Myriam Makeba

~ Release by Myriam Makeba (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Shall Sing
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
engineered at:
Studio S.E.I. in France
recording of:
I Shall Sing
lyricist and composer:
Van Richards
4:11
2Kulala
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Kulala
lyricist and composer:
Dorothy Masuka
3:45
3Malaika
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
arranger:
Myriam Makeba (South African singer-songwriter)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Malaika (Swahili love song, commonly attributed to Adam Salim)
lyricist and composer:
Adam Salim (in 1945)
5:14
4Jolinkomo
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Jolinkomo
lyricist and composer:
K. Caiphus Semenya (South African musician and composer)
3:31
5Ring Bell
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Ring Bell
writer:
Jerry Ragovoy and George David Weiss
publisher:
Crenshaw Music and Ragmar
3:57
6Pata Pata
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Pata Pata
writer:
Myriam Makeba (South African singer-songwriter) and Jerry Ragovoy
2:46
7Ngoma Kurila
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Ngoma Kurila
lyricist and composer:
Bongi Makeba
publisher:
Editions ESPERANCE
6:06
8Forbidden Games
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Forbidden Games
lyricist:
B. Parker
composer:
M. Lanjean (French composer)
3:44
9Mas que nada
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Mas, que nada!
lyricist and composer:
Jorge Ben Jor
4:07
10West Wind
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
West Wind
writer:
Caiphus Semenya (South African musician and composer) and William Salter (songwriter, bassist, producer)
publisher:
Editions ESPERANCE
3:40
11Amampondo
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
bass guitar [guitare basse]:
Famoro Kouyaté (Guinean bassist)
congas:
Amadou Thiam (Guinean percussionist)
guitar [1ère guitare]:
Sekou Kouyaté (n’goni player from Mali)
guitar [guitare rythmique]:
Kemo Kouyaté
percussion [percussions]:
Philemon Hou, Bongi Makeba and Myriam Makeba (South African singer-songwriter)
solo congas and solo percussion [batteries]:
Papa Kouyaté
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1977)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Amampondo
lyricist and composer:
Myriam Makeba (South African singer-songwriter)
2:45
12Quite It
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
acoustic guitar:
Bassalaqua (guitarist, associated with Miriam Makeba)
congas:
Myuto Correa
drums (drum set):
Sticks Hooper
electric bass guitar:
Kent Brinkley
flute and tenor saxophone:
Fred Jackson Jr. (US jazz fusion flautist and saxophonist active in 1970s)
guitar [1st guitar]:
David T. Walker
guitar [rhythm guitar]:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Joe Sample
horn arranger:
Semenya (South African musician and composer)
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1974)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Quite It
lyricist and composer:
Bongi Makeba
publisher:
Editions ESPERANCE
4:02
13Hauteng
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
acoustic guitar:
Bassalaqua (guitarist, associated with Miriam Makeba)
congas:
Myuto Correa
drums (drum set):
Sticks Hooper
electric bass guitar:
Kent Brinkley
flute and tenor saxophone:
Fred Jackson Jr. (US jazz fusion flautist and saxophonist active in 1970s)
guitar [1st guitar]:
David T. Walker
guitar [rhythm guitar]:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Joe Sample
horn arranger:
Semenya (South African musician and composer)
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1974)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Hauteng
lyricist and composer:
K. Caiphus Semenya (South African musician and composer)
4:51
14Moolouyame
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
acoustic guitar:
Bassalaqua (guitarist, associated with Miriam Makeba)
congas:
Myuto Correa
drums (drum set):
Sticks Hooper
electric bass guitar:
Kent Brinkley
flute and tenor saxophone:
Fred Jackson Jr. (US jazz fusion flautist and saxophonist active in 1970s)
guitar [1st guitar]:
David T. Walker
guitar [rhythm guitar]:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Joe Sample
horn arranger:
Semenya (South African musician and composer)
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1974)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Moolouyame
lyricist and composer:
Kemo Kouyaté
publisher:
Editions ESPERANCE
4:07
15Samba
engineer:
Gilbert Préneron and Stanley Todd
producer:
C.K. Semenya (South African musician and composer) and Myriam Makeba (South African singer-songwriter)
acoustic guitar:
Bassalaqua (guitarist, associated with Miriam Makeba)
congas:
Myuto Correa
drums (drum set):
Sticks Hooper
electric bass guitar:
Kent Brinkley
flute and tenor saxophone:
Fred Jackson Jr. (US jazz fusion flautist and saxophonist active in 1970s)
guitar [1st guitar]:
David T. Walker
guitar [rhythm guitar]:
Arthur Adams (US blues singer, guitarist & songwriter)
piano:
Joe Sample
horn arranger:
Semenya (South African musician and composer)
strings arranger:
David Axelrod (baroque pop composer)
phonographic copyright (℗) by:
Myriam Makeba (South African singer-songwriter) (in 1974)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Recorders in Hollywood, Los Angeles, California, United States
recording of:
Samba
lyricist and composer:
Kemo Kouyaté
publisher:
Editions ESPERANCE
5:06

Credits

Release

manufactured in:France
photography:Michel Picard
executive producer:Stanley Todd (task: producteur délégué)
rights society:SACD (Société des Auteurs et Compositeurs Dramatiques, French rights society for authors)
SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
SGDL (Société des gens de lettres de France, French rights society for authors)
manufactured at:MPO in Averton, Mayenne, Pays-de-la-Loire, France
Discogs:https://www.discogs.com/release/10243399 [info]
ASIN:FR: B00000II6V [info]