Straight From the Heart: Timeless Music From the ’60s & ’70s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Tie a Yellow Ribbon Round the Old Oak Tree
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. and peermusic (“Peermusic—the global independent”)
Tony Orlando & Dawn53:27
2Love Will Keep Us Together
recording engineer and mixer:
Dennis Dragon
associate producer:
Toni Tennille
producer:
The Captain
celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
The Captain
congas, drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
violin:
Kenneth Yerke
background vocals:
Melissa Tennille and Toni Tennille
strings arranger:
Kenneth Yerke
arranger:
The Captain
phonographic copyright (℗) by:
A&M Records (in 1975), A&M Records, Inc. (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 337)
cover recording of:
Love Will Keep Us Together
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
3Before the Next Teardrop Falls
cover recording of:
Before the Next Teardrop Falls
writer:
Vivian Keith and Ben Peters (country music songwriter)
publisher:
Shelby Singleton Music Inc.
Freddy Fender2:36
4I Honestly Love You
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
phonographic copyright (℗) by:
Festival Records International Ltd. (company; do NOT use as release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Honestly Love You (in 1974)
lyricist:
Jeff Barry
composer:
Peter Allen (Australian singer‐songwriter)
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
publisher:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:38
5Sarah Smile
producer:
Chris Bond (producer, active circa 1970s) and Daryl Hall & John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
lyricist:
Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Unichappell Music, Inc.
Hall & Oates4.253:09
6Baby Come Back
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
writer:
Peter Beckett (lead singer of Player) and John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player53:36
7So Into You
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
writer:
Buddy Buie, Dean Daughtry and Robert Nix
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:23
8An Old Fashioned Love Song
recording of:
An Old Fashioned Love Song (1971 song)
lyricist and composer:
Paul Williams (US songwriter/soft rock vocalist)
publisher:
Campbell Connelly & Co. Ltd., Rondor Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Three Dog Night53:47
9The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
background vocals:
Graham (in 1976)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc4.553:32
10Can’t Take My Eyes Off You
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 151)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Valli3.753:23
11Cherish
recording of:
Cherish
lyricist and composer:
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Association3:28
12The Morning After
engineer:
Arnie Rosenberg
producer:
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music and Twentieth Century Music Corp.
part of:
The 45th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1972 winner)
Maureen McGovern52:21
13Sharing the Night Together
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
cover recording of:
Sharing the Night Together
writer:
Ava Aldridge and Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. and Leosong (publisher)
recording of:
Sharing the Night Together
writer:
Ava Aldridge and Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. and Leosong (publisher)
Dr. Hook2:54
14She’s a Lady
phonographic copyright (℗) by:
Decca Records Co. Ltd. (Decca Records) (in 1971) and Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones3.92:52
15Jackie Blue
recording of:
Jackie Blue
writer and composer:
Steve Cash and Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils4:11
16Traces
Classics IV2:47
17Sad Eyes
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
Sad Eyes
lyricist and composer:
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
18You Are So Beautiful
assistant engineer:
David Gallo (engineer) and David Roberts (engineer)
engineer:
Guy Charbonneau
producer:
Michael Lang (Producer)
mixer:
Chris Lord‐Alge
bass:
Dave McDaniel (bass)
piano:
Nicky Hopkins (pianist and organist)
lead vocals:
Joe Cocker
performer:
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographic copyright (℗) by:
A&M Records (in 1973)
recorded at:
Memorial Auditorium in Lowell, Massachusetts, United States (on 1989-10-05)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:44
19Theme From Love Story
Henry Mancini2:52
20All by Myself
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
edit of:
All by Myself by Eric Carmen
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:31
2CD
#TitleArtistRatingLength
1Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:21
2Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:19
3Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:16
4Easy to Be Hard
recording of:
Easy to Be Hard
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Three Dog Night4.653:13
5You Light Up My Life
producer:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 3) and Billboard: Greatest of All Time Hot 100 Songs (number: 12)
recording of:
You Light Up My Life
lyricist and composer:
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 電通ミュージック・アンド・エンタテインメント PR第3事業部
part of:
The 50th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1977 winner)
Debby Boone53:39
6The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (on 1973-02-09)
producer:
Billy Sherrill (US songwriter/producer/arranger)
background vocals:
The Nashville Edition (on 1973-02-09)
lead vocals:
Charlie Rich (US country singer) (on 1973-02-09)
vocals:
Charlie Rich (US country singer) (on 1973-02-09)
strings arranger:
Bill McElhiney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1973-02-09)
cover recording of:
The Most Beautiful Girl (on 1973-02-09)
writer:
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) and Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Gallico Music Ltd.
