Arleen Auger, American Soprano

~ Veröffentlichung von Arleen Augér (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Rejoice Greatly(Messiah)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:33
2Plangero (Giulio Cesare)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel7:27
3Care Selve (Atalanta)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Atalanta, HWV 35: Atto I. "Care selve, ombre beate"
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Atalanta, HWV 35: Atto I
George Frideric Handel3:12
4Let the Bright Seraphim (Samson)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
George Frideric Handel5:36
5Lascia Ch'io pianga (Rinaldo)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
George Frideric Handel5:29
6Ricetti Gramezza (Non sa che sia clolore)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento"
Premiere in:
Leipzig, Sachsen, Deutschland (in 1729)
komponiert in:
Leipzig, Sachsen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:58
7Bist du bei mir (Klavierbuchlein fur Anna Magdalena Bach)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Gottfried Heinrich Stölzel (composer)
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bachs Notenbibliothek (BNB) (Nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (Nummer: BWV 508), Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 508) und Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 508)
Johann Sebastian Bach3:09
8Weichet nur, betrubte Schatten (Weichet nur, betrubte Schatten)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach7:40
9Sich uben im lieben (Weichet nur, betrubte Schatten)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:45
10Blute nur (St. Matthew Passion)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:35
11Ich will dir mein Herze schenken (St. Matthew Passion)
Soprangesang:
Arleen Augér (soprano)
Orchester:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:27
12Bachianas Brasilieras No. 5 for Soprano and Orchestra of Violincellos (Arias)
Soprangesang:
Arleen Augér (soprano)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos7:58
13Bachianas Brasilieras No. 5 for Soprano and Orchestra of Violincellos (Dansa)
Soprangesang:
Arleen Augér (soprano)
recording of:
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos5:08
2▼CD
Nr.TitelKünstlerBewertungLänge
1Pastorale
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Pastorale
Texter:
Edward Powys Mathers
Komponist(in):
Aaron Copland (composer) (in 1921)
Aaron Copland2:29
2Del Cabello mas sutil
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Canciones clásicas españolas, vol. 1: VI. Dos cantares populares (Del cabello más sutil)
Komponist(in):
Fernando Obradors
Teil von:
Canciones clásicas españolas, vol. 1
Fernando Obradors2:38
3Azulao
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Azulão, op. 21
Texter:
Manuel Bandeira
Komponist(in):
Jayme Ovalle
Jayme Ovalle1:58
4Standchen
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Ständchen, op. 17 no. 2
Texter:
Adolf Friedrich von Schack
Komponist(in):
Richard Strauss (German composer)
Teil von:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:23
5Selige Nacht
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Lieder und Gesänge: Nr. 9. Selige Nacht
Texter:
Otto Erich Hartleben
Komponist(in):
Joseph Marx (von 1913 bis 1914)
Joseph Marx2:27
6Fleurs
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Fiançailles pour rire, FP 101: 6. Fleurs
Texter:
Louise de Vilmorin
Komponist(in):
Francis Poulenc (French composer and pianist) (in 1939)
Teil von:
Fiançailles pour rire, FP 101
Francis Poulenc2:42
7Stomello
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Stornello
Texter:
Arnaldo Frateili
Komponist(in):
Pietro Cimara
Pietro Cimara3:25
8Music, When Soft Voices Die
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Music, When Soft Voices Die, op. 25 no. 5
Texter:
Percy Bysshe Shelley
Komponist(in):
Roger Quilter (British composer)
Teil von:
6 Songs, op. 25
Roger Quilter2:06
9Je t'aime
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Les Trois Valses : Acte II. « Je t’aime quand même »
Texter:
Léopold Marchand (in 1937) und Albert Willemetz (in 1937)
Komponist(in):
Oscar Straus
Teil von:
Les Trois Valses: acte II. La Valse interrompue
Oscar Straus3:08
10Love's Philosophy
