The Complete 1956-1958

~ Release by Abbey Lincoln (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Strong Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
Strong Man (on 1957-10-28)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
5:02
2Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:55
3My Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1957-10-28)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:57
4Tender as a Rose
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
Tender as a Rose (on 1957-10-28)
lyricist and composer:
Phil Moore (composer, jazz pianist and orchestra leader)
3:01
5That’s Him
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
That’s Him (One Touch of Venus) (on 1957-10-28)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
3:26
6I Must Have That Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
I Must Have That Man (on 1957-10-28)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:57
7Porgy
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1957-10-28)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:26
8When a Woman Loves a Man
recording engineer:
Jack Higgins (recording engineer) (on 1957-10-28)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
When a Woman Loves a Man (on 1957-10-28)
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
4:28
9Don’t Explain
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Jean-Philippe Allard, Bill Grauer and Orrin Keepnews
bass:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recording of:
Don’t Explain (on 1957-10-28)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
6:39
10Can’t Help Lovin’ Dat Man
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
3:04
11I Am in Love
baritone saxophone and flute:
Sahib Shihab (American jazz musician) (on 1958-08-15)
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trombone:
Curtis Fuller (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
I Am in Love (Can-Can musical) (on 1958-08-15)
lyricist and composer:
Cole Porter (composer) (in 1953)
2:49
12It’s Magic
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
It’s Magic (on 1958-08-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
4:04
13Just for Me
baritone saxophone and flute:
Jerome Richardson (on 1958-07-24)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trombone:
Curtis Fuller (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
3:37
14An Occasional Man
baritone saxophone and flute:
Jerome Richardson (on 1958-07-24)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trombone:
Curtis Fuller (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
cover recording of:
An Occasional Man (on 1958-07-24)
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
3:24
15Ain’t Nobody’s Business (If I Do)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
cover recording of:
Ain’t Nobody’s Business (Jimmy Witherspoon song)
lyricist:
Jimmy Witherspoon
composer:
Richard Henry Grisham and Jimmy Witherspoon
4:31
16Out of the Past
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
Out of the Past (on 1958-08-15)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
4:46
17Music, Maestro, Please
baritone saxophone and flute:
Jerome Richardson (on 1958-07-24)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trombone:
Curtis Fuller (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
recording of:
Music Maestro Please (on 1958-07-24)
lyricist:
Herb Magidson (in 1938)
composer:
Allie Wrubel (US composer and songwriter) (in 1938)
medley of:
Spela maestro
3:19
18Exactly Like You
cover recording of:
Exactly Like You
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:52
2▼CD
#TitleRatingLength
1Love
2:42
2Little Niles
cover recording of:
Little Niles
composer:
Randy Weston
5:08
3Love Walked In
cover recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:34
4I Didn’t Know About You
cover recording of:
I Didn’t Know About You
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
2:50
5Would I Love You?
cover recording of:
Would I Love You, Love You, Love You
lyricist:
Harold Spina (composer/conductor)
composer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:27
6I Wake Up Smiling
cover recording of:
I Wake Up Smiling
lyricist:
Edgar Leslie
composer:
Fred Ahlert
2:09
7This Can’t Be Love
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:25
8Crazy He Calls Me
cover recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:59
9Two Cigarettes in the Dark
cover recording of:
Two Cigarettes in the Dark
lyricist:
Paul Francis Webster
composer:
Lew Pollack
2:42
10The Masquerade is Over
cover recording of:
The Masquerade Is Over
writer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:26
11Take Me in Your Arms
cover recording of:
Take Me in Your Arms
lyricist:
Mitchell Parish
composer:
Fred Markush
3:11
12Together
cover recording of:
Together
lyricist:
Lew Brown (in 1928) and Buddy DeSylva (in 1928)
composer:
Ray Henderson (in 1928)
publisher:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. and The Songwriters Guild
1:57
13Affair
3:03
14No More
cover recording of:
No More
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Tutti Camarata
3:13
15Warm Valley
cover recording of:
Warm Valley
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
is based on:
Warm Valley
3:20
16You Do Something to Me
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:36
17Do Nothing ’Til You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:18
18The Answer Is No
2:20
19A Lonesome Cup Of Coffee
2:41
20I Didn’t Say Yes
2:24
21Spread The Word (Spread The Gospel)
2:02