Classics at The Movies (Disc B)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▶CD: Classics At The Movies

2▼CD: Classics At The Movies
#	Title	Artist	Rating	Length
1	Carmina Burana: Introduction (from The Doors) baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Salzburg Mozarteum Chorus soprano vocals: Gerda Hartmann (soprano) tenor vocals: Richard Brünner (tenor) orchestra: The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra conductor: Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master) chorus master: Ernst Hinreiner (conductor) phonographic copyright (℗) by: Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996) compilation of: Carmina Burana: Fortuna imperatrix mundi: O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra), Kurt Prestel (conductor, chorus master), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester (Salzburg Mozarteum Orchestra) & Chor Salzburg, Kurt Prestel (conductor, chorus master) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi recording of: Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: Fortune plango vulnera (Poem, CB 16) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		5:39
2	Adagio for Strings (from Platoon) orchestra: Milwaukee Symphony Orchestra recording of: Adagio for Strings orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber		10:00
3	"Double" Concerto: Allegro (from Children of a Lesser God) violin: Joseph Brezina (violinist) and Feliz Elias (violinist) orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Concerto for 2 Violins in D minor, BWV 1043: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		5:14
4	La bohème: Act 1, "Che Gelida Manina" (from Moonstruck) tenor vocals [Rodolfo]: José Perez (Peruvian tenor) orchestra: Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) composer: Giacomo Puccini (Italian composer) (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini		3:57
5	Madama Butterfly: Act 2, "Un bel dì" (from Fatal Attraction) soprano vocals: Vanda Gerlovič (soprano) orchestra: Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym) recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini		4:21
6	Mandoline Concerto: Allegro (from Kramer vs. Kramer) orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Mandolin in C major, RV 425: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Mandolin in C major, RV 425	Antonio Vivaldi		3:14
7	Cavalleria Rusticana: Intermezzo (from The Godfather, Part 3) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: András Kórodi (conductor) and Anton Nanut (conductor) recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:27
8	Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey) orchestra: Dallas Symphony Orchestra recording of: Lieutenant Kijé Suite, op. 60: III. Kijé’s Wedding composer: Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933) part of: Lieutenant Kijé Suite, op. 60	Сергей Сергеевич Прокофьев		2:31
9	Lieutenant Kijé Suite: Troïka (from Love and Death) orchestra: Dallas Symphony Orchestra recording of: Lieutenant Kijé Suite, op. 60: IV. Troika composer: Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933) part of: Lieutenant Kijé Suite, op. 60	Сергей Сергеевич Прокофьев		2:44
10	Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		7:25
11	Lohengrin: Prelude (from Ludwig) orchestra: Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym) recording of: Lohengrin, WWV 75: Vorspiel (prelude to Act I) composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75	Richard Wagner		3:43
12	Martha: Ach, so fromm (from The Grey Fox) orchestra: Nuremburg Symphony Orchestra (Nuremberg Symphony Orchestra, the real orchestra) recording of: Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) composer: Friedrich von Flotow (composer) librettist: Friedrich Wilhelm Riese part of: Martha: Akt III	Friedrich von Flotow		2:59
13	Warsaw Concerto: Introduction (from The Eagle Squadron) orchestra: Toronto Festival Pops Orchestra partial recording of: Warsaw Concerto (Dangerous Moonlight) orchestrator: Roy Douglas (British composer, pianist) composer: Richard Addinsell (composer) part of: Classic 100: Piano (2025) (number: 45) part of: Dangerous Moonlight (film soundtrack)	Richard Addinsell		3:35
14	William Tell Overture (from A Clockwork Orange) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) conductor: Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		12:06

3▶CD: Classics At The Movies

4▶CD: Classics At The Movies