Top 40: Movies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

LC 13222

Annotazione modificata l'ultima volta il 2025-03-30 01:38 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Bye Bye Baby
tecnico:
Barry Hammond e Peter Tattersall
produttore:
Phil Wainman
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974)
registrazione cover di:
Bye, Bye, Baby (Baby Goodbye) (nel 1974)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
registrazione di:
Bye, Bye, Baby (Baby Goodbye)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
Bay City Rollers4.52:51
29 to 5
produttore:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
batteria :
Richard Schlosser (drummer) (nel 1980)
chitarra :
Jeff Baxter (nel 1980) e Martin K. Walsh (nel 1980)
chitarra basso :
Abraham Laboriel (nel 1980)
percussione :
Leonard Castro (nel 1980)
pianoforte :
Larry Knechtel (nel 1980)
sassofono :
Tom Saviano (nel 1980)
sassofono baritono :
Kim S. Hutchcroft (nel 1980)
tromba :
Jerry Hey (nel 1980)
trombone :
William Reichenbach (jazz trombonist) (nel 1980)
voce:
Dolly Parton (nel 1980)
voce di accompagnamento:
Anita Ball (nel 1980), Denise Maynelli (nel 1980) e Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (nel 1980)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 191)
registrazione di:
9 to 5 (nel 1980)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton3.552:46
3Love Grows (Where My Rosemary Goes)
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:50
4You Make Me Feel Like Dancing
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:38
5I Want Candy
produttore:
Kenny Laguna
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 8) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 86)
registrazione cover di:
I Want Candy (nel 1982)
autore:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
Bow Wow Wow42:45
6Band of Gold
diritti fonografici (℗) detenuti da:
Holland Group Productions Inc. (nel 1970)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 278) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 391)
registrazione di:
Band of Gold (Freda Payne song)
autore:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) e Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
7I’m Kissing You
registrazione di:
Kissing You
autore:
Tim Atack (twin brother of Keith Atack) e Des’ree
parte di:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.64:53
8When the Going Gets Tough, the Tough Get Going
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986)
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3:00
9Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:12
10Didn’t I (Blow Your Mind This Time)
voce:
The Delfonics (nel 1969-11)
orchestra:
The Thom Bell Orchestra (nel 1969-11)
mixata presso:
Longwear Plating in Long Island, New York, Stati Uniti (nel 1969-11)
registrazione di:
Didn’t I (Blow Your Mind This Time) (nel 1969-11)
autore:
Thom Bell (keyboards, songwriter, producer) (nel 1969) e William Hart (of The Delfonics) (nel 1969)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
11Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:23
12Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.44:29
13Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:48
14Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:14
15Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:05
16Shy Guy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1994)
registrazione di:
Shy Guy
autore:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) e Andy Marvel
editore:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music e World of Andy Music
Diana King2.253:42
17Waterfalls
registrazione di:
Waterfalls
autore:
Marqueze Ethridge, Lisa “Left Eye” Lopes e Organized Noize (Atlanta hip-hop production group)
editore:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
TLC3:27
18From the Heart
Another Level4:54
19Larger Than Life
tecnico di registrazione e tecnico di missaggio:
Kristian Lundin
produttore:
Kristian Lundin (nel 1999)
chitarra :
Esbjörn Öhrwall
voce:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) e Kevin Richardson (from the Backstreet Boys)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1999) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2025)
è stato produttore per:
Cheiron Productions (nel 1999)
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Larger Than Life
autore:
Brian Littrell (from the Backstreet Boys), Kristian Lundin e Max Martin (Swedish record producer)
editore:
B‐ROK Publishing, Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Universal Music–Z Tunes LLC, Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.53:54
20Butterfly
produttore:
Josh Abraham, Bret "Epic" Mazur e Brian Virtue
tecnico di missaggio:
Josh Abraham
campionamenti:
Pretty Little Ditty di Red Hot Chili Peppers
video musicali:
Butterfly di Crazy Town
registrazione di:
Butterfly
autore:
Bret Mazur, Flea (US bassist), John Frusciante, Anthony Kiedis, Seth Binzer e Chad Smith (drummer from Red Hot Chili Peppers)
Crazy Town4.13:37
2▼CD
#TitoloArtistaValutazioneDurata
1Female of the Species
tecnico e tecnico di missaggio:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
produttore:
Stephen Lironi
basso senza tasti e voce principale:
Tommy Scott (Frontman of UK band Space)
percussione :
Gerard Lynch
pianoforte [classical piano] :
Stephen Lironi
diritti fonografici (℗) detenuti da:
Gut Records (nel 1996) e Gut Records Ltd. (company credits only; do NOT use as release label) (nel 1996)
video musicali:
Female of the Species di Space (alternative dance/indie rock band)
registrazione di:
Female of the Species
autore:
Tommy Scott (Frontman of UK band Space) e Space (alternative dance/indie rock band)
editore:
EMI Music Publishing (do not use as a release label!), Gut Music e Hit and Run Music
Space33:18
2Trash
produttore:
Ed Buller
tecnico di missaggio:
David Bascombe e Ed Buller
diritti fonografici (℗) detenuti da:
Suede ltd. (nel 1996)
parte di:
Anti-Hit List: August 27, 1996 (numero: 10)
registrazione di:
Trash
autore:
Brett Anderson (Suede) e Richard Oakes
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (conclusa), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.) (conclusa), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Universal Music Publishing France (not for release label use!) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Suede3.354:07
3Ballrooms of Mars
registrazione dal vivo di:
Ballrooms of Mars
compositore:
Marc Bolan
T. Rex4:10
4Turn! Turn! Turn! (To Everything There Is a Season)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds3:51
5Pretty in Pink
registrazione di:
Pretty in Pink
autore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn e Roger Morris (UK guitarist for The Psychedelic Furs)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30) e EMI Songs Ltd.
The Psychedelic Furs4:12
6Hey Soul Sister
tecnico di registrazione:
Amund Bjørklund, Bryan Cook (US engineer), Dyre Gormsen, Espen Lind e Ross Peterson (studio professional)
assistente tecnico:
Ian Hill (UK bassist for Judas Priest)
produttore:
Espionage (NY-based Norwegian songwriting/production team) e Martin Terefe
produttore aggiunto:
Gregg Wattenberg
chitarra basso aggiunto:
Martin Terefe
organo Hammond aggiunto:
Jerry Becker
tastiera aggiunto:
Claes Björklund
tastiera e ukulele aggiunto:
Espen Lind
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 3) e Billboard Year-End Hot 100 singles of 2010 (numero: 3)
registrazione di:
Hey, Soul Sister
autore:
Amund Bjørklund, Espen Lind e Pat Monahan
Train4.153:38
7Wherever You Will Go
assistente tecnico di registrazione:
Tiago Becker e Valente Torres
tecnico di registrazione:
Marc Greene (engineer) e David Thoener
produttore:
Marc Tanner
tecnico di missaggio:
Chris Lord‐Alge
basso :
Bob Glaub
batteria :
Matt Laug
campionatore [loops] , chitarra , mandolino e sitar :
Aaron Kamin
percussione :
Aaron Kamin, Matt Laug e Satnam Ramgotra
sintetizzatore [synth strings] :
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
tabla :
Satnam Ramgotra
tastiera aggiunto:
Paul Mirkovich
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 2001) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Image Recording in Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 5)
registrazione di:
Wherever You Will Go
autore:
Alex Band (singer‐songwriter and frontman of The Calling) e Aaron Kamin
editore:
Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Careers e Universal Music Publishing MGB Ltd.
The Calling3.953:26
8Truly Madly Deeply
registrazione di:
Truly Madly Deeply
editore:
Savage Garden
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Publishing
Savage Garden4:13
9You & Me Song
tecnico di registrazione:
David Möllerstedt (founder of Teenage Engineering) e Nille Perned
produttore e tecnico di missaggio:
Nille Perned
diritti fonografici (℗) detenuti da:
MNW Records Group (nel 1994) e Indolent Records Ltd. (nel 1995)
registrata presso:
MNW Studio in Vaxholm municipality, Stockholms län (Stockholm county), Svezia e Music-A-Matic in Gothenburg, Västra Götaland (Västra Götaland county), Svezia
mixata presso:
Sveriges Radio Studio 2 (Gävle) in Gävle, Gävleborg (Gävleborg county) (storica), Svezia
registrazione di:
You and Me Song
autore:
Christina Bergmark, Gunnar Karlsson (The Wannadies), Fredrik Schönfeldt, Stefan Schönfeldt e Pär Wiksten
The Wannadies4.352:51
10Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:41
11All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:30
12Over Under Sideways Down
registrazione di:
Over Under Sideways Down
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf e Paul Samwell-Smith
editore:
Glenwood Music Corp. e Henrees Music co.
The Yardbirds2:24
13You Spin Me Round (Like a Record)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive3:02
14Hit Me With Your Rhythm Stick
produttore:
Laurie Latham
basso elettrico :
Norman Watt-Roy (nel 1978)
batteria :
Charley Charles (UK drummer) (nel 1978)
chitarra :
John Turnbull (nel 1978)
organo Hammond :
Mick Gallagher (UK hammond organ player) (nel 1978)
pianoforte :
Chaz Jankel (English musician and songwriter) (nel 1978)
sassofono :
Davey Payne (UK saxophonist) (nel 1978)
voce principale:
Ian Dury (nel 1978)
diritti fonografici (℗) detenuti da:
Templemill Music Ltd (nel 1979)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1978)
registrazione di:
Hit Me With Your Rhythm Stick (nel 1978)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:44
15Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.44:07
16Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.153:54
17Time After Time
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper3:53
18Can’t Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:13
19The Way You Look Tonight
produttore:
Danny Bennett
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1998)
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Tony Bennett3:25
20Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:49

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ASIN:UK: B00LJWCFCE [info]