70s School Days: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.63:19
2Knock on Wood
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart3:45
3Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4:30
4Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown (12″ version) by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:58
5I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:47
6Love Rollercoaster
engineer:
Barry Mraz
producer:
Ohio Players
agogô, cowbell, drums (drum set) and tambourine:
James “Diamond” Williams (US drummer for Ohio Players)
bass guitar:
Marshall "Rock" Jones (US bassist & songwriter, member of Ohio Players)
electric guitar and lead vocals:
Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot)
Rhodes piano [Fender Rhodes] and synthesizer [ARP String Ensemble]:
William "Billy" Beck
tenor saxophone:
Clarence "Satch" Satchell
trumpet:
Ralph “Pee Wee” Middlebrooks and Marvin “Merv” Pierce
background vocals:
William "Billy" Beck and James “Diamond” Williams (US drummer for Ohio Players)
recorded at and mixed at:
Paragon Studios in Chicago, Illinois, United States
recording of:
Love Rollercoaster
writer:
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Mervin Pierce (Ohio Players), Clarence Satchell and James “Diamond” Williams (US drummer for Ohio Players)
publisher:
Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc. and Segundo Sueños LLC
Ohio Players54:44
7You Make Me Feel (Mighty Real)
recording of:
You Make Me Feel (Mighty Real)
writer:
Sylvester (US disco and soul singer-songwriter) and James Wirrick
Sylvester6:33
8Take That to the Bank
recording of:
Take That to the Bank
writer:
Kevin Spencer (US keyboardist/vocalist for Dynasty) and Leon Sylvers
publisher:
ATV Music
Shalamar3:24
9We Got the Funk
recording of:
We Got the Funk
writer:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds and Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (ended), B.I.B. Music and Songs of Universal, Inc. (BMI)
Positive Force3:21
10Can You Feel the Force
recording of:
Can You Feel the Force
writer:
Chris Amoo and Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing3:00
11Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:54
12Get Up Offa That Thing
producer:
James Brown (The Godfather of Soul)
clavinet:
“Sweet” Charles Sherrell (in 1976-04)
drums (drum set):
Melvin Parker (in 1976-04)
guitar:
Robert Coleman (in 1976-04) and Jimmy Nolen (in 1976-04)
tenor saxophone:
St. Clair Pinckney (in 1976-04)
trombone:
Hollie Ferris (in 1976-04)
trumpet:
Russell Crimes (in 1976-04)
lead vocals:
James Brown (The Godfather of Soul) (in 1976-04)
arranger:
James Brown (The Godfather of Soul)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1976-04)
recording of:
Get Up Offa That Thing (in 1976-04)
lyricist and composer:
Deanna Brown (James Brown’s daughter), Deidre Brown (was James Brown second spouse) and Yamma Brown (James Brown’s daughter)
publisher:
Belinda Music Inc., Dynatone Publishing Co., Intersong Music Ltd. and Unichappell Music, Inc.
James Brown4.54:09
13Ladies Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:25
14Rapper’s Delight
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3.63:58
15Shake Your Groove Thing
recording of:
Shake Your Groove Thing
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb3:53
16Get Up and Boogie (That’s Right)
recording of:
Get Up and Boogie
lyricist:
Stephan Prager (songwriter, aka Michael Kunze)
composer:
Sylvester Levay
Silver Convention3:01
17I Love the Nightlife
Alicia Bridges3:21
18Sunshine DayOsibisa3:20
19Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:10
20Let’s Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 46)
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye3.53:52
2CD
#TitleArtistRatingLength
1ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 174)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 54.12:59
2You to Me Are EverythingThe Real Thing3:30
3The Second Time Around
Shalamar3:43
4Everything I Own
Ken Boothe3:45
5Love of the Common PeopleNicky Thomas2:18
6In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970) and Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.753:28
7To Be Young, Gifted and Black
producer:
Harry Johnson
cover recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone
Bob & Marcia3:08
8The Lion Sleeps Tonight
Dave Newman2:38
9Everything Is Beautiful
engineer:
Charlie Tallent
producer:
Ray Stevens (US singer‐songwriter & comedian)
arranger:
Ray Stevens (US singer‐songwriter & comedian)
phonographic copyright (℗) by:
Barnaby Records, Inc. (in 1970)
recording of:
Everything Is Beautiful (1970 song)
lyricist and composer:
Ray Stevens (US singer‐songwriter & comedian)
publisher:
J. Albert & Son Pty. Ltd.
Ray Stevens3:32
10Greased Lightnin’
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
additional vocals:
Jeff Conaway (actor)
lead vocals:
John Travolta (American actor and singer)
horn arranger and strings arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (from 1978 to present) and RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
writer:
Warren Casey and Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (from 1978 to present)
part of:
Grease (1971 musical)
John Travolta4.653:16
11Double Barrel
producer:
Winston Riley
bass:
Robert “Robbie” Shakespeare
guitar:
Ranchie McLean
keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
lead vocals:
Dave Barker (reggae artist)
performer:
Techniques All Stars
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins52:44
12You Can Get It If You Really Want
Desmond Dekker2:38
13That Same Old Feeling
recording of:
That Same Old Feeling
writer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
Pickettywitch3:04
14Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation3:24
15Let Your Yeah Be Yeah
The Pioneers3:07
16Help Me Make It Through the NightJohn Holt3:06
17Lost in France
producer:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
recording of:
Lost in France
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd. and Lojo Music
Bonnie Tyler2.353:54
18Baby, I Love Your Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1975) and A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton3.654:43
19Clair
Gilbert O’Sullivan3:00
20You Don’t Have to Say You Love Me
cover recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Guys ’n’ Dolls2:45
3CD
#TitleArtistRatingLength
1Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:10
2War
performer:
Edwin Starr
cover recording of:
War (on 1970-05-15)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Edwin Starr4.23:19
3Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. and St. Anne’s Music Ltd.
10cc4.654:28
4Jimmy Jimmy
recording of:
Jimmy Jimmy
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal/MCA Music Ltd. (not for release label use!) and West Bank Songs Ltd.
The Undertones2:42
5B‐A‐B‐Y
recording engineer:
Bob Painter
producer:
Liam Sternberg
bass:
Norman Watt-Roy
drums (drum set):
Charley Charles (UK drummer)
guitar:
Peter Nardini and Brinsley Schwarz (English rock guitarist)
keyboard:
Peter Nardini
piano:
Mick Gallagher (UK hammond organ player)
background vocals:
Lene Lovich and Rachel Sweet
lead vocals:
Rachel Sweet
cover recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Rachel Sweet43:06
6Alone Again (Naturally)
producer:
Gordon Mills (60s/70s UK producer and songwriter)
phonographic copyright (℗) by:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
lyricist and composer:
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:39
7Jeans On
phonographic copyright (℗) by:
Air (UK record company and label, related to Air Studios) (in 1976) and Chrysalis Copyrights Ltd. (in 1976)
recording of:
Jeans On (in 1976)
writer:
David Dundas and Roger Greenaway
publisher:
Mushroom Music Pty. Ltd. and Air Edel Associates Ltd. (from 1976 to present)
David Dundas3:20
8Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (English keyboardist) (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes (English keyboardist), Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:25
9Night Boat to CairoMadness3.53:25
10Hurry Up Harry
recording of:
Hurry Up Harry
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 693:26
11Poison Ivy
engineer:
Pete Hammond (UK producer aka “Mixmaster”)
producer:
Peter Collins (producer)
bass guitar:
Mark Ellis (of The Lambrettas)
guitar:
Jez Bird and Doug Sanders
horn:
Ron Aspery, Martin Dobson, Dick Hanson and Peter Thoms (trombone)
percussion:
Paul Wincer
background vocals:
Doug Sanders
lead vocals:
Jez Bird
brass arranger:
Richard Myhill
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!)
