Best of Klassik 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1La forza del destino: Ouvertüre
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi8:02
2Violinkonzert D‐Dur: Moderato nobile
recording engineer:
Wolf‐Dieter Karwatky
sound engineer:
Günter Herrmans (engineer) and Ulrich Vette (engineer)
producer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Ulrich Vette (engineer)
editor:
Mark Buecker (engineer of classical recordings) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
violin:
Anne‐Sophie Mutter (violinist) (in 2003-10)
orchestra:
London Symphony Orchestra (in 2003-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 2003-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2003-10)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Moderato nobile (in 2003-10)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1945)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Erich Wolfgang Korngold8:37
3Lucia di Lammermoor: “Ardon gli incensi”
recording engineer:
Dagmar Birwe (from 2004-02 until 2004-03) and Wolf‐Dieter Karwatky (from 2004-02 until 2004-03)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Raimondo]:
Andrea Concetti (Italian operatic bass) (from 2004-02 until 2004-03)
choir vocals:
Coro Sinfonico di Milano Giuseppe Verdi (from 2004-02 until 2004-03)
soprano vocals [Lucia]:
Anna Netrebko (soprano) (from 2004-02 until 2004-03)
orchestra:
Mahler Chamber Orchestra (from 2004-02 until 2004-03)
conductor:
Claudio Abbado (conductor) (from 2004-02 until 2004-03)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 2004-02 until 2004-03)
balance engineer:
Rainer Maillard (from 2004-02 until 2004-03)
recorded at:
Teatro Municipale Romolo Valli (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2004-02 until 2004-03)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 2004-02 until 2004-03)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:04
4Dreistimmige Inventionen, Nr. 5: Sinfonia Es‐Dur BWV 791
recording engineer:
Ralf Kolbinger (engineer)
sound engineer:
Angela Öztanil
producer:
Sabine Fallenstein (producer) and Peter Stieber
piano:
Martin Stadtfeld (pianist)
recorded at:
SWR Studio in Kaiserslautern, Rheinland-Pfalz (Rhineland-Palatinate), Germany (from 2004-08-24 until 2004-08-28)
recording of:
Sinfonia Nr. 5 Es-Dur, BWV 791 (from 2004-08-24 until 2004-08-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 5) and Bach-Werke-Verzeichnis (number: BWV 791)
Johann Sebastian Bach2:38
5Suite für Flöte und Klavier: Andantino
flute:
Emmanuel Pahud (flutist)
piano:
Éric Le Sage (French pianist)
recording of:
Suite pour flûte et piano, op. 34: III. Romance. Andantino
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1877)
part of:
Suite pour flûte et piano, op. 34
Charles‐Marie Widor5:00
6Le Cid : « Ah ! tout es bien fini » … « O souverain »
tenor vocals:
Rolando Villazón (tenor) (from 2004-03-08 until 2004-03-15)
orchestra:
Orchestre philharmonique de Radio France (from 2004-03-08 until 2004-03-15)
conductor:
Evelino Pidò (conductor) (from 2004-03-08 until 2004-03-15)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 2004-03-08 until 2004-03-15)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel) (from 2004-03-08 until 2004-03-15)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
Jules Massenet4:51
7Klaviertrio Nr. 2: Allegro
cello:
Alexander Kniazev (cellist)
piano:
Борис Березовский (pianist)
violin:
Dmitri Makhtin (violinist)
recording of:
Piano Trio no. 2 in E minor, op. 67: II. Allegro con brio
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1944)
part of:
Piano Trio no. 2 in E minor, op. 67
Dmitri Shostakovich2:51
8Rigoletto: “La donna e mobile”
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (from 2003-03-24 until 2003-03-30)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (from 2003-03-24 until 2003-03-30)