version of:
Hey Mister
Charlie Rich4.352:44
7Baby Don’t Get Hooked on Me
Mac Davis3:06
8Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
Lynn Anderson4.152:50
9Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:07
10I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:38
11At Seventeen
engineer:
Larry Alexander (producer/engineer), Brooks Arthur and Russ Payne
producer:
Brooks Arthur
acoustic guitar:
Al Gorgoni (guitarist, composer, arranger, and producer), Janis Ian and Dave Snider (guitarist)
classical guitar:
Sal DiTroia and Janis Ian
double bass:
Richard Davis (American jazz bassist)
drums (drum set) and percussion:
Barry Lazarowitz
flugelhorn:
Burt Collins
valve trombone:
Alan Raph
lead vocals:
Janis Ian
horn arranger:
Janis Ian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
At Seventeen
lyricist and composer:
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. and Mine Music Ltd.
Janis Ian4.254:43
12Feelings
Morris Albert3:45
13(Last Night) I Didn’t Get to Sleep at All
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
(Last Night) I Didn’t Get to Sleep at All
lyricist and composer:
Tony Macaulay
publisher:
PolyGram Music Publishing
The 5th Dimension33:11
14Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
15You and Me Against the World
Helen Reddy3:12
16Through the Years
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
recording of:
Through the Years
writer:
Steve Dorff (composer) and Marty Panzer (songwriter)
publisher:
SwaneeBravo! Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers34:23
17The Look of Love
Dusty Springfield3:36
18Miracles
recording engineer:
Jeffrey Husband and Steve Mantoani
engineer:
Larry Cox (US engineer/producer)
producer:
Larry Cox (US engineer/producer) and Jefferson Starship
phonographic copyright (℗) by:
BMG Entertainment (in 1975)
recorded at and mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Miracles (Jefferson Starship song)
lyricist and composer:
Marty Balin
Jefferson Starship46:54
19You’ve Made Me So Very Happy
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius (from 1968-10-07 until 1968-10-22)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
drums (drum set) and percussion:
Bobby Colomby (from 1968-10-07 until 1968-10-22)
flugelhorn and trumpet:
Lew Soloff (from 1968-10-07 until 1968-10-22) and Chuck Winfield (from 1968-10-07 until 1968-10-22)
flute, organ, piano and trombone:
Dick Halligan (from 1968-10-07 until 1968-10-22)
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
recorder and trombone:
Jerry Hyman (trombone player) (from 1968-10-07 until 1968-10-22)
lead vocals:
David Clayton‐Thomas (from 1968-10-07 until 1968-10-22)
vocals:
Bobby Colomby (from 1968-10-07 until 1968-10-22), Dick Halligan (from 1968-10-07 until 1968-10-22) and Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
arranger:
Blood, Sweat & Tears, Al Kooper and Fred Lipsius
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1968-10-07 until 1968-10-22)
cover recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:18
20He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:14
3CD
#TitleArtistRatingLength
1Worst That Could Happen
The Brooklyn Bridge3:08
2Raindrops Keep Falling on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas3:02
3The Fool on the Hill
Sérgio Mendes3:14
4Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:38
5This Girl Is a Woman Now
Gary Puckett & the Union Gap3:09
6More Today Than Yesterday
producer:
Sonny Knight (Columbia Records West Coast A&R rep)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 431)
recording of:
More Today Than Yesterday
lyricist and composer:
Pat Upton
publisher:
Regent Music Corporation (BMI)
Spiral Starecase2:57
7When Will I Be Loved?
cover recording of:
When Will I Be Loved?
