Pops Stoppers: Greatest Hits of The Boston Pops Orchestra

~ Uitgave van John Williams & The Boston Pops Orchestra (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1▼cd
#TitelWaarderingDuur
1The Flying Theme
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1982)
was dirigent:
John Williams (American score composer and conductor) (in 1982)
fonografisch auteursrecht (℗):
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1982)
is een opname van:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
componist:
John Williams (American score composer and conductor) (in 1982)
deel van:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:47
2Raiders of the Lost Ark March
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1982)
was dirigent:
John Williams (American score composer and conductor) (in 1982)
fonografisch auteursrecht (℗):
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1982)
is een opname van:
The Raiders March (Raiders of the Lost Ark) (in 1982)
componist:
John Williams (American score composer and conductor)
uitgever:
BMG Music
deel van:
Indiana Jones and the Kingdom of the Crystal Skull
5:31
3Star Trek: The Motion Picture (main title)
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1983-06)
was dirigent:
John Williams (American score composer and conductor) (in 1983-06)
verzorgde het arrangement:
Jerry Goldsmith (American score composer)
fonografisch auteursrecht (℗):
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1983-06)
is een opname van:
Main Theme (Star Trek: The Motion Picture) (in 1983-06)
componist:
Jerry Goldsmith (American score composer)
uitgever:
Sony/ATV Melody
versie van:
Where No Man Has Gone Before (original Star Trek title theme)
4:09
4New York, New York
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1982)
was dirigent:
John Williams (American score composer and conductor) (in 1982)
verzorgde het arrangement:
Billy Byers
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1982)
is een opname van:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1982)
toegewijdt aan:
New York, New York, Verenigde Staten
tekstschrijver:
Fred Ebb (lyricist)
componist:
John Kander (composer)
uitgever:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beëindigd), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) en 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
deel van:
New York, New York (1977 musical film soundtrack)
3:23
5Strike Up the Band
technicus:
Stanley Goodall (engineer), Jack Law (engineer) en Michael Mailes (engineer)
producent:
George Korngold (producer)
orkest:
Boston Pops Orchestra (in 1980-06)
was dirigent:
John Williams (American score composer and conductor) (in 1980-06)
fonografisch auteursrecht (℗):
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1980-06)
is een opname van:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
componist:
George Gershwin (composer)
orkestratie van:
Strike Up the Band (1927 Gershwin song)
2:50
6There's No Business Like Show Business
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1983)
was dirigent:
John Williams (American score composer and conductor) (in 1983)
verzorgde het arrangement:
Morton Stevens
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1983)
is een instrumentale opname van:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
tekstschrijver en componist:
Irving Berlin
uitgever:
Irving Berlin Ltd., Irving Berlin Music Company en Warner/Chappell (Warner/Chappell Music, Inc.)
deel van:
Annie Get Your Gun
3:27
7Tijuana Taxi
opnametechnicus:
John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1987-06)
was dirigent:
John Williams (American score composer and conductor) (in 1987-06)
verzorgde het arrangement:
Richard Hayman
balanstechnicus:
Onno Scholtze (sound engineer)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1987-06)
is een opname van:
Tijuana Taxi (in 1987-06)
componist:
Ervan “Bud” Coleman
uitgever:
Irving Music (BMI)
2:53
8Moonlight Serenade
technicus:
Stanley Goodall (engineer) en John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1984-05)
was dirigent:
John Williams (American score composer and conductor) (in 1984-05)
verzorgde het arrangement:
Richard Hayman
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-05)
is een cover-opname van:
Moonlight Serenade (original instrumental version) (in 1984-05)
componist en verzorgde het arrangement:
Glenn Miller (jazz band leader)
uitgever:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. en Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
is een opname van:
Moonlight Serenade (original instrumental version)
componist en verzorgde het arrangement:
Glenn Miller (jazz band leader)
uitgever:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. en Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
3:50
9Begin the Beguine
technicus:
Stanley Goodall (engineer) en John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
solo-klarinet:
Thomas Ferrante (in 1984-05)
orkest:
Boston Pops Orchestra (in 1984-05)
was dirigent:
John Williams (American score composer and conductor) (in 1984-05)
verzorgde het arrangement:
Jerry Gray (US big band arranger and conductor) en Billy May
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-05)
is een instrumentale opname van:
Begin the Beguine (in 1984-05)
tekstschrijver en componist:
Cole Porter (composer) (in 1935)
uitgever:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) en ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
deel van:
Jubilee
3:18
10In the Mood
technicus:
Stanley Goodall (engineer) en John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1984-05)
was dirigent:
John Williams (American score composer and conductor) (in 1984-05)
verzorgde het arrangement:
Glenn Osser
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-05)
is een opname van:
In the Mood (in 1984-05)
tekstschrijver:
Andy Razaf
componist:
Wingy Manone
subuitgever:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
uitgever:
Shapiro Bernstein and Co. Limited en Shapiro, Bernstein & Co., Inc.
