Softly Awakes My Heart: Arias, Songs and Spirituals – Original Recordings 1924–1944

~ Veröffentlichung von Marian Anderson (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Don Carlos: O don fatale
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1928-09-17)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1928-09-17)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1928-09-17)
conductor:
Lawrance Collingwood (am 1928-09-17)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (am 1928-09-17)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:16
2Samson and Delilah: Tonight seeking hither my presence … O love, from thy power
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1928-09-17)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1928-09-17)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1928-09-17)
conductor:
Lawrance Collingwood (am 1928-09-17)
recording of:
Samson and Delilah: Act II. Tonight seeking hither my presence … O love, from thy power (am 1928-09-17)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1877)
übersetzte Version von:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila)
Camille Saint‐Saëns4:24
3Samson and Delilah: Softly awakes my heart
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1930-09-04)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1930-09-04)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-09-04)
conductor:
Lawrance Collingwood (am 1930-09-04)
recording of:
Samson and Delilah : Act II, Scene 3. “Softly Awakes My Heart” (am 1930-09-04)
Komponist(in):
Camille Saint‐Saëns (composer)
übersetzte Version von:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Camille Saint‐Saëns4:56
4Le Cid: Pleurez mes yeux
contralto vocals:
Marian Anderson (classical contralto singer) (am 1944-11-12)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1944-11-12)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (am 1944-11-12)
Komponist(in):
Jules Massenet (French Romantic composer) (von 1884 bis 1885)
Teil von:
Le Cid : Acte III
Jules Massenet3:18
5Deep River
recorded in:
Camden, New Jersey, Vereinigte Staaten (in 1924)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1924)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1924)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (in 1924)
recording of:
Deep River (arr. Burleigh, for vocals with piano) (in 1924)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Cecil Burleigh
publisher:
G. Ricordi & Co., Inc.
Arrangement von:
Deep River
[traditional]3:15
6My Way’s Cloudy
recorded in:
Camden, New Jersey, Vereinigte Staaten (in 1924)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1924)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1924)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (in 1924)
recording of:
My Way's Cloudy (in 1924)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Cecil Burleigh
[traditional]3:03
7Oh wasn’t dat a wide ribber
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1930-09)
Klavier:
Lawrence Benjamin Brown (pianist, composer & arranger) (in 1930-09)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1930-09)
recording of:
Oh wasn't dat a wide ribber (in 1930-09)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Cecil Burleigh
[traditional]2:26
8Caro mio ben
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1930-09-11)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1930-09-11)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-09-11)
conductor:
Lawrance Collingwood (am 1930-09-11)
recording of:
Caro mio ben (am 1930-09-11)
Texter:
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Giuseppe Giordani und Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:32
9Messiah: He was despised
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1930-09-11)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1930-09-11)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-09-11)
conductor:
Lawrance Collingwood (am 1930-09-11)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (am 1930-09-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:45
10Te Deum: Signore, o Domine
recorded in:
Paris, Île-de-France, Frankreich (am 1936-04-04)
Klavier:
Kosti Vehanen (am 1936-04-04)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1936-04-04)
recording of:
Te Deum: Signore, o Domine (am 1936-04-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1713)
Georg Friedrich Händel2:51
11Schwanengesang: Aufenthalt
recorded in:
New York, New York, Vereinigte Staaten (in 1936-01)
Klavier:
Kosti Vehanen (in 1936-01)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-01)
recording of:
Schwanengesang, D. 957: V. Aufenthalt (in 1936-01)
Texter:
Ludwig Rellstab
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
Schwanengesang, D. 957
Franz Schubert3:50
12Der Tod und das Mädchen
recorded in:
Paris, Île-de-France, Frankreich (in 1936-04)
Klavier:
Kosti Vehanen (in 1936-04)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-04)
recording of:
Der Tod und das Mädchen, D. 531 (in 1936-04)
Texter und Verfasser(in):
Matthias Claudius (German poet)
Komponist(in):
Franz Schubert (composer) (in 1817-02)
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 531)
Franz Schubert3:09
13Läksin minä – Tuku, Tuku
recorded in:
Paris, Île-de-France, Frankreich (in 1936-04)
Klavier:
Kosti Vehanen (in 1936-04)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-04)
recording of:
Läksin minä - Tuku, Tuku (Summer Night - Shepherdess) (in 1936-04)
Komponist(in):
[traditional] (special purpose artist)
[traditional]3:23
14Säf, säf, susa
recorded in:
New York, New York, Vereinigte Staaten (in 1936-03)
Klavier:
Kosti Vehanen (in 1936-03)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-03)
recording of:
Säv, säv, susa, op. 36 no. 4 (for voice and piano) (in 1936-03)
Texter:
Gustaf Fröding
Komponist(in):
Jean Sibelius (Finnish composer) (in 1900)
publisher:
Breitkopf & Härtel (in 1906)
Teil von:
6 Songs, op. 36 (for voice and piano)
Revision von:
Andantino in E-flat minor, JS 42 (for voice and piano)
Jean Sibelius3:05
15My Soul’s Been Anchored in the Lord
recorded in:
New York, New York, Vereinigte Staaten (in 1936-03)
Klavier:
Kosti Vehanen (in 1936-03)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-03)
recording of:
My Soul's Been Anchored in the Lord (in 1936-03)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Florence Price (American composer)
[traditional]2:23
16Let Us Break Bread Together
recorded in:
New York, New York, Vereinigte Staaten (in 1941-07)
Klavier:
Franz Rupp (pianist) (in 1941-07)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1941-07)
recording of:
Let Us Break Bread Together (arr. Lawrence) (in 1941-07)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
William Lawrence (Pianist and composer)
Arrangement von:
Let Us Break Bread Together
[traditional]2:16
17Trampin’
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1930-09)
Klavier:
Lawrence Benjamin Brown (pianist, composer & arranger) (in 1930-09)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1930-09)
recording of:
Trampin' (in 1930-09)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Edward Boatner
[traditional]2:44
18Lord, I Can’t Stay – Heaven, Heaven
recorded in:
New York, New York, Vereinigte Staaten (in 1936-01)
Klavier:
Kosti Vehanen (von 1936 bis 1938)
contralto vocals:
Marian Anderson (classical contralto singer) (in 1936-01)
recording of:
Heaven, Heaven (in 1936-01)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Roland Hayes (African-american tenor)
recording of:
Lord, I Can't Stay (in 1936-01)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Cecil Burleigh
[traditional]4:32
19I Don’t Feel No Ways Tired
Klavier [piano accompaniment by]:
Kosti Vehanen (am 1938-11-16)
contralto vocals:
Marian Anderson (classical contralto singer) (am 1938-11-16)
aufgenommen bei:
Studio Albert in Paris, Île-de-France, Frankreich (am 1938-11-16)
recording of:
I Don't Feel No Ways Tired (arr. Burleigh, for vocals with piano) (am 1938-11-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Cecil Burleigh
publisher:
G. Ricordi & Co., Inc.
[traditional]2:26

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ASIN:US: B00005UOMB [Info]