Élections classiques

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

This multi CDs album was published by the French radio "Radio Classique" in may 2007. It is a compilation of the favourite pieces of the radio listener. As 2007 was a year of president election in France, the idea of Radio Classique was to call this album 'Classical election' and to make the listeners to vote their favourite pieces.

Annotation last modified on 2023-12-15 18:02 UTC.

Tracklist

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1Trio n°2 : Andante con moto
cello:
Gautier Capuçon (cellist)
piano:
Frank Braley (pianist)
violin:
Renaud Capuçon (violinist)
edit of:
Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto by Frank Braley (pianist), Renaud Capuçon (violinist), Gautier Capuçon (cellist)
partial recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929
Franz Schubert3:16
2Symphonie No. 9: Ode à la joie
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:44
3Requiem : Dies irae
soprano vocals:
Patrizia Pace (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Riccardo Muti (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:52
4Le Clavier bien tempéré : Prélude n°1
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1989 until 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:52
5Concerto pour piano No. 5 en mi bémol majeur, Op. 73 "L'Empereur": II. Adagio un poco mosso
piano:
Christian Zacharias (pianist and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
partial recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven46:37
6Norma : Casta diva
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:37
7Pavane
orchestra:
Orchestre de Paris
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:21
8Concerto pour piano n°23 : Adagio
piano:
Jean‐Bernard Pommier (pianist and conductor) (from 1988-05-08 until 1988-05-10)
orchestra:
Sinfonia Varsovia (from 1988-05-08 until 1988-05-10)
conductor:
Jean‐Bernard Pommier (pianist and conductor) (from 1988-05-08 until 1988-05-10)
recorded at:
Bydgoszcz State Philharmony Concert Hall in Bydgoszcz, Kujawsko-pomorskie (Kuyavian-Pomeranian Voivodeship), Poland (from 1988-05-08 until 1988-05-10)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (from 1988-05-08 until 1988-05-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart7:51
9Symphonie n°3 : Poco allegretto
orchestra:
Deutsche Kammerphilharmonie
conductor:
Daniel Harding (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:57
10Rinaldo : Lascia ch'io pianga
orchestra:
Orchestra of the Royal Opera House, Covent Garden
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:35
11Jésus, que ma joie demeure
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:30
12La Moldau
conductor:
Herbert von Karajan (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:06
13La Traviata : Chœur des bohémiens
bass vocals [Marchese d'Obigny]:
Richard van Allan (operatic bass-baritone) (from 1980-07-05 until 1980-07-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
mezzo-soprano vocals [Flora]:
Sarah Walker (British mezzosoprano) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:58
14Le Messie : Alleluia
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:14
15Suite pour violoncelle n°1 : Prélude
assistant engineer:
Alain Joubert (sound engineer) (in 1991-03)
executive producer:
Mstislav Rostropovich (cellist/conductor) (in 1991-03)
producer:
Guy Chesnais (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1991-03)
balance engineer:
Raymond Buttin (engineer) (in 1991-03)
phonographic copyright (℗) by:
SGOL Music Ltd. (in 1995)
recorded at:
Basilique Sainte-Marie-Madeleine de Vézelay in Vézelay, Yonne, Bourgogne-Franche-Comté, France (in 1991-03)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:05
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1Boléro
orchestra:
Orchestre de Paris
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:49
2Valse
assistant engineer:
Franck Berger (from 2002-12-16 until 2003-06-06) and Djaisan Taouss (from 2002-12-16 until 2003-06-06)
producer:
Arnaud Moral (French audio)
editor:
Sylvain Dangoise
orchestra:
Orchestre philharmonique de Radio France (from 2002-12-16 until 2003-06-06)
conductor:
Paavo Järvi (conductor) (from 2002-12-16 until 2003-06-06)
balance engineer:
Joël Soupiron (from 2002-12-16 until 2003-06-06)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 2002-12-16 until 2003-06-06)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (from 2002-12-16 until 2003-06-06)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:51
3Sonate No. 8, Op. 13 "Pathétique": II. Adagio cantabile
sound engineer:
Mike Hatch (engineer/editor)
producer:
John Fraser (UK producer)
editor:
Jennifer Howells and Jørn Pedersen
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1997-05)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1997-05)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1997-05)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven55:34
4Le beau Danube bleu
orchestra:
Wiener Johann Strauss Orchester
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss I3:14
5Toccata & fugue en ré mineur : Toccata
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11-25 until 1975-12-04)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:28
6Carmen : Air du toréador
soprano vocals:
Élizabeth Vidal (French coloratura soprano)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:52
7Etude "Tristesse"
piano:
François‐René Duchâble (French pianist)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 16) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 74)