conductor:
Carlo Rizzi (conductor) (from 2003-03-24 until 2003-03-30)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (from 2003-03-24 until 2003-03-30)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-03-24 until 2003-03-30)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:22
9Sinfonie Nr. 2: “Urlicht” – “O Röschen rot”
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
solo alto vocals:
Anna Larsson (contralto) (in 2003-08)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:06
10Berceuse Des‐Dur
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2004-12)
balance engineer:
Stephan Flock (in 2004-12)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2004-12)
recording of:
Berceuse in D‐flat major, op. 57 (in 2004-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1843 until 1844)
dedicated to:
Elise Gavard
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 7), Works of Fryderyk Chopin by opus number (number: op. 57) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 154)
Fryderyk Chopin4:50
11Partita für Violine solo Nr. 2: Giga
violin:
Baiba Skride (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach4:07
12Die Nachtigall: “Was wird das für ein Duett werden”
performer:
Andreas Scholl (countertenor)
Hans Christian Andersen1:26
13Duett “Wenn ich in deine Augen seh”
piano:
Malcolm Martineau (pianist)
mezzo-soprano vocals:
Angelika Kirchschlager (mezzo soprano)
soprano vocals:
Barbara Bonney (soprano)
recording of:
Duett “Wenn ich in deine Augen seh”
composer:
Fanny Mendelssohn (German composer, a.k.a. Fanny Hensel) (in 1838)
Fanny Mendelssohn2:30
14Catch Me If You Can
cello:
Die 12 Cellisten der Berliner Philharmoniker (from 2004-01 until 2004-04)
arranger:
David Riniker (cellist)
instrumental cover recording of:
Catch Me If You Can (title theme) (from 2004-01 until 2004-04)
composer:
John Williams (American score composer and conductor)
John Williams2:49
15Czárdás
violin:
József Lendvay (Hungarian violinist, József Lendvay Jr)
recording of:
Csárdás
composer:
Vittorio Monti (Italian violinist and composer) (until 1904)
Vittorio Monti4:24
16Carmina Burana: “Ave, formosissima” … “O Fortuna”
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff4:19
2▼CD
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1Violinkonzert a‐Moll: Allegro
violin:
Nigel Kennedy (violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: I. Allegro moderato
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:32
2Sechs Bagatellen Nr. 3: Andante, cantabile e grazioso
piano:
Michael Korstick (German pianist)
recording of:
6 Bagatelles, op. 126: No. 3 in E‐flat major: Andante cantabile e grazioso
composer:
Ludwig van Beethoven (German composer) (in 1824)
part of:
6 Bagatelles, op. 126
Ludwig van Beethoven2:20
3Le nozze di Figaro: Duettino “Crudel! Perché finora”
orchestra:
Concerto Köln (in 2003-04)
conductor:
René Jacobs (conductor) (in 2003-04)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-04)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (in 2003-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:48
4Sinfonie Nr. 5 B‐Dur: Scherzo, molto vivace
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Nikolaus Harnoncourt (conductor)
partial recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": III. Scherzo. Molto vivace (1876 version, unpublished - use if uncertain of the correct edition)
composer:
Anton Bruckner (Austrian composer) (in 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (1876 version, unpublished - use if uncertain of the correct edition)
Anton Bruckner2:38
5Cantata und Aria “Alla caccia dell’almee de’”
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (, from 2004-10-26 until 2004-10-30)
orchestra:
Ensemble Artaserse (from 2004-10-26 until 2004-10-30)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Chapelle des sœurs auxiliaires in Versailles, Yvelines, Île-de-France, France (from 2004-10-26 until 2004-10-30)
recording of:
Cantata, RV 670 "Alla caccia dell'alme e de' cori": I. Allegro - Aria "Alla caccia dell'alme e de' cori" (from 2004-10-26 until 2004-10-30)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (until 1742)
part of:
Cantata, RV 670 "Alla caccia dell'alme e de' cori"
Antonio Vivaldi2:37
6Sinfonie Nr. 6 d‐Moll: Scherzo
orchestra:
Concerto Köln
conductor:
Werner Ehrhardt (violinist, concertmaster)
partial recording of:
Symphony no. 6 in D minor, op. 58: III. Scherzo: Allegretto - Trio
composer:
Johann Wilhelm Wilms (Dutch-German composer)
part of:
Symphony no. 6 in D minor, op. 58
Johann Wilhelm Wilms2:08
7Der Tod Jesu: “Freuet euch alle, ihr Frommen”
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
MDR Sinfonieorchester (MDR Leipzig Radio Symphony Orchestra)
conductor:
Howard Arman
recording of:
Der Tod Jesu: "Freuet euch alle ihr Frommen" (All)
composer:
Carl Heinrich Graun (composer) (in 1755)
part of:
Der Tod Jesu
Carl Heinrich Graun2:48
8Orgelstück für eine Uhr, f‐Moll
piano:
Andreas Groethuysen (pianist) and Yaara Tal (pianist)
recording of:
Fantasia for Mechanical Organ in F minor, K. 608 (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Fantasia for Mechanical Organ in F minor, K. 608
Wolfgang Amadeus Mozart2:40
9Rhapsody on Carmen de Georges Bizet
performer:
Alliage Quartett (German Classical music, saxophon-oriented (ex Alliage Quartett))
recording of:
Rhapsodie sur Carmen (for saxophone quartet and piano, Nagao)
composer:
Georges Bizet (French composer)
arranger:
長生淳 (Jun Nagao, Japanese composer)
Jun Nagao2:29
10Klavierkonzert Nr. 4 g‐Moll: Allegro vivace
solo piano:
Nikolai Lugansky (pianist)
partial recording of:
Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace
composer:
Sergei Rachmaninoff (Russian composer) (from 1914 until 1941)
part of:
Piano Concerto no. 4 in G minor, op. 40
Sergei Rachmaninoff2:44
11De patria
alto vocals:
Daniela Tošić (mezzo-soprano)
mezzo-soprano vocals:
Laurie Monahan (classical mezzo-soprano vocalist)
phonographic copyright (℗) by:
Musikproduktion Dabringhaus und Grimm (in 2003)
recording of:
Symphonia armonie celestium revelationum: In matutinis laudibus: De patria etiam earum
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
part of:
Symphonia armonie celestium revelationum: In matutinis laudibus
Hildegard von Bingen1:34
12Die Liebe zu den drei Orangen, op. 33
organ:
Iveta Apkalna
recorded at:
Pfarrkirche St. Martinus in Wangen im Allgäu, Baden-Württemberg, Germany
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (for organ, Guillou)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
arranger:
Jean Guillou (French composer and organist)
arrangement of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra)
Sergei Prokofiev1:48
13Klaviersonate Nr. 60 C‐Dur: Allegro molto
miscellaneous support:
Paul Müller (piano technician)
sound engineer:
Stephan Hahn
audio engineer:
Sebastian Roth
producer:
Barbara Schwendowius
fortepiano:
Christine Schornsheim (keyboard instrumentalist) (from 2003 until 2004)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2003 until 2004)
recording of:
Piano Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto (from 2003 until 2004)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Piano Sonata no. 60 in C major, Hob. XVI:50
Joseph Haydn2:16
14Il nome del bel fior Nr. 6: “Io sono amore angelico”
baritone vocals:
Guido Heidloff
bass vocals:
Marcus Schmidl (“Smy”)
soprano vocals:
Claudia Reinhard (soprano)
tenor vocals:
Andreas Hirtreiter, Klaus Wenk and Markus Zapp
recording of:
Il nome del bel fior: VI. Io sono amore angelico
composer:
Joanne Metcalf (American composer) (in 1998)
part of:
Il nome del bel fior
Joanne Metcalf2:33