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Love’s Philosophy, op. 3 no. 1
Texter:
Percy Bysshe Shelley
Komponist(in):
Roger Quilter (British composer)
Teil von:
3 Songs, op. 3
Roger Quilter1:28
11Widmung
Klavier:
Dalton Baldwin (American pianist) (am 1987-01-02)
Soprangesang:
Arleen Augér (soprano) (am 1987-01-02)
aufgenommen bei:
BBC Studios (Pebble Mill Studios) in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1987-01-02)
recording of:
Myrthen, op. 25: Nr. 1. Widmung (am 1987-01-02)
Texter:
Friedrich Rückert (German poet)
Komponist(in):
Robert Schumann (German classical composer)
Teil von:
Myrthen, op. 25
Robert Schumann2:25
12Du bist wie eine Blume
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Myrthen, op. 25: Nr. 24. Du bist wie eine Blume
Texter:
Heinrich Heine (German poet)
Komponist(in):
Robert Schumann (German classical composer)
Teil von:
Myrthen, op. 25
Robert Schumann2:02
13Das Rosenband
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and piano)
Texter:
Friedrich Gottlieb Klopstock
Komponist(in):
Richard Strauss (German composer) (von 1897 bis 1898)
Richard Strauss3:07
14Liebst du um Schonheit
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Rückert Lieder: V. Liebst du um Schönheit
Orchestrator(in):
Max Puttmann
Texter:
Friedrich Rückert (German poet)
Komponist(in):
Gustav Mahler (composer) (in 1902-08)
Premiere bei:
[concert] (1907-02-08)
Teil von:
Gustav Mahler Werke (Nummer: GMW 43)
Teil von:
Rückert-Lieder
Gustav Mahler2:50
15Cantares
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Poema en forma de canciones, op. 19: Nº 3. Cantares
Texter:
Ramón de Campoamor
Komponist(in):
Joaquín Turina (Spanish composer) (in 1917)
Teil von:
Poema en forma de canciones, op. 19
Joaquín Turina2:07
16How Do I Love Thee?
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
How Do I Love Thee?
Texter:
Elizabeth Barrett Browning
Komponist(in):
Edouard Lippé
Edouard Lippe4:00
17I'll Follow My Secret Heart
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Conversation Piece: Act One
Noël Coward3:00
18Serenade
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Sérénade
Texter:
Victor Hugo (French poet and novelist)
Komponist(in):
Charles Gounod (French composer) (in 1855)
Charles‐François Gounod4:19
19Liebe Schwarmt auf allen Wegen
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Claudine von Villa Bella, D. 239: Nr. 6. Liebe schwärmt auf allen Wegen (for voice and piano)
Komponist(in):
Franz Schubert (composer) (in 1815)
Librettist:
Johann Wolfgang von Goethe
Version von:
Claudine von Villa Bella, D. 239: Nr. 6. Liebe schwärmt auf allen Wegen
Franz Schubert1:18
20Love Went A-Riding
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Love went a-riding, H. 114
Texter:
Mary Elizabeth Coleridge
Komponist(in):
Frank Bridge (composer) (in 1914)
Teil von:
Frank Bridge: A Thematic Catalogue, 1900–1941 (Nummer: H. 114)
Frank Bridge1:50
21Why,No One to Love
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Why, No One to Love?
Texter und Komponist(in):
Stephen Foster (composer) (in 1862)
Stephen Foster3:21
22O del mio amato ben
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
O del mio amato ben
Komponist(in):
Stefano Donaudy
Teil von:
36 arie di stile antico
Stefano Donaudy5:10
23The Salley Gardens
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Folksong Arrangements, Volume I: The Salley Gardens (Arr. Benjamin Britten)
Texter:
William Butler Yeats (in 1889)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
Arrangement von:
The Sally Gardens (catch-all for arrangements)
Version von:
Down by the Salley Gardens
Teil von:
Folksong Arrangements, Volume I: British Isles, for voice & piano
Benjamin Britten3:28
24Heart,We Will Forget Him
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arleen Augér (soprano)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him!
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Marcelle de Manziarly
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:17
25Before I Gaze at You Again
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Arlene Auger (soprano)
recording of:
Before I Gaze at You Again (Camelot)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co.
Teil von:
Camelot (full musical)
Frederick Loewe2:27

Nennungen