Six Classic Albums, Volume 3

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

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1▼CD: Lullabies of Birdland / Ella and Louis
#TitleRatingLength
1Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-06-04)
double bass:
Sandy Block (Jazz bassist, band leader) (on 1954-06-04)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1954-06-04)
guitar:
Everett Barksdale (on 1954-06-04)
piano:
Hank Jones (piano) (on 1954-06-04)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-06-04, in 1956)
orchestra:
Sy Oliver and His Orchestra (on 1954-06-04)
conductor:
Sy Oliver (on 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-06-04)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
42:49
2Rough Ridin’
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
The Ray Brown Trio (in 1952)
recording of:
Rough Ridin' (in 1956)
writer:
Ella Fitzgerald (American jazz singer), Hank Jones (piano) and William J. Tennyson, Jr.
33:12
3Angel Eyes
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Angel Eyes (1946 jazz standard) (in 1956)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
52:52
4Smooth Sailing
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1973-07-05)
live recording of:
Smooth Sailing (Instrumental) (on 1973-07-05)
composer:
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
live instrumental cover recording of:
Smooth Sailing (Instrumental)
composer:
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
43:04
5Oh, Lady Be Good
recorded in:
New York, New York, United States (on 1947-03-19)
baritone saxophone:
Ernie Caceres (on 1947-03-19)
double bass [string bass]:
Bob Haggart (on 1947-03-19)
drums (drum set):
Morey Feld (on 1947-03-19)
guitar:
Danny Perri (on 1947-03-19)
piano:
Stan Freeman (on 1947-03-19)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1947-03-19), Fred Ohms (American jazz trombonist) (on 1947-03-19) and Jack Satterfield (on 1947-03-19)
trumpet:
Andy Ferretti (on 1947-03-19), Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1947-03-19) and Bob Peck (on 1947-03-19)
vocals:
The Andy Love Quintet (on 1947-03-19) and Ella Fitzgerald (American jazz singer) (on 1947-03-19)
orchestra:
Bob Haggart and His Orchestra (on 1947-03-19)
cover recording of:
Oh, Lady Be Good! (on 1947-03-19)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
53:06
6Later
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
recording of:
Later
lyricist and composer:
Sil Austin (saxophonist), Tiny Bradshaw and Henry Glover
42:30
7Ella Hums the Blues
bass:
Joe Mondragon (in 1955)
drums (drum set):
Larry Bunker (in 1955)
piano:
Don Abney (US jazz pianist) (in 1955)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
recording of:
Ella Hums the Blues
composer:
Ella Fitzgerald (American jazz singer)
45:11
8How High the Moon
bass:
Ray Brown (jazz bassist) (in 1947)
trumpet:
Idrees Sulieman (in 1947)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
cover recording of:
How High the Moon (in 1947)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:13
9Basin Street Blues
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Basin Street Blues (in 1956)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
53:06
10Air Mail Special
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Rudy Taylor (vocalist and songwriter)
electronic organ:
Bill Doggett
glockenspiel [bells]:
Dick Jacobs (arranger, musician and bandleader)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
The Ray Brown Trio (in 1952)
cover recording of:
Good Enough to Keep (Air Mail Special) (in 1956)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
43:00
11Flying Home
recorded in:
New York, New York, United States (on 1945-10-04)
double bass:
Felix Globbe (American jazz (and classical) bassist.) (on 1945-10-04)
drums (drum set):
Irv Kluger (on 1945-10-04)
guitar:
Hy White (on 1945-10-04)
piano:
Moe Wechsler (on 1945-10-04)
saxophone:
Sid Cooper (flute & clarinet player) (on 1945-10-04) and Harry Feldman (on 1945-10-04)
trombone:
William Pritchard (on 1945-10-04)
trumpet:
Chuck Genduso (trumpeter) (on 1945-10-04)
vocals:
Ella Fitzgerald (American jazz singer) (in 1945, on 1945-10-04)
orchestra:
Vic Schoen and His Orchestra (in 1945)
cover recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (on 1945-10-04)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
cover recording of:
Flying Home (instrumental version) (in 1945)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
42:27
12Can’t We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
43:46
13Isn’t This a Lovely Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3.656:15
14Moonlight in Vermont
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:42
15They Can’t Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4.654:39
16Under a Blanket of Blue
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Under a Blanket of Blue (on 1956-08-16)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
44:18
17Tenderly
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
45:07
18A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
44:33
19Stars Fell on Alabama
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Stars Fell on Alabama (on 1956-08-16)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
43:32
20Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
4.155:53
2▼CD: Ella and Louis / Ella and Louis Again
#TitleRatingLength
