Ein Abend in der Oper: Berühmte Arien & Duette

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Aida: Se quel guerrier - Celeste Aida
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra dell'Opera, Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:42
2I Puritani: A te, o cara
soprano vocals:
Joan Sutherland (soprano) (in 1975)
tenor vocals:
Luciano Pavarotti (tenor) (in 1975)
vocals:
Chorus of the Royal Opera House, Covent Garden (in 1975)
orchestra:
London Symphony Orchestra (in 1975)
conductor:
Richard Bonynge (conductor and pianist) (in 1975)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) (in 1975)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini5:50
3Carmen: La fleur que tu m'avais jetèe
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
tenor vocals [Don José]:
Plácido Domingo (tenor) (from 1975-07 until 1975-12)
vocals:
The John Alldis Choir (from 1975-07 until 1975-12), Plácido Domingo (tenor) (from 1975-07 until 1975-12) and Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:57
4Romeo et Juliette: Va! je t'ai pardonnè - Nuit d'hyménée
soprano vocals:
Eva Lind (soprano) (in 1990)
tenor vocals:
Francisco Araiza (tenor) (in 1990)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (in 1990)
conductor:
Ralf Weikert (conductor) (in 1990)
recording of:
Roméo et Juliette : Acte IV. No. 14 Duo « Va! je t'ai pardonné » … « Nuit d'hyménée » (Roméo, Juliette) (in 1990)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte IV
part of:
Roméo et Juliette : Acte IV
Charles‐François Gounod5:02
5Cosi fan Tutte: Un' aura amorosa
tenor vocals:
Frank Lopardo (tenor) (in 1996)
orchestra:
Chamber Orchestra of Europe (in 1996)
conductor:
Sir Georg Solti (conductor) (in 1996)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1996)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:38
6Le Nozze di Figaro: Porgi amor, qualche ristoro
producer:
Christopher Raeburn (producer)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1981-06)
vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:32
7Don Giovanni: Là ci darem la mano
producer:
Michael Woolcock (producer)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (from 1996-10-05 until 1996-10-07)
mezzo-soprano vocals:
Monica Groop (mezzosoprano) (from 1996-10-05 until 1996-10-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:56
8L'elisir d'amore: Una furtiva lagrima
producer:
Andrew Cornall (engineer / producer)
tenor vocals [Nemorino]:
Juan Diego Flórez (Peruvian operatic tenor) (from 2002-09 until 2002-11)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (from 2002-09 until 2002-11)
conductor:
Riccardo Frizza (conductor) (from 2002-09 until 2002-11)
balance engineer:
Philip Siney (sound engineer) (from 2002-09 until 2002-11)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (from 2002-09 until 2002-11)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2002-09 until 2002-11)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:41
9La Traviata: Un di felice, eterea
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1995)
tenor vocals:
Frank Lopardo (tenor) (in 1995)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1995)
conductor:
Sir Georg Solti (conductor) (in 1995)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1995)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:25
10La Bohème: Che gelinda manina
tenor vocals:
Roberto Alagna (tenor) (in 1999)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1999)
conductor:
Riccardo Chailly (conductor) (in 1999)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1999)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:40
11Tosca: Ah, quegli occhi - Qual occhio al mondo
tenor vocals:
José Carreras (Spanish tenor) (in 1976)
vocals:
Montserrat Caballé (soprano) (in 1976)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976)
conductor:
Sir Colin Davis (English conductor) (in 1976)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (in 1976)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:57
12Un ballo in maschera: M'ami, m'ami
vocals:
Montserrat Caballé (soprano) (in 1979) and José Carreras (Spanish tenor) (in 1979)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1979)
conductor:
Sir Colin Davis (English conductor) (in 1979)
recording of:
Un ballo in maschera: Atto II. Nº 13c. "M'ami, m'ami!" (Riccardo) (in 1979)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:20
13La Traviata: Lunge da lei - De miei bollenti spiriti
tenor vocals:
Joseph Calleja (tenor) (in 2004)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2004)
conductor:
Riccardo Chailly (conductor) (in 2004)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (in 2004)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (in 2004)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:17
14Madama Butterfly: Vogliatemi bene
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:52
15Rigoletto - T'amo! T'amo - E il sol dell' anima
soprano vocals:
Edita Gruberová (soprano) (in 1985)
tenor vocals:
Neil Shicoff (tenor) (in 1985)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
Giuseppe Verdi4:52
16Samson et Dalila: Mon coeur s'ouvre à ta voix
soprano vocals:
Agnes Baltsa (mezzo-soprano) (in 1990)
tenor vocals:
José Carreras (Spanish tenor) (in 1990)
vocals:
Agnes Baltsa (mezzo-soprano) and José Carreras (Spanish tenor)
orchestra:
Symphonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1990)
conductor:
Sir Colin Davis (English conductor) (in 1990)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (in 1990)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:29

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