is gebaseerd op:
Tar Paper Stomp
deel van:
The Real Book (compilation of jazz standards, volume I)
is een opname van:
I’m in the Mood
schrijver:
Bernard Besman (producer, label owner and songwriter) en John Lee Hooker (US blues singer, songwriter & guitarist)
uitgever:
La Cienega Music en Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:30
11Stompin' at the Savoy
technicus:
Stanley Goodall (engineer) en John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
bekken:
Frank Epstein (in 1984-05)
drumstel:
Fred Buda (in 1984-05)
grote trom:
Thomas Gauder (in 1984-05)
membranofoon:
Charles Smith (percussionist) (in 1984-05)
pauk:
Arthur Press (percussionist) (in 1984-05)
orkest:
Boston Pops Orchestra (in 1984-05)
was dirigent:
John Williams (American score composer and conductor) (in 1984-05)
verzorgde het arrangement:
Glenn Osser
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-05)
is een instrumentale opname van:
Stompin’ at the Savoy (in 1984-05)
tekstschrijver:
Andy Razaf
componist:
Benny Goodman (clarinetist and bandleader), Edgar Sampson en Chick Webb
uitgever:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) en ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:41
12Opus One
technicus:
Stanley Goodall (engineer) en John Newton (editor, engineer mixer)
producent:
John McClure (recording engineer and record producer)
solo-klarinet:
Thomas Ferrante (in 1984-05)
solo-piano:
Jeremy Rosen (in 1984-05)
orkest:
Boston Pops Orchestra (in 1984-05)
was dirigent:
John Williams (American score composer and conductor) (in 1984-05)
verzorgde het arrangement:
Larry Wilcox
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-05)
is een opname van:
Opus One (1943 song) (in 1984-05)
tekstschrijver:
Sidney Reginald Garris
componist:
Sy Oliver
uitgever:
Embassy Music Corp. (op 1943-06-23)
deel van:
New York, New York (1977 musical film soundtrack)
3:21
13St. Louis Blues March
technicus:
Stanley Goodall (engineer), Jack Law (engineer) en Michael Mailes (engineer)
producent:
George Korngold (producer)
orkest:
Boston Pops Orchestra (in 1980-06)
was dirigent:
John Williams (American score composer and conductor) (in 1980-06)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1980-06)
is een instrumentale opname van:
St. Louis Blues (in 1980-06)
tekstschrijver en componist:
William Christopher Handy (in 1913)
subuitgever:
Reuter & Reuter Förlags AB
uitgever:
Handy Bros. Music Co., Inc.
3:04
14Sophisticated Ladies - A Tribute to Duke Ellington
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1983)
was dirigent:
John Williams (American score composer and conductor) (in 1983)
verzorgde het arrangement:
Ralph Burns
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1983)
is een medley met een opname van:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
tekstschrijver:
Irving Mills (in 1931)
componist:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
uitgever:
Duke Ellington Music en EMI Mills Music (ASCAP-affiliated)
deel van:
The Real Book (compilation of jazz standards, volume I)
is een medley met een opname van:
Mood Indigo (1930 jazz composition and song) (in 1983)
tekstschrijver:
Irving Mills (in 1930)
componist:
Barney Bigard (in 1930) en Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
subuitgever:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) en ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
uitgever:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) en Lawrence Wright Music Co., Ltd. (in 1930)
deel van:
The Real Book (compilation of jazz standards, volume I)
is een medley met een opname van:
Sophisticated Lady (in 1983)
tekstschrijver:
Mitchell Parish en Irving Mills (in 1932)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
uitgever:
Duke Ellington Music (beëindigd), Mills Music, Inc. (beëindigd), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (tot 2007-05) en Sony/ATV Harmony (vanaf 2007-05 tot nu)
deel van:
Sophisticated Ladies (1981 musical)
deel van:
The Real Book (compilation of jazz standards, volume I)
is een medley met een opname van:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
tekstschrijver:
Joya Sherrill (in 1944)
componist:
Billy Strayhorn (in 1939)
uitgever:
Music Sales Corporation (American copyright holder in both popular and classical music)
versie van:
Take the “A” Train (original instrumental version)
8:24
15When the Saints Go Marchin' In
producent:
John McClure (recording engineer and record producer)
orkest:
Boston Pops Orchestra (in 1984-06)
was dirigent:
John Williams (American score composer and conductor) (in 1984-06)
verzorgde het arrangement:
Billy May
fonografisch auteursrecht (℗):
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
opgenomen bij:
Symphony Hall (Boston) in Boston, Massachusetts, Verenigde Staten (in 1984-06)
is een opname van:
When the Saints Go Marching In (in 1984-06)
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
deel van:
Roud Folk Song Index (nummer: 13983)
versie van:
When the Saints Go Marching In
4:28