The Art of Conducting: Great Conductors of the Past

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Comparison and Rehersal
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1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1913)
conductor:
Artúr Nikisch (Hungarian conductor) (in 1913)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1913)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:49
2Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954)
conductor:
Wilhelm Furtwängler (conductor) (in 1954)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1954)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:37
3Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Herbert von Karajan (conductor) (in 1954)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1954)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:22
4Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1954)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1954)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:08
5Symphony no. 5 in C minor, op. 67: III. Allegro
orchestra:
Royal Philharmonic Orchestra (in 1951)
conductor:
Sir Thomas Beecham (conductor) (in 1951)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1951)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven2:18
6Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
orchestra:
Royal Philharmonic Orchestra (in 1951)
conductor:
Sir Thomas Beecham (conductor) (in 1951)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (in 1951)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:36
7Overture Leonore no. 3
orchestra:
Stockholm Philharmonic Orchestra (Royal Stockholm Philharmonic Orchestra) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1948)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven12:13
8Symphony no. 4 in F minor, op. 36: IV. Finale
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (on 1957-05-22, on 1957-05-24)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-22, on 1957-05-24)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-22, on 1957-05-24)
partial recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (from 1957-05-22 until 1957-05-24)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky15:10
9Die Entfuhrung aus dem Serail: Act 2
bass vocals:
Gottlob Frick (operatic bass) (in 1956)
orchestra:
Royal Philharmonic Orchestra (in 1956)
conductor:
Sir Thomas Beecham (conductor) (in 1956)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt II (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart7:46
10Symphony no. 100 in G "Military"
orchestra:
Royal Philharmonic Orchestra (in 1958)
conductor:
Sir Thomas Beecham (conductor) (in 1958)
partial recording of:
Symphony no. 100 in G major, Hob. I:100 "Military" (in 1958)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Hoboken-Verzeichnis (number: Hob. I:100)
Joseph Haydn5:23
2▼CD: Nikisch - Weingartner - R. Strauss
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1Oberon: Overture
orchestra:
London Symphony Orchestra (on 1914-06-21)
conductor:
Artúr Nikisch (Hungarian conductor) (on 1914-06-21)
recording of:
Oberon, J. 306: Overture (on 1914-06-21)
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber9:02
2Symphony no. 4: I. Allegro non troppo
orchestra:
London Symphony Orchestra (on 1938-02-14)
conductor:
Felix Weingartner (conductor) (on 1938-02-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo (on 1938-02-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms11:27
3Symphony no. 4: II. Andante moderato
orchestra:
London Symphony Orchestra (on 1938-02-14)
conductor:
Felix Weingartner (conductor) (on 1938-02-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato (on 1938-02-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms9:28
4Symphony no. 4: III. Allegro giocoso - Poco meno presto
orchestra:
London Symphony Orchestra (on 1938-02-14)
conductor:
Felix Weingartner (conductor) (on 1938-02-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (on 1938-02-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms6:39
5Symphony no. 4: IV. Allegro energico e passionato - Piu allegro
orchestra:
London Symphony Orchestra (on 1938-02-14)
conductor:
Felix Weingartner (conductor) (on 1938-02-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato (on 1938-02-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms9:49
6Der Rosenkavalier - Film Music (1925): Introduction - Love Scene
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Introduction - Love Scene (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss4:05
7Der Rosenkavalier - Film Music (1925): Marschallin's Monologue
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Marschallin's Monologue (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss2:30
8Der Rosenkavalier - Film Music (1925): No. 1 From de Zwei Militarmarche
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Presentation March (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss1:43
9Der Rosenkavalier - Film Music (1925): The Presentation of the Silver Rose
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: The Presentation of the Silver Rose (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss4:57
10Der Rosenkavalier - Film Music (1925): Love Duet
