High Tech Orchestra, Vol. 2

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

a better description of the audio test signals tracks is likely to be in the booklet

Annotation last modified on 2017-06-26 04:47 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Slavonic Dance in C, op. 46 no. 1
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1985-08)
orchestra:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1985-08, in 1986)
conductor:
Kurt Masur (conductor) (in 1985-08, in 1986)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1986)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1985-08)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:18
2Mà Vlast: Vltava
orchestra:
Royal Concertbouw Orchestra, Amsterdam (Royal Concertgebouw Orchestra) (in 1986-10)
conductor:
Antal Doráti (conductor) (in 1986-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1986-10)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1986-10)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:13
3Hungarian Dance no. 6 in D
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1981-09)
orchestra:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1981-09)
conductor:
Kurt Masur (conductor) (in 1981-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983) and VEB Deutsche Schallplatten Berlin (in 1983)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (in 1981-09)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:35
4The Bartered Bride: Overture
recorded in:
London (Greater London), England, United Kingdom (in 1983-08)
orchestra:
Academy of St Martin in the Fields (in 1983-08)
conductor:
Sir Neville Marriner (conductor) (in 1983-08)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1983-08)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:35
5Prince Igor: Polovtsian Dances
choir vocals:
Bavarian Radio Symphony Chorus (Bavarian Radio Choir)
orchestra:
Bavarian Radio Symphony Orchestra
conductor:
Esa‐Pekka Salonen (conductor and composer)
Alexander Borodin11:37
6The Nutcracker, op. 71: Flower Waltz
orchestra:
Berlin Philharmonic Orchestra
conductor:
Semyon Bychkov (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky6:51
7Eugene Onegin, op. 24: Polonaise
orchestra:
Berlin Philharmonic Orchestra
conductor:
Semyon Bychkov (conductor)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Pyotr Ilyich Tchaikovsky5:04
8La damnation de Faust, op. 24: Hungarian March
recorded in:
London (Greater London), England, United Kingdom (in 1983-08)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1983-08, from 1983-08-16 until 1983-08-18)
conductor:
Sir Neville Marriner (conductor) (in 1983-08, from 1983-08-16 until 1983-08-18)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (from 1983-08-16 until 1983-08-18)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (in 1983-08)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:50
9A Midsummer Night’s Dream, op. 61: Notturno
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:47
10Peer Gynt, op. 23: Morning Mood
orchestra:
San Francisco Symphony Orchestra
conductor:
Edo de Waart (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:22
11Pomp and Circumstance, op. 39: March no. 1 in D
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:40
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