? » … « De quels transports » (Elisabeth, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi8:15
6Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée » (Thibault, Elisabeth, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée » (Thibault, Elisabeth, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi2:03
7Don Carlos : Acte I. « O chants de fête »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
tenor vocals [Le comte de Lerme]:
Tibère Raffalli (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. « O chants de fête » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. « O chants de fête » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi6:44
8Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi5:52
9Don Carlos : Acte II, scène 1. « Au couvent de Saint-Just »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. « Au couvent de Saint-Just » (Carlos, un Moine) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. « Au couvent de Saint-Just » (Carlos, un Moine) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi1:48
10Don Carlos : Acte II, scène 1. Scène et duo « Le voilà ! … Dieu, tu semas dans nos âmes »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. Scène et duo « Le voilà ! C'est l'infant … Dieu, tu semas dans nos âmes » (Rodrigue, Carlos, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. Scène et duo « Le voilà ! C'est l'infant … Dieu, tu semas dans nos âmes » (Rodrigue, Carlos, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi7:55
11Don Carlos : Acte II, scène 2. Chœur et scène « Sous ces bois au feuillage immense »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Chœur et scène « Sous ces bois au feuillage immense » (Dames d'Elisabeth, Thibault, Eboli) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Chœur et scène « Sous ces bois au feuillage immense » (Dames d'Elisabeth, Thibault, Eboli) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi3:34
12Don Carlos : Acte II, scène 2. Chanson du voile « Au palais des fées »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Chanson du voile « Au palais des fées » (Eboli, Thibault, dames d'Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Chanson du voile « Au palais des fées » (Eboli, Thibault, dames d'Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi4:00
13Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi8:24
2CD
#TitleArtistRatingLength
1Don Carlos : Acte II, scène 2. Grande scène et duo « Je viens solliciter de la Reine une grâce … O bien perdu … Par quelle douce voix »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Grande scène et duo « Je viens solliciter de la Reine une grâce … O bien perdu … Par quelle douce voix » (Carlos, Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Grande scène et duo « Je viens solliciter de la Reine une grâce … O bien perdu … Par quelle douce voix » (Carlos, Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi9:36
2Don Carlos : Acte II, scène 2. Scène et romance « Le Roi ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Scène et romance « Le Roi ! » (Thibault, Philippe, dames) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Scène et romance « Le Roi ! » (Thibault, Philippe, dames) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi1:10
3Don Carlos : Acte II, scène 2. « O ma chère compagne »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. « O ma chère compagne » (Elisabeth, Rodrigue, Philippe, dames) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. « O ma chère compagne » (Elisabeth, Rodrigue, Philippe, dames) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi4:18
4Don Carlos : Acte II, scène 2. Scène et duo « Restez ! … O Roi ! J’arrive de Flandre »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Scène et duo « Restez ! … O Roi ! J’arrive de Flandre » (Philippe, Rodrigue) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Scène et duo « Restez ! … O Roi ! J’arrive de Flandre » (Philippe, Rodrigue) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi10:50
5Don Carlos : Acte III. Prélude
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III. Prélude (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III. Prélude (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi2:35
6Don Carlos : Acte III, scène 1. Scène « À minuit, aux jardins de la Reine »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 1. Scène « À minuit, aux jardins de la Reine » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 1. Scène « À minuit, aux jardins de la Reine » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi0:36
7Don Carlos : Acte III, scène 1. Duo « C’est vous! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 1. Duo « C’est vous! » (Carlos, Eboli) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 1. Duo « C’est vous! » (Carlos, Eboli) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi4:04
8Don Carlos : Acte III, scène 1. Trio « Que dit-il ? »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 1. Trio « Que dit-il ? » (Rodrigue, Eboli, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 1. Trio « Que dit-il ? » (Rodrigue, Eboli, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi7:05
9Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
tenor vocals [Un héraut royal]:
Antonio Savastano (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … » (le Peuple, moines, le Héraut royal) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … » (le Peuple, moines, le Héraut royal) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi9:00
10Don Carlos : Acte III, scène 2. « … En plaçant sur mon front, peuple, cette couronne … Sire, la dernière heure a-t-elle donc sonné »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
baritone vocals [Un député flamand]:
Bruno Grella (in 1982-01, in 1984-06) and Silvestro Sammaritano (baritone) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un député flamand]:
Aldo Bramante (operatic bass) (in 1982-01, in 1984-06) and Giuseppe Morresi (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
other vocals [Un député flamand]:
Serge Fontaine (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
soprano vocals [Une voix d'en haut]:
Arleen Augér (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
tenor vocals [Un député flamand]:
Paolo Mazzotta (classical bass vocalist) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 2. « En plaçant sur mon front, peuple, cette couronne … Sire, la dernière heure a-t-elle donc sonné » (Philippe, Elisabeth, Rodrigue, Carlos, 6 Députés flamands, 6 moines, Thibault, le peuple, une Voix d'en haut) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 2. « En plaçant sur mon front, peuple, cette couronne … Sire, la dernière heure a-t-elle donc sonné » (Philippe, Elisabeth, Rodrigue, Carlos, 6 Députés flamands, 6 moines, Thibault, le peuple, une Voix d'en haut) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi10:29
3CD
#TitleArtistRatingLength
1Don Carlos : Acte IV, scène 1. Scène et cantabile « Elle ne m’aime pas ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Scène et cantabile « Elle ne m’aime pas ! » (Philippe) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Scène et cantabile « Elle ne m’aime pas ! » (Philippe) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi9:26
2Don Carlos : Acte IV, scène 1. Scène « Le Grand Inquisiteur ! … Dans ce beau pays »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
tenor vocals [Le comte de Lerme]:
Tibère Raffalli (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Scène « Le Grand Inquisiteur ! … Dans ce beau pays » (Lerme, l'Inquisiteur, Philippe) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Scène « Le Grand Inquisiteur ! … Dans ce beau pays » (Lerme, l'Inquisiteur, Philippe) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi9:07
3Don Carlos : Acte IV, scène 1. Scène et quatuor « Justice ! Sire ! … Maudit soit le soupçon infâme »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Scène et quatuor « Justice ! Sire ! … Maudit soit le soupçon infâme » (Elisabeth, Philippe, Eboli, Rodrigue) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Scène et quatuor « Justice ! Sire ! … Maudit soit le soupçon infâme » (Elisabeth, Philippe, Eboli, Rodrigue) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi8:31
4Don Carlos : Acte IV, scène 1. Scène et air « Pitié ! Pardon pour la femme coupable ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Scène et air « Pitié ! Pardon pour la femme coupable ! » (Eboli, Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Scène et air « Pitié ! Pardon pour la femme coupable ! » (Eboli, Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:05
5Don Carlos : Acte IV, scène 1. « Ah ! Je ne verrai plus la Reine … O don fatal et détesté »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. « Ah ! Je ne verrai plus la Reine … O don fatal et détesté » (Eboli) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. « Ah ! Je ne verrai plus la Reine … O don fatal et détesté » (Eboli) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi4:16
6Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C’est moi, Carlos … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:02
7Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C’est mon jour suprême … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C'est moi Carlos … C'est mon jour suprême » (Rodrigue, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi2:46
8Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Que parles-tu de mort ? … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Que parles-tu de mort ? … » (Rodrigue, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Que parles-tu de mort ? … » (Rodrigue, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi1:39
9Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Carlos, écoute … Ah ! Je meurs l’âme joyeuse »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Carlos, écoute … Ah ! Je meurs l’âme joyeuse » (Rodrigue) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « Carlos, écoute … Ah ! Je meurs l’âme joyeuse » (Rodrigue) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer) (in 1884)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:42
10Don Carlos : Acte IV, scène 2. Émeute « Mon fils, reprenez votre épée … Ciel ! Le tocsin ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
tenor vocals [Le comte de Lerme]:
Tibère Raffalli (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 2. Émeute « Mon fils, reprenez votre épée … Ciel ! Le tocsin ! » (Philippe, Carlos, Lerme, Eboli, l'Inquisiteur, les grands d'Espagne, le peuple) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 2. Émeute « Mon fils, reprenez votre épée … Ciel ! Le tocsin ! » (Philippe, Carlos, Lerme, Eboli, l'Inquisiteur, les grands d'Espagne, le peuple) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:12
4CD
#TitleArtistRatingLength
1Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi10:36
2Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi9:44
3Don Carlos : Acte V. Scène finale « Oui, pour toujours ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
choir vocals [Un inquisiteur]:
LIbero Bullo (in 1982-01, in 1984-06), Gaspare Cerri (in 1982-01, in 1984-06), Sebastiano Gernone (in 1982-01, in 1984-06), Ferdinando Meret (in 1982-01, in 1984-06), Giordano Olivo (in 1982-01, in 1984-06), Alfredo Pinardi (in 1982-01, in 1984-06), Eros Sartori (in 1982-01, in 1984-06), Vittorio Sarzano (in 1982-01, in 1984-06) and Armando Vivani (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi1:40
4Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Un bûcheron]:
Alessandro Corbelli (baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi9:38
5Don Carlos : Appendice, Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi4:46
6Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi15:15
7Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi4:47
8Don Carlos : Appendice, Acte IV, scène 2. Final « Mon fils, reprenez votre épée... Qui me rendra ce mort ? »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi7:23
9Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi4:12