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Love Duet (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss2:43
11Der Rosenkavalier - Film Music (1925): Waltz
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Waltz (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss4:12
12Der Rosenkavalier - Film Music (1925): Trio
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Trio (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss4:00
13Der Rosenkavalier - Film Music (1925): Final Duet
orchestra:
Augmented London Tivoli Theatre Orchestra (on 1926-04-13)
conductor:
Richard Strauss (German composer) (on 1926-04-13)
recording of:
Der Rosenkavalier, TrV 227b: Final Duet (1926 film) (on 1926-04-13)
orchestrator:
Richard Strauss (German composer) (in 1925)
composer:
Richard Strauss (German composer) (in 1910)
part of:
Der Rosenkavalier, TrV 227b, AV 112 (1926 film score)
Richard Strauss2:52
3▼CD: Toscanini - Furtwängler
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1Tragische Ouverture, op. 81
orchestra:
BBC Symphony Orchestra (in 1937)
conductor:
Arturo Toscanini (conductor) (in 1937)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81) (in 1937)
composer:
Johannes Brahms (German composer) (in 1880)
premiered by:
Hans Richter (conductor, 1843-1916) (on 1880-12-26) and Wiener Philharmoniker (Vienna Philharmonic) (on 1880-12-26)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1880-12-26)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 81)
Johannes Brahms12:50
2Parsifal: Vorspiel
orchestra:
BBC Symphony Orchestra (in 1937)
conductor:
Arturo Toscanini (conductor) (in 1937)
recording of:
Parsifal, WWV 111: I. Aufzug, Vorspiel (in 1937)
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
part of:
Parsifal, WWV 111: I. Aufzug
part of:
Parsifal: Atto I
Richard Wagner15:20
3Parsifal: Karfreitagsmusik
orchestra:
BBC Symphony Orchestra (in 1937)
conductor:
Arturo Toscanini (conductor) (in 1937)
partial recording of:
Parsifal, WWV 111 (in 1937)
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
librettist:
Richard Wagner (composer) (from 1857-04 until 1877-04-19)
part of:
Wagner-Werk-Verzeichnis (number: 111)
Richard Wagner11:40
4Fidelio: Ouverture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953)
conductor:
Wilhelm Furtwängler (conductor) (in 1953)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1953)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:42
5Tristan und Isolde: Vorspiel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1953)
conductor:
Wilhelm Furtwängler (conductor) (in 1953)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (in 1953)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner7:31
6Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-19 until 1950-01-21)
conductor:
Wilhelm Furtwängler (conductor) (from 1950-01-19 until 1950-01-21)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-19 until 1950-01-21)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (from 1950-01-19 until 1950-01-21)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:17
7Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-19 until 1950-01-21)
conductor:
Wilhelm Furtwängler (conductor) (from 1950-01-19 until 1950-01-21)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-19 until 1950-01-21)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (from 1950-01-19 until 1950-01-21)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:50
4▼CD: Busch - Walter - Reiner - Koussevitsky
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1Cosi fan tutte: Overture
producer:
David Bicknell (producer and engineer)
orchestra:
Orchestra of Glyndebourne Festival (from 1934-06-06 until 1935-06-28) and Glyndebourne Festival Orchestra (in 1935, from 1935-06-25 until 1935-06-28)
conductor:
Fritz Busch (conductor) (from 1934-06-06 until 1935-06-28, in 1935, from 1935-06-25 until 1935-06-28)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1935-06-25 until 1935-06-28)
recorded at:
Glyndebourne Theatre in East Sussex, England, United Kingdom (on 1934-06-06, from 1935-06-25 until 1935-06-28) and Glyndebourne in East Sussex, England, United Kingdom (in 1935)
recording of:
Così fan tutte: Ouvertura (from 1934-06-06 until 1935-06-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
recording of:
Così fan tutte: Ouvertura (from 1935-06-25 until 1935-06-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
recording of:
Così fan tutte: Ouvertura (in 1935)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart44:16
2Eine kleine Nachtmusik, K. 525: I. Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1936)
conductor:
Bruno Walter (conductor) (in 1936)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1936)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:12
3Eine kleine Nachtmusik, K. 525: II. Romanze - Andante
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1936)
conductor:
Bruno Walter (conductor) (in 1936)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1936)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:41
4Eine kleine Nachtmusik, K. 525: III. Menuetto & Trio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1936)
conductor:
Bruno Walter (conductor) (in 1936)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1936)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:13
5Eine kleine Nachtmusik, K. 525: IV. Rondo-Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1936)
conductor:
Bruno Walter (conductor) (in 1936)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1936)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:07
6Siefgried Idyll
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1935)
conductor:
Bruno Walter (conductor) (in 1935)
performer:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1935)
recording of:
Siegfried Idyll, WWV 103 (in 1935)
composer:
Richard Wagner (composer) (in 1870)
dedicated to:
Cosima Wagner
part of:
Wagner-Werk-Verzeichnis (number: 103)
is based on:
Siegfried Idyll (original version for 13 instruments)
Richard Wagner16:48
7Symphony no. 5: IV. Adagietto
producer:
Fred Gaisberg (from 1938-01-15 until 1938-01-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1938-01-15 until 1938-01-16)
conductor:
Bruno Walter (conductor) (from 1938-01-15 until 1938-01-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1938-01-15 until 1938-01-16)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1938-01-15 until 1938-01-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler8:05
8Tristan und Isolde: Vorspiel, 1. Akt
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Fritz Reiner (conductor) (in 1937)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (in 1937)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner11:31
9Symphony no. 7 in C: I. Adagio
orchestra:
BBC Symphony Orchestra (on 1933-05-15)
conductor:
Serge Koussevitsky (on 1933-05-15)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1933-05-15)
live partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1933-05-15)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius7:53
10Symphony no. 7 in C: II. Un pochettino meno adagio
orchestra:
BBC Symphony Orchestra (on 1933-05-15)
conductor:
Serge Koussevitsky (on 1933-05-15)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1933-05-15)
live partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1933-05-15)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius4:25
11Symphony no. 7 in C: III. Allegro molto moderato
orchestra:
BBC Symphony Orchestra (on 1933-05-15)
conductor:
Serge Koussevitsky (on 1933-05-15)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1933-05-15)
live partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1933-05-15)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius3:41
12Symphony no. 7 in C: IV. Vivace
orchestra:
BBC Symphony Orchestra (on 1933-05-15)
conductor:
Serge Koussevitsky (on 1933-05-15)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1933-05-15)
live partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1933-05-15)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius4:57
5▼CD: Beecham - Barbirolli - Szell
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1Joyeuse Marche
orchestra:
Royal Philharmonic Orchestra (on 1958-03-23)
conductor:
Sir Thomas Beecham (conductor) (on 1958-03-23)
recording of:
Joyeuse marche (for orchestra) (on 1958-03-23)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:44
2Irmelin: Prelude
orchestra:
Royal Philharmonic Orchestra (on 1956-10-31)
conductor:
Sir Thomas Beecham (conductor) (on 1956-10-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-10-31)
recording of:
Irmelin Prelude, RT VI/27 (on 1956-10-31)
composer:
Frederick Delius (English composer) (in 1931)
part of:
Delius Catalogue of Works (DCW) (number: DCW 43) and Works of Frederick Delius by RT number (number: RT VI/27)
Frederick Delius5:01
3Tapiola, op. 112
orchestra:
Royal Philharmonic Orchestra (from 1955-12-15 until 1955-12-18)
conductor:
Sir Thomas Beecham (conductor) (from 1955-12-15 until 1955-12-18)
recording of:
Tapiola, op. 112 (from 1955-12-15 until 1955-12-18)
composer:
Jean Sibelius (Finnish composer) (until 1926-08)
was commissioned by:
Walter Damrosch
premiered at:
[concert] (1926-12-16)
publisher:
Breitkopf & Härtel (in 1926)
part of:
Works of Jean Sibelius by opus number (number: op. 112)
Jean Sibelius17:49
4Introduction and Allegro, op. 147
strings:
Allegri String Quartet (in 1962-05)
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (in 1962-05)
conductor:
Sir John Barbirolli (conductor and cellist) (in 1962-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-05)
recording of:
Introduction and Allegro for Strings, op. 47 (in 1962-05)
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
Sir Edward Elgar13:57
5Symphony no. 8, op. 88: I. Allegro con brio
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:51
6Symphony no. 8, op. 88: II. Adagio
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:34
7Symphony no. 8, op. 88: III. Allegretto grazioso
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:40
8Symphony no. 8, op. 88: IV. Allegro ma non troppo
orchestra:
The Cleveland Orchestra (from 1970-04-28 until 1970-04-29)
conductor:
George Szell (conductor, pianist, composer) (from 1970-04-28 until 1970-04-29)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1970-04-28 until 1970-04-29)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1970-04-28 until 1970-04-29)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:33