15Sinfonie F‐Dur: Allegro
sound engineer:
Friedrich Wilhelm Rödding (from 2003-01-09 until 2003-01-11)
producer:
Werner Dabringhaus (producer and co-founder of MDG) and Reimund Grimm (producer and co-founder of MDG)
bassoon:
Adrian Rovatkay
cello:
Joachim Fiedler (cellist)
harpsichord:
Siegbert Rampe (harpsichordist and conductor)
horn:
Christian Binde and Jörg Schulteß (classical horn player)
oboe:
Christine Allanic and Saskia Fikentscher
transverse flute:
Verena Guido and Ildikó Kertész
viola:
Claudia Hofert (German violist) and Kai Köpp
violin:
Christoph Hesse, Maria Manemann, Eva Scheytt and Gabriele Steinfeld
violone:
Dane Roberts
recorded at:
Fürstliche Reitbahn in Bad Arolsen, Hessen (Hesse), Germany (from 2003-01-09 until 2003-01-11)
recording of:
Sinfonia in F major, GWV 571: IV. Allegro
composer:
Christoph Graupner (composer)
part of:
Sinfonia in F major for 2 horns, 2 flutes, 2 oboes, bassoon, 2 violins, viola & b. c., GWV 571
Christoph Graupner2:42
16Sur le même accord
solo violin:
Anne‐Sophie Mutter (violinist)
partial recording of:
Sur le même accord
composer:
Henri Dutilleux (French composer) (in 2002)
dedicated to:
Anne‐Sophie Mutter (violinist)
Henri Dutilleux2:29
17Schwergewicht oder Die Ehre der Nation: Vorspiel
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marek Janowski (conductor)
partial recording of:
Schwergewicht oder die Ehre der Nation, op. 55
composer and librettist:
Ernst Krenek (Austrian composer)
Ernst Krenek1:19
18Acht Konzert‐Etüden: Nr. 6. Pastoral – Allegro moderato
recording engineer:
Simon Eadon (classical music engineer)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Marc‐André Hamelin (Canadian pianist) (from 2003-06-23 until 2003-06-26)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2003-06-23 until 2003-06-26)
recording of:
Eight Concert Études, op. 40: No. 6. Pastoral. Allegro moderato (from 2003-06-23 until 2003-06-26)
composer:
Николaй Кaпустин (Nikolai Kapustin, Ukrainian-Russian composer) (in 1984)
part of:
Eight Concert Études, op. 40
Nikolai Kapustin2:27
19Violinkonzert a‐Moll: 1. Moderato
solo violin:
Julia Fischer (violinist / pianist)
orchestra:
Российский национальный оркестр (Russian National Orchestra)
partial recording of:
Violin concerto in A minor, op. 82: 1. Moderato - Andante
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
part of:
Violin Concerto in A minor, op. 82
Alexander Glazunov2:36
20Sinfonische Metamorphosen über Themen von Carl Maria von Weber: 1. Moderato
orchestra:
Los Angeles Philharmonic
conductor:
Esa‐Pekka Salonen (conductor and composer)
partial recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-01-20)
Paul Hindemith2:28
21Estudio de concierto
audio engineer:
Werner Dabringhaus (producer and co-founder of MDG)
classical guitar [Gerhard Schnabl, Bräuningshof 1999, No. 610, Decke: Haselfichte, Boden und Zargen: Ahorn]:
Frank Bungarten
recorded at:
Schloss Nordkirchen in Nordkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2003-04-11 until 2003-04-13)
recording of:
Estudio de concierto
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré2:18
22Suite populaire espagnole: Nr. 1. El paño moruno
luthéal:
Sebastian Knauer (pianist)
violin:
Daniel Hope (violinist)
recording of:
Suite populaire espagnole: I. El paño moruno (for violin and piano, arr. Kochanski)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arranger:
Paweł Kochański (violinist)
arrangement of:
Siete canciones populares españolas, G. 40, nº 1: El paño moruno
part of:
Suite populaire espagnole (for violin and piano, arr. Kochanski)
Manuel de Falla2:05
23Il barbiere di Siviglia: Finaletto “Di sì felice innesto”
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:23

Credits

Release

part of:Best of Klassik (Sony Classical) (order: 1)
Discogs:https://www.discogs.com/release/20236147 [info]