Britten the Performer

~ Release by Benjamin Britten (see all versions of this release, 2 available)

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1St. John Passion, BWV 245: Part One: "Sire, Lord and Master"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 1. Chorus "Sire, Lord and Master"" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach9:58
2St. John Passion, BWV 245: Part One: "Jesus Went With His Disciples"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 2. Recitative "Jesus went with His disciples" (Evangelist, Jesus) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach2:58
3St. John Passion, BWV 245: Part One: "O generous Love!"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 3. Chorus "O generous love!" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:09
4St. John Passion, BWV 245: Part One: "So That the Word Might Be Fulfilled"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 4. Recitative "So that the word might be fulfilled" (Evangelist, Jesus) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:17
5St. John Passion, BWV 245: Part One: "Thy Will Be Done, O God Of Love"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 5. Chorus "Thy will be done, o God of love!" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:56
6St. John Passion, BWV 245: Part One: "The Band Then, Together With the Captain"
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 6. Recitative "The band then, together with the captain" (Evangelist) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:49
7St. John Passion, BWV 245: Part One: "To Release Me From the Prison"
alto vocals:
Alfreda Hodgson (contralto) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 7. Aria "To release me from this prison" (Contralto) (ed. Britten) (in 1971-04)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach5:33
8St. John Passion, BWV 245: Part One: "Simon Peter Also Followed Jesus From Afar"
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 8. Recitative "Simon Peter also followed" (Evangelist) (ed. Britten) (in 1971-04)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:19
9St. John Passion, BWV 245: Part One: "I'll Follow Thee Also"
soprano vocals:
Heather Harper (soprano) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 9. Aria (Soprano) "I'll follow Thee also" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach4:00
10St. John Passion, BWV 245: Part One: "Now That Same Disciple Was Known Unto the High Priest"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 10. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach3:37
11St. John Passion, BWV 245: Part One: "Ah, Who Would Dare To Smite Thee?"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 11. Chorus "Ah, who would dare to smite Thee?" (Evangelist) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:30
12St. John Passion, BWV 245: Part One: "Now Annas Sent Him Bound Unto the High Priest"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:37
13St. John Passion, BWV 245: Part One: "Ah! Take Flight"
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:39
14St. John Passion, BWV 245: Part One: "Peter, Who Denied His Lord"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (in 1971-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:32
15St. John Passion, BWV 245: Part Two: "Christ, Who Gave Us Life and Light"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (in 1971-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:01
16St. John Passion, BWV 245: Part Two: "Then Led They Jesus From Caiaphas To the Judgement"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:53
17St. John Passion, BWV 245: Part Two: "Ah, King Of Heaven"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1971-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:59
18St. John Passion, BWV 245: Part Two: "And Pilate Said Unto Him"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:24
19St. John Passion, BWV 245: Part Two: "Look Yonder, O My Soul"
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:06
20St. John Passion, BWV 245: Part Two: "Consider, How His Body"
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach9:27
2▼Digital Media
#TitleArtistRatingLength
1St. John Passion, BWV 245: Part Two: "And When the Soldiers Had Plaited a Crown Of Thorns"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:00
2St. John Passion, BWV 245: Part Two: "Thy Bonds, O Christ, Have Set Us Free"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:14
3St. John Passion, BWV 245: Part Two: "But the Jews Cried Out and Said"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:40
4St. John Passion, BWV 245: Part Two: "Haste, Ye Souls Forlorn and Weary"
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:05
5St. John Passion, BWV 245: Part Two: "And There Crucified They Him"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:34
6St. John Passion, BWV 245: Part Two: "Within My Heart, O Saviour"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (in 1971-04)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:04
7St. John Passion, BWV 245: Part Two: "And Then Did the Soldiers"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:27
8St. John Passion, BWV 245: Part Two: "When His Life Had Reached Its End"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1971-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:25
9St. John Passion, BWV 245: Part Two: "And From That Hour He Took Her Unto His Own Home"
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:49
10St. John Passion, BWV 245: Part Two: "The End Is Nigh"
alto vocals:
Alfreda Hodgson (contralto) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:49
11St. John Passion, BWV 245: Part Two: "My Dearest Saviour, Wilt Thou Answer?"
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:52
12St. John Passion, BWV 245: Part Two: "And Then Behold, the Veil Of the Temple Was Rent"
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:30
13St. John Passion, BWV 245: Part Two: "My Heart, Behold How All the World"
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:03
14St. John Passion, BWV 245: Part Two: "With Torrents Of Weeping"
soprano vocals:
Heather Harper (soprano) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:06
15St. John Passion, BWV 245: Part Two: "The Jews Therefore, Because It Was the Preparation"
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:24
16St. John Passion, BWV 245: Part Two: "Help Us, Son Of God Most High"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1971-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:10
17St. John Passion, BWV 245: Part Two: "And After This, Joseph Of Arimethea"
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:11
18St. John Passion, BWV 245: Part Two: "Farewell, O Weary, Broken Body"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:49
19St. John Passion, BWV 245: Part Two: "Lord Jesus, When We Come To Die"
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1971-04)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:27
3▼Digital Media
#TitleArtistRatingLength
1Süßer Trost, mein Jesus kommt, Cantata BWV 151: 1. "Süßer Trost, mein Jesu kommt" (live)
soprano vocals:
Heather Harper (soprano) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach8:35
2Süßer Trost, mein Jesus kommt, Cantata BWV 151: 2. "Erfreue dich, mein Herz" (live)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:29
3Süßer Trost, mein Jesus kommt, Cantata BWV 151: 3. "In Jesu Demut kann ich Trost" (live)
alto vocals:
Helen Watts (contralto) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach6:41
4Süßer Trost, mein Jesus kommt, Cantata BWV 151: 4."Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht" (live)
tenor vocals:
Peter Pears (tenor) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:19
5Süßer Trost, mein Jesus kommt, Cantata BWV 151: 5. "Heut' schleußt er wieder auf die Tür" (live)
choir vocals:
Wandsworth School Choir (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:02
6Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Erster Teil: 1. "Herr, deine Augen sehen nach dem Glauben" (live)
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach6:27
7Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Erster Teil: 2. "Wo ist das Ebenbild" (live)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:23
8Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Erster Teil: 3. "Weh, der Seele (live)
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:45
9Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Erster Teil: 4. "Verachtest du den Reichtum seiner Gnade" (live)
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:24
10Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Zweiter Teil: 5. "Erschrecke doch" (live)
tenor vocals:
Peter Pears (tenor) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach4:55
11Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Zweiter Teil: 6. "Beim Warten ist Gefahr" (live)
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:31
12Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102: Zweiter Teil: 7. "Heut' lebst du, heut' bekehre dich" (live)
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:47
13Brandenburg Concerto no. 1 in F, BWV 1046: 1. (Allegro)
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:21
14Brandenburg Concerto no. 1 in F, BWV 1046: 2. Adagio
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
15Brandenburg Concerto no. 1 in F, BWV 1046: 3. Allegro
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:43
16Brandenburg Concerto no. 1 in F, BWV 1046: 4. Menuetto: Trio I
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
partial recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:53
17Brandenburg Concerto no. 1 in F, BWV 1046: 5. Polacca; Trio II
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
partial recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:34
18Brandenburg Concerto no. 2 in F, BWV 1047: 1. (Allegro)
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:27
19Brandenburg Concerto no. 2 in F, BWV 1047: 2. Andante
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:52
20Brandenburg Concerto no. 2 in F, BWV 1047: 3. Allegro assai
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:02
4▼Digital Media
#TitleArtistRatingLength
1Brandenburg Concerto no. 3 in G, BWV 1048: 1. (Allegro)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:49
2Brandenburg Concerto no. 3 in G, BWV 1048: 3. Allegro
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:06
3Brandenburg Concerto no. 4 in G, BWV 1049: 1. Allegro
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:26
4Brandenburg Concerto no. 4 in G, BWV 1049: 2. Andante
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:09
5Brandenburg Concerto no. 4 in G, BWV 1049: 3. Presto
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:13
6Brandenburg Concerto no. 5 in D, BWV 1050: 1. Allegro
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:37
7Brandenburg Concerto no. 5 in D, BWV 1050: 2. Affetuoso
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1968-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:37
8Brandenburg Concerto no. 5 in D, BWV 1050: 3. Allegro
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:25
9Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1. --
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach7:02
10Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach4:55
11Brandenburg Concerto no. 6 in B-flat, BWV 1051: 3. Allegro
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:19
5▼Digital Media
#TitleArtistRatingLength
1The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: Symphony
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell6:50
2The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Now the Night Is Chas'd Away"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:42
3The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Let the Fifes and the Clarions....Dance"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:08
4The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "When a Cruel Long Winter"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:48
5The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Hail! Great Parent Of Us All"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:15
6The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Thus the Ever Grateful Spring"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:47
7The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Here's the Summer, Sprightly Gay"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:14
8The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "See, My Many-Coloured Fields"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell3:04
9The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Next, Winter Comes Slowly, Pale"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:55
10The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 1: "Hail! Great Parent Of Us All" (Reprise)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:17
11The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: Prelude..."Come, All Ye Songsters Of the Sky"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:31
12The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "The Songsters...May the God Of Wit Inspire"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:57
13The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "Echo...Now Join Your Warbling Voices All"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:14
14The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "Fill Up the Bowl"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell6:35
15The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "See, Even Night Herself Is Here"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell5:22
16The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "I Am Come To Lock All Fast"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell0:43
17The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "One Charming Night"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:16
18The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: "Hush, No More"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:04
19The Fairy Queen, Z. 629 (ed. Britten, Holst, Pears): Act 2: Dance For the Followers Of Night
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:30
6▶Digital Media
7▶Digital Media
8▶Digital Media
9▶Digital Media
10▶Digital Media
11▶Digital Media
12▶Digital Media
13▶Digital Media
14▶Digital Media
15▶Digital Media
16▶Digital Media
17▶Digital Media
18▶Digital Media
19▶Digital Media
20▶Digital Media
21▶Digital Media
22▶Digital Media
23▶Digital Media
24▶Digital Media
25▶Digital Media
26▶Digital Media
27▶Digital Media

Credits

Release group

includes:Schubert: Arpeggione Sonata / Schumann: Fünf Stücke im Volkston / Debussy: Cello Sonata by Schubert (Franz Schubert, composer), Schumann (Robert Schumann, German classical composer), Debussy (French composer); Rostropovich (Mstislav Rostropovich, cellist/conductor), Britten (English composer, conductor, and pianist)