The Real... Fats Waller

~ Release by Fats Waller (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Ain’t Misbehavin’
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2I’m Crazy ’Bout My Baby (And My Baby’s Crazy ’Bout Me)
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3The Jitterbug Waltz
recorded in:
New York, New York, United States (on 1942-03-16)
alto saxophone:
Jackie Fields (on 1942-03-16), Lawrence Fields (saxophone) (on 1942-03-16) and George James (US jazz saxophonist) (on 1942-03-16)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-03-16)
drums (drum set):
Slick Jones (on 1942-03-16) and Arthur Trappier (on 1942-03-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-03-16)
Hammond organ and piano:
Fats Waller (on 1942-03-16)
reeds:
Gene Sedric (on 1942-03-16)
tenor saxophone:
Bob Carroll (jazz sax) (on 1942-03-16)
trombone:
Herb Fleming (trombonist) (on 1942-03-16) and George Wilson (jazz trombonist) (on 1942-03-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1942-03-16), John Hamilton (jazz trumpet player) (on 1942-03-16), Joe Thomas (jazz trumpeter) (on 1942-03-16) and Nathaniel Williams (jazz trumpeter) (on 1942-03-16)
recording of:
Jitterbug Waltz (on 1942-03-16)
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
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4I Can’t Give You Anything but Love
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5A Good Man Is Hard to Find
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6Numb Fumblin’
piano:
Fats Waller (on 1929-03-01)
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7Christopher Columbus (A Rhythm Cocktail)
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8Bessie, Bessie, Bessie
double bass:
Cedric Wallace (jazz double bass player) (on 1941-10-01)
drums (drum set):
Slick Jones (on 1941-10-01)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-10-01)
piano:
Fats Waller (on 1941-10-01)
reeds:
Gene Sedric (on 1941-10-01)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-10-01)
vocals:
Fats Waller (on 1941-10-01)
recording of:
Bessie, Bessie, Bessie (on 1941-10-01)
writer:
Fats Waller
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9Hold My Hand
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10Let’s Get Away From It All
double bass:
Cedric Wallace (jazz double bass player) (on 1941-03-20)
drums (drum set):
Slick Jones (on 1941-03-20)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-03-20)
Hammond organ:
Fats Waller (on 1941-03-20)
reeds:
Gene Sedric (on 1941-03-20)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-03-20)
vocals:
Fats Waller (on 1941-03-20)
recording of:
Let’s Get Away From It All (on 1941-03-20)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
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11Honey Hush
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12’Tain’t Nobody’s Biz‐Ness If I Do
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13There’ll Be Some Changes Made
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
There’ll Be Some Changes Made (on 1935-06-24)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
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14Blue, Turnin’ Grey Over You
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15Hold Tight (Want Some Seafood, Mama)
double bass:
Cedric Wallace (jazz double bass player) (on 1939-01-19)
drums (drum set):
Slick Jones (on 1939-01-19)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-19)
piano:
Fats Waller (on 1939-01-19)
reeds:
Gene Sedric (on 1939-01-19)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-01-19)
vocals:
Fats Waller (on 1939-01-19)
recording of:
Hold Tight (on 1939-01-19)
writer:
Jerry Brandow, Edward Robinson (songwriter), Lenny Kent, Willie Spotswood (US singer, composer, often credited as "Spotswood") and Leonard Ware (American jazz guitar player and composer)
3?:??
16Sweet and Slow [remastered]
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
recording of:
Sweet and Slow (on 1935-05-08)
lyricist and composer:
Fats Waller
writer:
Al Dubin and Harry Warren (US composer and lyricist)
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2▼CD
#TitleRatingLength
1I Got Rhythm (live)
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2Stardust
piano:
Fats Waller (on 1937-06-11)
recording of:
Stardust (the jazz standard) (on 1937-06-11)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
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3St. Louis Blues
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4The Joint Is Jumpin’
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5Somebody Stole My Gal
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6Lounging at the Waldorf
recorded in:
New York, New York, United States (on 1936-06-08)
clarinet and reeds:
Gene Sedric (on 1936-06-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-08)
drums (drum set):
Allen Porter (jazz drummer) (on 1936-06-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-08)
piano:
Fats Waller (on 1936-06-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-08)
recording of:
Lounging at the Waldorf (on 1936-06-08)
composer:
Fats Waller
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7Our Love Was Meant to Be
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set) and vibraphone:
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
recording of:
Our Love Was Meant to Be (on 1937-09-07)
writer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Joe Davis (US lyricist, producer, publisher & promoter) and Fats Waller
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8I Simply Adore You (live)
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9Squeeze Me
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10Thou Swell (From Connecticut Yankee)
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11Rhythm and Romance
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Rhythm and Romance (on 1935-08-20)
lyricist:
Nat Schwartz (Early 20th century composer?)