part of:
Études, op. 10
Frédéric Chopin4:03
8Symphonie No. 40, K. 550: I. Allegro molto
orchestra:
Sinfonia Varsovia
conductor:
Yehudi Menuhin (violinist)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:17
9Tosca : Vissi d'arte
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:18
10Concerto pour piano n°2 : Adagio sostenuto
orchestra:
St. Petersburg Philharmonic (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4:21
11Ave Maria
pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Orchestre de Chambre de Stockholm (Stockholm Chamber Orchestra)
conductor:
Eric Ericson
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:18
12Casse-Noisette : Valse des fleurs
orchestra:
Orchestre philharmonique de Radio France
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский6:03
13La Flûte enchantée : Air de Reine de la nuit
sound engineer:
Michel Lepage (engineer) (from 1995-08-02 until 1995-08-09)
producer:
Martin Sauer (engineer/producer)
soprano vocals [La reine de la nuit]:
Natalie Dessay (soprano) (from 1995-08-02 until 1995-08-09)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1995-08-02 until 1995-08-09)
conductor:
William Christie (harpsichordist and conductor) (from 1995-08-02 until 1995-08-09)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 1995-08-02 until 1995-08-09)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1995-08-02 until 1995-08-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
14Concerto pour violon : Allegro molto appassionato
conductor:
Jeffrey Tate (conductor)
partial recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn3:00
15Passion selon Saint-Matthieu : Choeur
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:45
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1Sarabande
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Georg Friedrich Händel3:25
2Symphonie No. 9 "Du nouveau monde"
engineer:
John Fraser (UK producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1988-04-13 until 1988-04-16)
conductor:
Wolfgang Sawallisch (conductor) (from 1988-04-13 until 1988-04-16)
balance engineer:
Mark Vigars (engineer) (from 1988-04-13 until 1988-04-16)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1988-04-13 until 1988-04-16)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (from 1988-04-13 until 1988-04-16)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák10:38
3Don Giovanni : Air du Catalogue
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (from 1990-09-03 until 1990-09-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:52
4Symphonie No. 5: Allegro con brio
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:21
5Te Deum : Prélude
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:49
6Les 4 saisons : Le Printemps
Antonio Vivaldi10:53
7La Chevauchée des Valkyries
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:13
8Grande valse brillante
Frédéric Chopin5:29
9Carmina Burana : O Fortuna
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:32
10Marche Hongroise
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:50
4▼CD
#TitleArtistRatingLength
1Rigoletto: La donna è mobile
recording engineer:
Wilfried Hauer (recording engineer) (from 2003-07-05 until 2003-07-09)
executive producer:
Alain Lanceron (from 2003-07-05 until 2003-07-09)
producer:
Wilhelm Meister (Tonmeister / recording producer) (from 2003-07-05 until 2003-07-09)
editor:
Elisabeth Panzer (engineer) (from 2003-07-05 until 2003-07-09)
tenor vocals:
Rolando Villazón (tenor) (from 2003-07-05 until 2003-07-09)
vocals:
Rolando Villazón (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (from 2003-07-05 until 2003-07-09)
conductor:
Marcello Viotti (conductor) (from 2003-07-05 until 2003-07-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Bavarian Radio: Studio 1 in München (Munich), Bayern (Bavaria), Germany (from 2003-07-05 until 2003-07-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-07-05 until 2003-07-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:06
2Aïda: Marcia Trionfale - Ballabile
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi5:38
3Une petite musique de nuit, K. 525: I. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:53
4Pierre et le Loup
Сергей Сергеевич Прокофьев8:27
5Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
6Le Barbier de Séville: Largo al factotum
Gioachino Rossini4:50
7Peer Gynt: Au matin
producer and balance engineer:
Maido Maadik
orchestra:
Orchestre Symphonique National d'Estonie (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:17
8Adagio pour cordes
Samuel Barber9:08
9Danse hongroise No.5 en fa dièse mineur
violin:
Patrice Fontanarosa (violinist)
orchestra:
Jan Talich Chamber Orchestra
recording of:
Hungarian Dances no. 5 (for violin and strings, arr. Dupin)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
arranger:
Marc-Olivier Dupin
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Johannes Brahms2:21
10Symphonie No. 7 en La majeur, Op. 92: II. Allegretto
producer:
David Groves (classical music producer at EMI)
orchestra:
The Philadelphia Orchestra (on 1988-02-13, on 1988-02-17, on 1988-02-20)
conductor:
Riccardo Muti (conductor) (on 1988-02-13, on 1988-02-17, on 1988-02-20)
balance engineer:
Michael Sheady (engineer)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (on 1988-02-13, on 1988-02-17, on 1988-02-20)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1988-02-13 until 1988-02-20)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:02

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ASIN:FR: B000VKW7C8 [info]