Eight Classic Albums

~ Veröffentlichung von Stan Getz (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Thou Swell
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live instrumental recording of:
Thou Swell (am 1951-10-28)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
4:26
2The Song Is You
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live instrumental recording of:
The Song Is You (am 1951-10-28)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
7:11
3Mosquito Knees
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Mosquito Knees (am 1951-10-28)
Komponist(in):
Gigi Gryce
5:24
4Pennies from Heaven
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live instrumental recording of:
Pennies From Heaven (am 1951-10-28)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
5:09
5Move
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Move (am 1951-10-28)
Komponist(in):
Denzil Best
6:05
6Parker
6:09
7Hershey Bar
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Hershey Bar (am 1951-10-28)
Komponist(in):
Johnny Mandel (American composer and arranger)
3:33
8Rubberneck
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Rubberneck (am 1951-10-28)
Komponist(in):
Frank Rosolino
4:28
9Signal
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Signal (am 1951-10-28)
Komponist(in):
Jimmy Raney
5:54
10Everything Happens to Me
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live instrumental recording of:
Everything Happens to Me (am 1951-10-28)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:23
11Yesterdays
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live instrumental recording of:
Yesterdays (am 1951-10-28)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:01
12Budo
Gitarre:
Jimmy Raney (am 1951-10-28)
Klavier:
Al Haig (am 1951-10-28)
Kontrabass:
Teddy Kotick (am 1951-10-28)
Schlagzeug:
Tiny Kahn (am 1951-10-28)
Tenorsaxophon:
Stan Getz (am 1951-10-28)
aufgenommen bei:
Storyville (Hotel Buckminster, 1951-1953) in Boston, Massachusetts, Vereinigte Staaten (am 1951-10-28)
live recording of:
Budo (am 1951-10-28)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bud Powell
basiert auf:
Hallucinations
5:11
2▼CD
Nr.TitelBewertungLänge
1Yvette
2:58
2Potters Luck
2:42
3Wild Wood
3:06
4Penny
2:51
5Autumn Leaves
3:01
6Lullaby of Birdland
2:26
7These Foolish Things
3:02
8Melody Express
2:48
9Bebop
alto saxophone:
Sonny Stitt (am 1956-10-16)
Bass:
Ray Brown (jazz bassist) (am 1956-10-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-10-16)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1956-10-16)
Schlagzeug:
Stan Levey (am 1956-10-16)
Tenorsaxophon:
Stan Getz (am 1956-10-16)
Trompete:
Dizzy Gillespie (am 1956-10-16)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-16)
recording of:
Be-Bop
Komponist(in):
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
12:48
10Dark Eyes
alto saxophone:
Sonny Stitt (am 1956-10-16)
Bass:
Ray Brown (jazz bassist) (am 1956-10-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-10-16)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1956-10-16)
Schlagzeug:
Stan Levey (am 1956-10-16)
Tenorsaxophon:
Stan Getz (am 1956-10-16)
Trompete:
Dizzy Gillespie (am 1956-10-16)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-16)
recording of:
Dark Eyes (with English lyrics)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Florian Hermann (composer)
übersetzte Version von:
Очи чёрные (Schwarze Augen, original version by Y. Hrebinka)
12:08
11Wee (Allen's Alley)
alto saxophone:
Sonny Stitt (am 1956-10-16)
Bass:
Ray Brown (jazz bassist) (am 1956-10-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-10-16)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1956-10-16)
Schlagzeug:
Stan Levey (am 1956-10-16)
Tenorsaxophon:
Stan Getz (am 1956-10-16)
Trompete:
Dizzy Gillespie (am 1956-10-16)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-16)
recording of:
Wee (Allen's Alley)
Komponist(in):
Denzil Best
8:28
12Lover Come Back to Me
alto saxophone:
Sonny Stitt (am 1956-10-16)
Bass:
Ray Brown (jazz bassist) (am 1956-10-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-10-16)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1956-10-16)
Schlagzeug:
Stan Levey (am 1956-10-16)
Tenorsaxophon:
Stan Getz (am 1956-10-16)
Trompete:
Dizzy Gillespie (am 1956-10-16)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-16)
recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
9:30
3▼CD
Nr.TitelBewertungLänge
1I Want to Be Happy
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (am 1957-10-10)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
7:34
2Pennies From Heaven
5:13
3Ballad Medley
10:09
4I'm Glad There Is You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
medley including a instrumental recording of:
I’m Glad There Is You (am 1957-10-10)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
recording of:
I’m Glad There Is You
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
4:38
5Tour's End
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
recording of:
Tour's End (am 1957-10-10)
Komponist(in):
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
4:55
6I Was Doing All Right
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
instrumental recording of:
I Was Doing All Right (am 1957-10-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
recording of:
I Was Doing All Right
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
4:07
7Bronx Blues
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
recording of:
Bronx Blues (am 1957-10-10)
Komponist(in):
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
5:30
8Let's Fall in Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
Let’s Fall in Love (am 1957-10-12)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
6:27
9Anything Goes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
baritone saxophone und Tenorsaxophon:
Stan Getz und Gerry Mulligan
Klavier:
Lou Levy (am 1957-10-12)
Kontrabass:
Ray Brown (jazz bassist)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
Anything Goes (am 1957-10-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
3:35
10Too Close for Comfort
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
Too Close for Comfort (Mr. Wonderful) (am 1957-10-12)
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
publisher:
Carlin Music Corporation und Memory Lane Music Ltd.