writer:
George Whiting (American composer)
composer:
J.C. Johnson
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12Mamacita
double bass:
Cedric Wallace (jazz double bass player) (on 1941-01-02)
drums (drum set):
Slick Jones (on 1941-01-02)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-01-02)
Hammond organ:
Fats Waller (on 1941-01-02)
reeds:
Gene Sedric (on 1941-01-02)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-01-02)
vocals:
Fats Waller (on 1941-01-02)
4?:??
13Two Sleepy People
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14You Must Be Losing Your Mind
alto saxophone:
Jackie Fields (on 1942-03-16) and George James (US jazz saxophonist) (on 1942-03-16)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-03-16)
drums (drum set):
Slick Jones (on 1942-03-16) and Arthur Trappier (on 1942-03-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-03-16)
piano:
Fats Waller (on 1942-03-16)
reeds:
Gene Sedric (on 1942-03-16)
tenor saxophone:
Bob Carroll (jazz sax) (on 1942-03-16)
trombone:
Herb Flemming (trombonist) (on 1942-03-16) and George Wilson (jazz trombonist) (on 1942-03-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1942-03-16), John Hamilton (jazz trumpet player) (on 1942-03-16), Joe Thomas (jazz trumpeter) (on 1942-03-16) and Nathaniel Williams (jazz trumpeter) (on 1942-03-16)
vocals:
Fats Waller (on 1942-03-16)
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15Rosetta
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16Smashin’ Thirds
recorded in:
New York, New York, United States (on 1929-09-24)
piano:
Fats Waller (on 1929-09-24)
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17Lulu’s Back in Town
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3▼CD
#TitleRatingLength
1A Hopeless Love Affair
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
recording of:
A Hopeless Love Affair (on 1937-10-07)
writer:
Andy Razaf and Fats Waller
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2The Sheik of Araby
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3When Somebody Thinks You’re Wonderful
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
Fats Waller (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
Fats Waller (on 1935-11-29)
performer:
Fats Waller and His Rhythm (on 1935-11-29)
recording of:
When Somebody Thinks You’re Wonderful (on 1935-11-29)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Callicoon Music (in 1935, in 1991)
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4It’s a Sin to Tell a Lie
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5Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
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6Keepin’ Out of Mischief Now
recorded in:
New York, New York, United States (on 1937-06-11)
solo piano:
Fats Waller (on 1937-06-11)
recording of:
Keepin’ Out of Mischief Now (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
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7What’s the Reason (I’m Not Pleasin’ You)
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8Up Jumped You With Love
clarinet and tenor saxophone:
Gene Sedric (on 1942-07-13)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-07-13)
drums (drum set):
Arthur Trappier (on 1942-07-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-07-13)
piano:
Fats Waller (on 1942-07-13)
trumpet:
John Hamilton (jazz trumpet player) (on 1942-07-13)
vocals:
Fats Waller (on 1942-07-13)
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9Dinah
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10Viper’s Drag
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11Patty Cake, Patty Cake
double bass:
Cedric Wallace (jazz double bass player) (on 1938-12-07)
drums (drum set):
Slick Jones (on 1938-12-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-12-07)
piano:
Fats Waller (on 1938-12-07)
reeds:
Gene Sedric (on 1938-12-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-12-07)
vocals:
Fats Waller (on 1938-12-07)
recording of:
Pat-a-Cake, Pat-a-Cake, Baker’s Man (on 1938-12-07)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6486)
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12Functionizin’
recorded in:
New York, New York, United States (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04)
tenor saxophone:
Bob Carroll (jazz sax) (on 1935-12-04) and Gene Sedric (on 1935-12-04)
trombone:
Benny Morton (on 1935-12-04) and Fred Robinson (American trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04) and Eddie Anderson (early jazz trumpeter) (on 1935-12-04)
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13Love Me or Leave Me (take 3)
piano:
Fats Waller (on 1929-08-02)
recording of:
Love Me or Leave Me (on 1929-08-02)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
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14My Fate Is in Your Hands
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15Carolina Shout
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16Lost Love
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
?:??
17Sugar Rose
recorded in:
New York, New York, United States (on 1936-02-01)
celesta and piano:
Fats Waller (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
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