cover recording of:
Poison Ivy
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC and Warner/Chappell Music Ltd. (1996–2019)
The Lambrettas2:43
12Matchstalk Men and Matchstalk Cats and Dogs
recording of:
Matchstalk Men and Matchstalk Cats and Dogs
writer:
Brian Burke and Michael Coleman (Chicago blues guitarist)
Brian and Michael4:29
13Down the Dustpipe
Status Quo2:03
14The Streak
Ray Stevens3:18
15Angelo
Brotherhood of Man3:14
16I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
17I’m on Fire
producer:
Tony Eyers
phonographic copyright (℗) by:
BR Music Copyrights BV (in 1975)
recording of:
I’m on Fire
lyricist and composer:
T. Eyers
publisher:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. and Intersong Musikverlag (publisher) (in 1989)
5000 Volts22:39
18Together We Are Beautiful
cover recording of:
Together We Are Beautiful (1977 song)
lyricist, writer and composer:
Ken Leray (songwriter)
publisher:
Brampton Music Ltd. (publisher) and Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:12
19Feels Like I’m in LoveKelly Marie3:19
20Telephone Man
Meri Wilson1:56
4CD
#TitleArtistRatingLength
1Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. and PolyGram Music Publishing
David Soul53:43
2Sometimes When We Touch
phonographic copyright (℗) by:
GRT of Canada Ltd. (in 1977), McCauley Music Ltd. (in 1977) and McCauley Music Masters (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 33)
recording of:
Sometimes When We Touch
lyricist:
Dan Hill (Canadian singer/songwriter)
composer:
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:06
3Misty
Ray Stevens2:42
4Love Machine
recording of:
Love Machine
lyricist and composer:
Billy Griffin and Warren Moore
horn and strings arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles2:50
5Love’s Theme
engineer:
Paul Elmore (engineer) and Frank Kegmer (engineer)
producer:
Barry White
orchestra:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1973)
recording of:
Love’s Theme (instrumental version) (in 1973)
composer:
Barry White
publisher:
January Music Corp. and Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:05
6Sunshine After the Rain
cover recording of:
The Sunshine After the Rain
lyricist and composer:
Ellie Greenwich
publisher:
EMI Unart Catalog Inc.
Elkie Brooks3:22
7The Night (1972 album version)
The Four Seasons3:19
8Don’t You Know (She Said Hello)
Butterscotch2:57
9If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:55
10Now That We’ve Found Love
cover recording of:
Now That We Found Love
lyricist:
Heavy D. (US rapper)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Third World3:52
11You Make Me Feel Brand New
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics45:25
12Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
performer:
Julie Covington
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:26
13I’d Like to Teach the World to Sing
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:21
14Save Your Kisses for Me
Brotherhood of Man3:04
15Nathan Jones
producer:
Frank Wilson (Motown singer/songwriter)
lead vocals:
Jean Terrell
arranger:
David Van dePitte and Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Nathan Jones
lyricist and composer:
Leonard Caston (father of Leonard "Lenny" Caston jr.) and Kathy Wakefield (singer, songwriter)
writer:
Lenny Caston (son of Leonard Caston)
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (in 1971), Stone Agate Music Division (in 1971), Jobete Music (appears also as: Jobete Msc.) (in 1988) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes3:03
16The Tears of a Clown (U.K version)Smokey Robinson3:00
17It’s a Shame
recording of:
It’s a Shame
lyricist and composer:
Lee Garrett, Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music and Jobete Music (appears also as: Jobete Msc.)
The Spinners3:08
18You See the Trouble With Me
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
recording of:
You See the Trouble With Me
writer:
Ray Parker Jr. and Barry White
publisher:
Little A Music, My Baby’s Music Company, Sa‐Vette Music Co., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White4.53:30
19Rainbow
recording of:
Rainbow
writer:
Thomas McAleese and William Campbell
Marmalade3:19
20Streets of London
Ralph McTell4:05
5CD
#TitleArtistRatingLength
1One Step Beyond
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass guitar:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman (UK musician, aka “Chrissy Boy”)
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
lyricist and composer:
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.52:19
2Blockbuster
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. and Universal Music Publishing MGB Ltd.