1The Nearness of You
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
The Nearness of You (on 1956-08-16)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
45:41
2April in Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4.656:31
3Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
4:59
4Makin’ Whoopee
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:56
5They All Laughed
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
They All Laughed (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:49
6Comes Love
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Comes Love (on 1957-07-23)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
2:26
7Autumn in New York
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Autumn in New York (1934) (on 1957-07-23)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
6:00
8Let’s Do It, Let’s Fall in Love
engineer:
Val Valentin (on 1957-10-14)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1957-10-14)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
8:42
9Stompin’ at the Savoy
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Stompin’ at the Savoy (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3.655:13
10I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1957-08-13)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
34:47
11Gee Baby, Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:11
12Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (in 1957, on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald (American jazz singer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
3.654:13
13These Foolish Things
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
These Foolish Things (Remind Me of You) (on 1957-07-23)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
7:39
14I’ve Got My Love to Keep Me Warm
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957, on 1957-08-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:11
15Willow Weep for Me
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
44:18
3▼CD: Ella and Louis Again / At the Opera House / Ella Fitzgerald at Newport
#TitleRatingLength
1I’m Putting All My Eggs in One Basket
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (American jazz singer) (in 1957)
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (in 1957)
lyricist and composer:
Irving Berlin (in 1936)
3:27
2A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
43:53
3Ill Wind
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Ill Wind (on 1957-07-23)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:44
4Love Is Here to Stay
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Love Is Here to Stay (on 1957-07-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
33:59
5I Get a Kick Out of You
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:18
6Learnin’ the Blues
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Learnin’ the Blues (on 1957-07-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
7:15
7Its All Right With Me
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
recording of:
It’s All Right with Me (Can‐Can musical) (in 1958)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:45
8Don’cha Go ‘way Mad
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
live cover recording of:
Don’cha Go ’Way Mad (in 1958)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp. and Rytvoc, Inc. (ASCAP)
version of:
Black Velvet
2:32
9Bewitched, Bothered and Bewildered
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1958)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
3:22
10These Foolish Things
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
These Foolish Things (Remind Me of You) (in 1958)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:49
11Ill Wind
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
Ill Wind (in 1958)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
2:54
12Goody Goody
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
Goody Goody (in 1958)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:55
13Moonlight in Vermont
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
Moonlight in Vermont (in 1958)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:14
14Stompin’ at the Savoy
alto saxophone [alto sax]:
Sonny Stitt (in 1958)
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Connie Kay (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
tenor saxophone [tenor sax]:
Stan Getz (in 1958), Coleman Hawkins (in 1958), Illinois Jacquet (in 1958), Flip Phillips (in 1958) and Lester Young (saxophonist) (in 1958)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (in 1958)
trumpet:
Roy Eldridge (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
recording of:
Stompin’ at the Savoy (in 1958)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
7:15
15Oh, Lady Be Good
alto saxophone [alto sax]:
Sonny Stitt (in 1958)
bass:
Ray Brown (jazz bassist) (in 1958)
drums (drum set):
Connie Kay (in 1958)
guitar:
Herb Ellis (jazz guitarist) (in 1958)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958)
tenor saxophone [tenor sax]:
Stan Getz (in 1958), Coleman Hawkins (in 1958), Illinois Jacquet (in 1958), Flip Phillips (in 1958) and Lester Young (saxophonist) (in 1958)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (in 1958)
trumpet:
Roy Eldridge (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
Oh, Lady Be Good! (in 1958)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
