King Arthur

~ Release by Henry Purcell; Nancy Argenta, Julia Gooding, Linda Perillo, Jamie MacDougall, Mark Tucker, Brian Bannatyne-Scott, Gerald Finley, The English Concert & Choir, Trevor Pinnock (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1King Arthur: First Music: Chaconne
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:24
2King Arthur: Second Music: 1. Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:59
3King Arthur: Second Music: 2. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:27
4King Arthur: Act I. “Woden, first to thee” / “We have sacrific’d”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:20
5King Arthur: Act I. “The white horse neigh’d aloud” / “To Woden thanks we render”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:22
6King Arthur: Act I. “The lot is cast”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell30:43
7King Arthur: Act I. “Brave souls”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:34
8King Arthur: Act I. “I call you all to Woden’s Hall”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:09
9King Arthur: Act I. “Come if you dare” / First Act Tune
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. First Act Tune (unnumbered interstitial work) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell34:07
10King Arthur: Act II. “Hither, this way, this way bend”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:05
11King Arthur: Act II. “Let not a moon‐born elf mislead ye”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Grimbald]:
Gerald Finley (bass-baritone) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:12
12King Arthur: Act II. “Hither, this way bend”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell30:38
13King Arthur: Act II. “Come follow me”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:19
14King Arthur: Act II. “How blest are shepherds”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Shepherd]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell34:34
15King Arthur: Act II. Symphony / “Shepherd, shepherd, leave decoying”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Shepherdess I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Shepherdess II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:55
16King Arthur: Act II. “Come shepherds”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:30
17King Arthur: Act II. Second Act Tune. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:13
18King Arthur: Act III. Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:23
19King Arthur: Act III. “What ho!”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:08
20King Arthur: Act III. “What power art thou”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:51
21King Arthur: Act III. “Thou doting fool, forbear”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:54
22King Arthur: Act III. “Great Love, I know thee now”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:02
23King Arthur: Act III. “No part of my dominion”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:11
24King Arthur: Act III. Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1991-06)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:51
25King Arthur: Act III. “See, see, we assemble” / Dance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Dance (latter part of Act III, 25. “See, see, we assemble”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell33:20
26King Arthur: Act III. “’Tis I, ’tis I that have warm’d ye”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:11
27King Arthur: Act III. “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell34:25
28King Arthur: Act III: Third Act Tune. Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:48
2▼CD
#TitleArtistRatingLength
1King Arthur: Act IV. “Two daughters of this aged stream”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Siren I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Siren II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell33:08
2King Arthur: Act IV. Passacaglia “How happy the lover” / Ritornello / “For love ev’ry creature” / “No joys are above” / “In vain are our graces” / “Then use the sweet blessing” / “No joys are above”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Sylvan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell36:08
3King Arthur: Act IV. Fourth Act Tune. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell30:44
4King Arthur: Act V. Trumpet Tune
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell30:53
5King Arthur: Act V. “Ye blust’ring brethren”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Aeolus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:03
6King Arthur: Act V. Symphony
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:00
7King Arthur: Act V. “Round thy coast”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Pan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nereid]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:27
8King Arthur: Act V. “For folded flocks”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:39
9King Arthur: Act V. “Your hay, it is mow’d” / Dance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Comus]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:37
10King Arthur: Act V. “Fairest isle”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Venus]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell34:49
11King Arthur: Act V. “You say, ’tis love”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [He]:
Gerald Finley (bass-baritone) (in 1991-06)
soprano vocals [She]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell35:23
12King Arthur: Act V. Trumpet Tune
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell30:40
13King Arthur: Act V. “Saint George, the patron of our isle” / “Our natives not alone appear”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Honour]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:27

Credits

Release

executive producer:Dr. Andreas Holschneider
Charlotte Kriesch
manufactured by and marketed by:PolyGram Classics & Jazz (a division of PolyGram Records, Inc., US)
Discogs:https://www.discogs.com/release/12809671 [info]
ASIN:US: B00000E537 [info]