Show Time / Day in Hollywood

~ Pubblicazione di Doris Day (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloValutazioneDurata
1Show Time - Part 1
3:11
2I Got Sun In The Morning
registrazione di:
I Got the Sun in the Morning (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
parte di:
Annie Get Your Gun
3:54
3Ohio
voce:
Doris Day
direttore d'orchestra:
Axel Stordahl
registrazione cover di:
Wonderful Town: Act I. Ohio
paroliere:
Betty Comden (nel 1953) e Adolph Green (nel 1953)
compositore:
Leonard Bernstein (American conductor, composer, pianist)
parte di:
Wonderful Town
3:08
4I Love Paris
registrazione di:
I Love Paris (Can-Can [Pistache, Company])
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
3:14
5When I'm Not Near The Boy I Love
2:40
6People Will Say We're In Love
2:57
7I've Grown Accustomed To His Face
registrazione di:
I’ve Grown Accustomed to Her Face (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
3:17
8The Surrey With The Fringe On Top
2:48
9They Say It's Wonderful
registrazione di:
They Say It’s Wonderful (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music Co. e Irving Berlin Music Corp.
parte di:
Annie Get Your Gun
3:02
10A Wonderful Guy
2:17
11On The Street Where You Live
registrazione di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
3:01
12The Sound Of Music / Show Time - Part 2
3:28
13Tea For Two
registrazione di:
Tea for Two (No, No, Nanette)
paroliere:
Irving Caesar
compositore:
Vincent Youmans
editore:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1924-06-10)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
No, No, Nanette
3:13
14Lullaby Of Broadway
registrazione di:
Lullaby of Broadway (from “Gold Diggers of 1935”)
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist) (nel 1935)
editore:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 winner)
parte di:
42nd Street (full musical)
2:30
15Cuddle Up A Little Closer
registrazione di:
Cuddle Up a Little Closer
paroliere:
Otto Harbach
compositore:
Karl Hoschna
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:54
16I May Be Wrong (But I Think You're Wonderful)
3:04
17Makin' Whoopee!
registrazione di:
Makin’ Whoopee!
paroliere:
Gus Kahn
compositore:
Walter Donaldson
traduttore:
Harrie Geelen
editore:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. e WB Music Corp. (1929–2019)
2:30
18Be My Little Baby Bumble Bee
2:07
19Secret Love
voce:
Doris Day (il 1953-08-05)
orchestra:
The Warner Bros. Studio Orchestra (il 1953-08-05)
direttore d'orchestra:
Ray Heindorf (il 1953-08-05)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1953)
registrata presso:
Warner Bros. Studios (Burbank, CA) in Burbank, California, Stati Uniti (il 1953-08-05)
registrazione di:
Secret Love (song from “Calamity Jane”) (il 1953-08-05)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America e Warner Chappell North America Ltd.
sub-editore:
Universal/MCA Music Ltd. (not for release label use!) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
The 26th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1953 winner)
parte di:
Calamity Jane (stage musical)
33:42
20Till We Meet Again
registrazione di:
Till We Meet Again (1918 song)
paroliere:
Raymond B. Egan (nel 1918)
compositore:
Richard A. Whiting (composer) (nel 1918)
parte di:
For Me and My Gal (1942 movie)
2:39
21Ain't We Got Fun?
2:26
22Just One Of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
2:19
23It Had To Be You
registrazione di:
It Had to Be You (il 1951-11-09)
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
2:42
24Love Me Or Leave Me
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
2:17

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