6▼CD: Klemperer - Karajan
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1Symphony no. 7 in A: I. Poco sostenuto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1955)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (in 1955)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven12:49
2Symphony no. 7 in A: II. Allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1955)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1955)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:32
3Symphony no. 7 in A: III. Presto - Assai meno presto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1955)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 1955)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:24
4Symphony no. 7 in A: IV. Allegro con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1955)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 1955)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:02
5Symphony no. 8 in F: I. Allegro vivace con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (in 1955)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven9:06
6Symphony no. 8 in F: II. Allegretto scherzando
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 1955)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:55
7Symphony no. 8 in F: III. Tempo di menuetto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (in 1955)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven5:49
8Symphony no. 8 in F: IV. Allegro vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (in 1955)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:43
9Vitava (from Ma Vlast)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1955)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:39
7▼CD: Stokowski - Bernstein
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1Toccata & Fugue in D minor
orchestra:
Leopold Stokowski Symphony Orchestra (in 1957)
conductor:
Leopold Stokowski (conductor) (in 1957)
recording of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (in 1957)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach9:42
2Pini di Roma: I. I pini di villa Borghese
orchestra:
Symphony of the Air (in 1958)
conductor:
Leopold Stokowski (conductor) (in 1958)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (in 1958)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:42
3Pini di Roma: II. I pini presso una catacomba
orchestra:
Symphony of the Air (in 1958)
conductor:
Leopold Stokowski (conductor) (in 1958)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (in 1958)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi5:43
4Pini di Roma: III. I pini del Gianicolo
orchestra:
Symphony of the Air (in 1958)
conductor:
Leopold Stokowski (conductor) (in 1958)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (in 1958)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:25
5Pini di Roma: IV. I pini della Via Appia
orchestra:
Symphony of the Air (in 1958)
conductor:
Leopold Stokowski (conductor) (in 1958)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (in 1958)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi5:20
6Harold en Italie - Symphonie en quatre parties, op. 16: I. Harold aux montagnes. Adagio
viola:
Donald McInnes (viola player) (on 1976-11-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1976-11-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-11-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1976-11-04) and Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-04)
recording of:
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro (on 1976-11-04)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz15:05
7Harold en Italie - Symphonie en quatre parties, op. 16: II. Marche des pelerins. Allegretto
viola:
Donald McInnes (viola player) (on 1976-11-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1976-11-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-11-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1976-11-04) and Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-04)
recording of:
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto (on 1976-11-04)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz8:42
8Harold en Italie - Symphonie en quatre parties, op. 16: III. Serenade. Allegro assai
viola:
Donald McInnes (viola player) (on 1976-11-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1976-11-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-11-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1976-11-04) and Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-04)
recording of:
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (on 1976-11-04)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz6:52
9Harold en Italie - Symphonie en quatre parties, op. 16: IV. Orgie des brigands. Allegro frenetico
viola:
Donald McInnes (viola player) (on 1976-11-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1976-11-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-11-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1976-11-04) and Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-04)
recording of:
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro (on 1976-11-04)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz12:55