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt2:08
8Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:37
9Times of Your Life
Paul Anka3:17
10On and On
sound engineer:
Henry Lewy
assistant engineer:
Leslie Jones (recording engineer) and Helen Silvani
producer:
Stephen Bishop (American singer-songwriter) and Henry Lewy
acoustic guitar, background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
bass guitar:
Mac Cridlin (bass)
drums (drum set):
Larry Brown (US producer, engineer, drummer and percussionist)
electric guitar:
Andrew Gold
electric piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
marimba, percussion and vibraphone:
Victor Feldman (jazz musician)
steel guitar:
Michael Staton
phonographic copyright (℗) by:
ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
On and On
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:04
11Precious and Few
Climax2:45
12What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:07
13After the Lovin’
cover recording of:
After the Lovin’
lyricist:
Alan Bernstein
composer:
Ritchie Adams
Engelbert Humperdinck3.53:58
14You’re Only Lonely
recording engineer:
Lee Herschberg
additional engineer:
Loyd Clifft
producer:
J.D. Souther
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Danny Kortchmar (Danny Kootch), J.D. Souther and Waddy Wachtel
lead vocals:
J.D. Souther
performer:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
You’re Only Lonely
lyricist and composer:
J.D. Souther
publisher:
EMI Blackwood Music Inc. and Ice Age Music
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
J.D. Souther53:46
15When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player) (in 1976)
drums (drum set):
Jeff Porcaro (in 1976)
electric piano:
Michael Omartian (in 1976)
guitar:
Dean Parks (American session guitarist) (in 1976)
saxophone:
George Palisky, Jr. (in 1976)
synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
lyricist:
Carole Bayer Sager
composer:
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) and Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:10
16We Just Disagree
assistant engineer:
Michael Beiriger and Rick Smith (engineer)
producer:
Ron Nevison
bass guitar [bass]:
Gerald Johnson
drums (drum set):
Rick Jaeger (drummer)
keyboard:
Mike Finnigan (keyboardist)
percussion:
Bobbye Hall
vocals:
Mike Finnigan (keyboardist)
strings arranger:
Alan MacMillan
arranger:
Dave Mason (co‐founder of Traffic)
concertmaster:
James Getzoff (American concertmaster and violinist)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
produced for:
Gadget Productions Inc.
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
We Just Disagree
lyricist and composer:
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:03
17Lowdown
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Minimoog and synthesizer:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
background vocals:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) and Carolyn Willis (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 4)
recording of:
Lowdown (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs45:17
18Always on My Mind
producer:
Chips Moman
bass:
Mike Leech (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Willie Nelson4.73:33
19Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
Chicago23:02
20I’ll Never Love This Way Again
assistant engineer:
Peter Darmi
engineer:
Michael DeLugg
producer:
Barry Manilow
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Rick Schlosser (drummer)
guitar:
Mitch Holder (guitarist)
keyboard:
Bill Mays
percussion:
Alan Estes
piano:
Barry Manilow
background vocals:
Ron Dante and Barry Manilow
lead vocals:
Dionne Warwick
arranger:
Barry Manilow
orchestrator:
Artie Butler
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
recorded at:
United Western Studios in Hollywood, Los Angeles, California, United States
cover recording of:
I’ll Never Love This Way Again
lyricist:
Will Jennings
composer:
Richard Kerr
publisher:
Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick2.53:27

Credits

Release

ASIN:US: B0002IQF0E [info]