I’m Every Woman

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) (in 1978) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
background vocals and lead vocals:
Chaka Khan (in 1978)
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:04
2Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 424)
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:09
3We Are Family
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 444)
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:35
4Love’s Unkind
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer24:27
5Ring My Bell
phonographic copyright (℗) by:
Juana (in 1979, in 1980)
recording of:
Ring My Bell (Anita Ward song)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4.43:33
6Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.33:56
7Substitute
producer:
Grahame Beggs
recording of:
Substitute (in 1978)
lyricist and composer:
Willie Wilson
publisher:
Discoton (German club label)
Clout43:24
8If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:55
9Native New Yorker
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 404)
recording of:
Native New Yorker
writer:
Sandy Linzer and Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey2.53:28
10I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
11Lady Marmalade
producer:
Allen Toussaint
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
edit of:
Lady Marmalade by LaBelle (American female vocal group, of “Lady Marmalade” fame)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle4.753:15
12Best of My Love
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions43:37
13Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:33
14More, More, More
producer:
Gregg Diamond
mixer:
Tom Moulton
arranger:
Gregg Diamond
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
Andrea True Connection4.753:00
15It’s in His Kiss
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Linda Lewis23:19
16Do It Do It Again (A Far L’Amore Comincia Tu)
recording of:
Do It, Do It Again
translated version of:
A far l’amore comincia tu (Liebelei)
Raffaella Carrà22:43
17Strut Your Funky Stuff
recording of:
Strut Your Funky Stuff
writer:
James Bolden (French singer and songwriter), Jack Robinson (disco songwriter, producer, composer) and Vivienne Savoie Robinson
publisher:
NDE Music (pub.), Peermusic III, Ltd. (BMI), Pepino Jacques and Robin Song Music (affiliated to SACEM)
Frantique4.53:37
18Boogie Oogie Oogie
producer:
Fonce Mizell and Larry Mizell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson (Member of "A Taste of Honey") and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey2.653:34
19I Can’t Stand the Rain
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Eruption43:04
20Free
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
edit of:
Free by Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:50
21Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce44:52
22Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:22
2▼CD
#TitleArtistRatingLength
1You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:16
2It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:23
3Because the Night
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group43:07
4You Make Loving Fun
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
You Make Loving Fun
lyricist and composer:
Christine McVie
publisher:
Careers–BMG Music Publishing, Inc. and Gentoo Music, Inc.
Fleetwood Mac3.753:31
5Fire
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:25
6Midnight Train to Georgia
edit of:
Midnight Train to Georgia by Gladys Knight & the Pips
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:48
7Until You Come Back to Me (That’s What I’m Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:26
8Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:45
9Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:14
10Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:36
11Love and Affection
engineer and producer:
Glyn Johns
12 string guitar:
Jerry Donahue
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
saxophone:
Jimmy Jewell
background vocals:
Joan Armatrading, Leroy Champaign and Pete Clarke (US actor/singer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading44:29
12The Man With the Child in His Eyes
engineer:
Jon Kelly (engineer at Air London Studios)
executive producer:
David Gilmour (Pink Floyd)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
piano, background vocals and lead vocals:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
premiered at:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, from 1978 to present) and Kate Bush Music Ltd.
Kate Bush3.652:40
13At Seventeen
edit of:
At Seventeen by Janis Ian
recording of:
At Seventeen
lyricist and composer:
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. and Mine Music Ltd.
Janis Ian4.53:56
14I Will Always Love You
recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton53:05
15You Needed Me
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) and EMI Music Canada (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 63)
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:39
16Torn Between Two Lovers
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) and Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
lyricist:
Phillip Jarrell
composer:
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:41
17I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer) and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:40
18We’re All Alone
producer:
David Anderle
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:37
19Pearl’s a Singer
cover recording of:
Pearl’s a Singer
writer:
Ralph Dino, Jerry Leiber, John Sembello and Mike Stoller
publisher:
Sony/ATV Songs LLC
Elkie Brooks43:37
20Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
21Misty Blue
producer:
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson and James Cary Stroud
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery (USA)
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Dorothy Moore43:39
22Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:39
3▼CD
#TitleArtistRatingLength
1Yes Sir, I Can Boogie
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara43:15
2When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:58
3Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
4I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:04
5Venus
producer:
Shocking Blue
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Shocking Blue4.153:01
6Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
Lynn Anderson4.152:54
7Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:36
8Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:28
9Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:57
10Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:33
11Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.153:12
12Up in a Puff of Smoke
producer:
Ron Roker
phonographic copyright (℗) by:
BR Music Copyrights BV (in 1974)
recording of:
Up in a Puff of Smoke
writer:
Gerry Shury and Phillip Swern
publisher:
Imagem Songs Ltd.
Polly Browne33:28
13Armed and Extremely Dangerous
part of:
Songs banned by the BBC (number: Gilf War ban)
recording of:
Armed and Extremely Dangerous
writer:
Allan Felder and Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Warner Chappell North America
First Choice4.352:46
14Want Ads
recording of:
Want Ads
writer:
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins and Greg Perry
Honey Cone32:46
15Nathan Jones
producer:
Frank Wilson (Motown singer/songwriter)
lead vocals:
Jean Terrell
arranger:
David Van dePitte and Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Nathan Jones
lyricist and composer:
Leonard Caston (father of Leonard "Lenny" Caston jr.) and Kathy Wakefield (songwriter)
writer:
Lenny Caston (son of Leonard Caston)
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (in 1971), Stone Agate Music Division (in 1971), Jobete Music (appears also as: Jobete Msc.) (in 1988) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes33:01
16The Man Who Sold the World
cover recording of:
The Man Who Sold the World
lyricist:
David Bowie (English singer‐songwriter) (on 1970-05-22)
composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) and MainMan (in 1974)
Lulu33:48
17Imagine Me, Imagine You
Fox33:38
18You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:31
19Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:29
20Angie Baby
recording of:
Angie Baby
lyricist and composer:
Alan O’Day
publisher:
Warner Chappell
Helen Reddy4.53:30
21The Rose
additional producer:
Bill Gazecki
producer:
Paul A. Rothchild
lead vocals:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:33
22Something
recording engineer:
John Kurlander (engineer) (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Tony Colton, Johnny Harris (Scottish composer, conductor) and Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) and Carl Davis (conductor and composer) (from 1984-07 until 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographic copyright (℗) by:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) and Towerbell Records (in 1984)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
Something (from 1984-07 until 1984-08)
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:34
23Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
performer:
Julie Covington
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:29