4:24
16This Can’t Be Love
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04)
piano:
Don Abney (US jazz pianist) (on 1957-07-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
This Can’t Be Love (on 1957-07-04)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
1:45
17I Got It Bad (and That Ain’t Good)
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04)
piano:
Don Abney (US jazz pianist) (on 1957-07-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
I Got It Bad (and That Ain’t Good) (on 1957-07-04)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
4:27
18Body and Soul
double bass:
Wendell Marshall (in 1958)
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04, in 1958)
piano:
Don Abney (US jazz pianist) (on 1957-07-04, in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04, in 1958)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
Body and Soul (on 1957-07-04)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:28
4▼CD: Ella Fitzgerald at Newport / Ella in Hollywood
#TitleRatingLength
1April in Paris
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04)
piano:
Don Abney (US jazz pianist) (on 1957-07-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
April in Paris (on 1957-07-04)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4:02
2I’ve Got a Crush on You
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04)
piano:
Don Abney (US jazz pianist) (on 1957-07-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
I’ve Got a Crush on You (on 1957-07-04)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:27
3Air Mail Special
double bass [bass]:
Wendell Marshall (on 1957-07-04)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-04)
piano:
Don Abney (US jazz pianist) (on 1957-07-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-07-04)
recorded at:
Ella Fitzgerald at Newport Jazz Festival 1957 (1957-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-04)
live cover recording of:
Good Enough to Keep (Air Mail Special) (on 1957-07-04)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
cover recording of:
Good Enough to Keep (Air Mail Special)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
4:34
4I Can’t Give You Anything but Love
double bass:
Wendell Marshall (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
piano:
Don Abney (US jazz pianist) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
cover recording of:
I Can’t Give You Anything but Love, Baby (in 1958)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
5:09
5This Could Be the Start of Something Big
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
This Could Be the Start of Something Big (in 1961)
lyricist:
Steve Allen (US actor, musician & comedian)
composer:
Steve Allen (US actor, musician & comedian) (in 1956)
publisher:
Meadowlane Music, Inc.
2:33
6I’ve Got the World on a String
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
I’ve Got the World on a String (in 1961)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:45
7You’re Driving Me Crazy
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
You’re Driving Me Crazy (in 1961)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:27
8Just in Time
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
live cover recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
1:59
9It Might as Well Be Spring
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
live cover recording of:
It Might as Well Be Spring (State Fair) (in 1961)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:08
10Take the ‘A’ Train
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1961)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
8:58
11Stairway to the Stars
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
Stairway to the Stars (in 1961)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:55
12(If You Can’t Sing It) You’ll Have to Swing It (Mr Paganini)
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
live cover recording of:
If You Can’t Sing It (You’ll Have to Swing It) (on 1961-05-12)
lyricist and composer:
Sam Coslow
4:05
13Satin Doll
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
Satin Doll (in 1961)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
2:53
14Blue Moon
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
cover recording of:
Blue Moon (in 1961)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:22
15Baby, Won’t You Please Come Home
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
live cover recording of:
Baby Won’t You Please Come Home (in 1961)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:43
16Air Mail Special
bass:
Wilfred Middlebrooks (jazz bassist) (in 1961)
drums (drum set):
Gus Johnson (drums) (in 1961)
guitar:
Herb Ellis (jazz guitarist) (in 1961)
piano:
Lou Levy (in 1961)
vocals:
Ella Fitzgerald (American jazz singer) (in 1961)
recording of:
Good Enough to Keep (Air Mail Special) (in 1961)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
5:22

Credits

Release group

includes:At Newport by Ella Fitzgerald (American jazz singer) & Billie Holiday
Ella and Louis (1956 studio album) by Ella Fitzgerald (American jazz singer) & Louis Armstrong
Ella and Louis Again by Ella Fitzgerald (American jazz singer) & Louis Armstrong
Ella Fitzgerald at the Opera House
Ella in Hollywood
Lullabies of Birdland
part of:… Classic Albums (Real Gone Jazz) (order: 50)