6:55
11That Old Feeling
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
That Old Feeling (am 1957-10-12)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
5:56
12This Can't Be Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
instrumental recording of:
This Can’t Be Love (am 1957-10-12)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
8:45
13A Ballad
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
baritone saxophone:
Gerry Mulligan
Bass:
Ray Brown (jazz bassist) (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Saxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
Tenorsaxophon:
Stan Getz
recording of:
A Ballad
Komponist(in):
Gerry Mulligan
publisher:
Criterion Music Corp.
5:42
4▼CD
Nr.TitelBewertungLänge
1Ginza Samba
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scott LaFaro (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Tenorsaxophon:
Stan Getz (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!)
11:00
2I've Grown Accustomed to Her Face
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scotty LaFaro (am 1958-02-08)
Saxophon und Tenorsaxophon:
Stan Getz (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) und Fantasy, Inc. (not for release label use!)
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (am 1958-02-08)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
3:59
3For All We Know
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scotty LaFaro (am 1958-02-08)
Saxophon und Tenorsaxophon:
Stan Getz (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) und Fantasy, Inc. (not for release label use!)
instrumental recording of:
For All We Know (1934 song) (am 1958-02-08)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
5:44
4Crow's Nest
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scotty LaFaro (am 1958-02-08)
Saxophon und Tenorsaxophon:
Stan Getz (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) und Fantasy, Inc. (not for release label use!)
8:21
5Liz -Anne
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scotty LaFaro (am 1958-02-08)
Saxophon und Tenorsaxophon:
Stan Getz (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) und Fantasy, Inc. (not for release label use!)
3:48
6Big Bear
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (am 1958-02-08)
Gitarre:
Eddie Duran (am 1958-02-08)
Klavier:
Vince Guaraldi (pianist) (am 1958-02-08)
Kontrabass:
Scotty LaFaro (am 1958-02-08)
Saxophon und Tenorsaxophon:
Stan Getz (am 1958-02-08)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1958-02-08)
Vibraphon:
Cal Tjader (am 1958-02-08)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) und Fantasy, Inc. (not for release label use!)
4:35
7The Thrill Is Gone
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (in 1960-03)
Texter:
Lew Brown
Komponist(in):
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. und Redwood Music Ltd. (Carlin)
5:02
8It Never Entered My Mind
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
It Never Entered My Mind (in 1960-03)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:05
9Early Autumn
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Early Autumn (in 1960-03)
Texter:
Johnny Mercer (in 1949)
Komponist(in):
Ralph Burns (in 1949) und Woody Herman (in 1949)
4:44
10When I Go, I Go All the Way
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
When I Go I Go All the Way (in 1960-03)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Russell Garcia
3:59
11A New Town Is a Blue Town
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
recording of:
New Town is a Blue Town (in 1960-03)
Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
2:41
12'Round Midnight
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
’Round Midnight (in 1960-03)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:05
13Born to Be Blue
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Born to Be Blue (in 1960-03)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
3:53
14Whisper Not
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Whisper Not (original instrumental composition) (in 1960-03)
Komponist(in):
Benny Golson (American jazz saxophonist and composer) (in 1956)
5:03
15Good-Bye
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Goodbye (in 1960-03)
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
4:24
16Nature Boy
recorded in:
Baden-Baden, Baden-Württemberg, Deutschland (in 1960-03)
Bass:
Freddy Dutton (in 1960-03)
Harfe:
Blanchie Birdsong (in 1960-03)
Klavier:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
Schlagzeug:
Sperie Karas (drums) (in 1960-03)
Tenorsaxophon:
Stan Getz (in 1960-03)
Vibraphon:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Nature Boy (in 1960-03)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:58