The Sweet53:12
3This Town Ain’t Big Enough for the Both of Us
producer:
Muff Winwood (bass player, songwriter, producer)
mixer:
Bill Price (UK producer/engineer)
bass:
Martin Gordon
drums (drum set):
Dinky Diamond
guitar:
Adrian Fisher
keyboard [keyboards]:
Ron Mael
vocals:
Russell Mael
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
music videos:
This Town Ain’t Big Enough for the Both of Us (silent film version) by Sparks (US rock and pop duo, The Mael Brothers) and This Town Ain’t Big Enough for the Both of Us (version 2) by Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
lyricist and composer:
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:03
4Pop MuzikM3.53:20
5Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) and Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:00
6Son of My Father
phonographic copyright (℗) by:
Santa Ponsa Productions (in 1972)
recording of:
Son of My Father
lyricist:
Michael Holm (German musician) (in 1971) and Pete Bellotte (English lyricist and producer) (in 1972)
composer:
Giorgio Moroder (in 1971)
publisher:
IQ Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
version of:
Nachts scheint die Sonne
Chicory Tip53:10
7In Zaire
recording of:
In Zaire
writer:
Johnny Wakelin
Johnny Wakelin23:20
8Respect Yourself
edit of:
Respect Yourself by The Staple Singers
recording of:
Respect Yourself
lyricist and composer:
Luther Ingram and Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) and Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:32
9Papa Was a Rollin’ Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations5:08
10I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:28
11Gypsies, Tramps & Thieves
engineer:
Lenny Roberts (producer/engineer)
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arranger:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
produced for:
Garrett Music Enterprises (company owned by Tommy Garrett)
recording of:
Gypsys, Tramps & Thieves
lyricist and composer:
Bob Stone (engineer, studio technician, producer, songwriter)
writer:
Bob Stone (US lyricist, producer, arranger)
publisher:
Peso Music (publisher) (in 1971)
Cher4.252:35
12Down Down
producer:
Roger Glover and Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1974), Mercury Records Ltd. (London) (for copyrights use only) (in 1974), Phonogram Ltd. (not for release label use!) (in 1974), Phonogram Ltd. (London) (company name, NOT a label!) (in 1974), Mercury Records Ltd. (UK) (in 1975) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Down Down
written in:
Los Angeles, California, United States
lyricist:
Francis Rossi
composer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing and Valley Music Ltd (publisher)
Status Quo43:52
13The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:26
14I Don’t Like MondaysThe Boomtown Rats44:18
15Get Down
recording of:
Get Down
lyricist and composer:
Gilbert O’Sullivan
publisher:
M.A.M. (Music Publishing) Ltd.
Gilbert O’Sullivan2:41
16It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
17Whole Wide World
bass guitar and guitar:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
vocals:
Wreckless Eric
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Whole Wide World
lyricist and composer:
Eric Goulden
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
sub-publisher:
Concord Music Publishing Sàrl
Wreckless Eric4.653:00
18My Girl
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman (UK musician, aka “Chrissy Boy”)
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
recording of:
My Girl
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:40
19Is She Really Going Out With Him?
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:39
20Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton (singer-songwriter and guitarist)
bass guitar:
Pete Agnew (singer-songwriter and bassist)
drums (drum set):
Darrell Sweet (drummer and songwriter)
guitar and synthesizer:
Manny Charlton (singer-songwriter and guitarist)
background vocals:
Pete Agnew (singer-songwriter and bassist) and Darrell Sweet (drummer and songwriter)
lead vocals:
Dan McCafferty (singer, songwriter)
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) and USM Copyrights Ltd. (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:49

Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 008) (order: 5)