Her Greatest Hits

~ Release by Evelyn Glennie (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Entrances
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Entrances
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie0:11
2Halasana
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
piano:
Philip Smith (pianist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Halasana (from 1994-12-11 until 1994-12-15)
composer:
Louis Cauberghs (Belgian 20th century composer & percussionist)
Louis Cauberghs6:50
3Sorbet no. 1
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 1: Latin American Interlude (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie0:54
4Rhythm Song
percussion:
Evelyn Glennie (percussionist)
recording of:
Rhythm Song
composer:
Paul Smadbeck
Paul Smadbeck8:58
5My Spine
recording engineer and mixer:
Greg Malcangi
producer:
Björk and Evelyn Glennie (percussionist)
percussion and percussion idiophone [exhaust pipes]:
Evelyn Glennie (percussionist)
remixer:
Evelyn Glennie (percussionist)
performer:
Björk
phonographic copyright (℗) by:
Björk Overseas Ltd. (in 1995, in 1996) and One Little Indian Records Ltd. (in 1995, in 1996)
recording of:
My Spine
writer and composer:
Björk and Evelyn Glennie (percussionist)
Björk & Evelyn Glennie32:38
6Slaughter on 10th Avenue
percussion:
Evelyn Glennie (percussionist) (from 1991-06-15 until 1991-06-24)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1991-06-15 until 1991-06-24)
conductor:
Barry Wordsworth (conductor) (from 1991-06-15 until 1991-06-24)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1991-06-15 until 1991-06-24)
recording of:
Slaughter on Tenth Avenue (from 1991-06-15 until 1991-06-24)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Sammy Nestico
part of:
On Your Toes
Richard Rogers5:52
7Sorbet no. 5
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 5: Wood and Metal Chimes (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie2:12
8A Little Prayer
percussion:
Evelyn Glennie (percussionist)
recording of:
A Little Prayer
composer:
Evelyn Glennie (percussionist)
part of:
Three Chorales for Marimba
Evelyn Glennie4:53
9Eldorado
percussion and vibraphone:
Evelyn Glennie (percussionist)
recording of:
Cenas Amerindias, op. 13: II. Eldorado
composer:
Ney Rosauro (brazilian composer and percussionist) (from 1986 until 1987)
part of:
Cenas Amerindias, op. 13
Ney Rosauro4:05
10Sorbet no. 7
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 7: Hi-Hat Playout (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie2:02
11Black Key Study
percussion:
Evelyn Glennie (percussionist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Barry Wordsworth (conductor)
recording of:
Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 18) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 57)
part of:
Études, op. 10
Frédéric Chopin1:42
12Divertimento
alto saxophone:
John Harle
marimba:
Evelyn Glennie (percussionist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Divertimento for Marimba and Alto Saxophone
composer:
湯山昭
Akira Yuyama12:30
13Taps in Tempo
xylophone:
Evelyn Glennie (percussionist) (from 1991-06-15 until 1991-06-24)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1991-06-15 until 1991-06-24)
conductor:
Barry Wordsworth (conductor) (from 1991-06-15 until 1991-06-24)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1991-06-15 until 1991-06-24)
recording of:
Taps in Tempo (from 1991-06-15 until 1991-06-24)
composer:
Jan Berenska
Jan Berenska2:10
14Born to Be Wild
percussion:
Evelyn Glennie (percussionist)
cover recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Mars Bonfire2:20
15Michi
marimba:
Evelyn Glennie (percussionist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Michi
composer:
安倍圭子 (Keiko Abe, Japanese percussionist and composer)
Keiko Abe15:03
2▼CD
#TitleArtistRatingLength
1Sorbet No. 4
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 4: Woodblocks and Falling Instruments (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie0:35
2Light in Darkness
percussion:
Evelyn Glennie (percussionist)
recording of:
Light in Darkness
composer:
Evelyn Glennie (percussionist)
part of:
Three Chorales for Marimba
Evelyn Glennie4:54
3The Anvil Chorus
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
The Anvil Chorus (from 1994-12-11 until 1994-12-15)
composer:
David Lang (American composer)
David Lang8:03
4Rhapsody
clarinet:
Roy Jowitt (clarinetist)
double bass:
Chris Laurence (double bassist)
flute:
Edward Beckett (Classical flautist)
marimba:
Evelyn Glennie (percussionist)
membranophone:
Ralph Salmins
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Rhapsody for Marimba, Flute, Clarinet, Contrabass and Drums
composer:
吉岡隆徳
Takayoshi Yoshioka9:45
5The Swan
percussion:
Evelyn Glennie (percussionist) (from 1991-06-15 until 1991-06-24)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1991-06-15 until 1991-06-24)
conductor:
Barry Wordsworth (conductor) (from 1991-06-15 until 1991-06-24)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1991-06-15 until 1991-06-24)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (from 1991-06-15 until 1991-06-24)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:59
6Sorbet no. 3
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 3: UDU Trail (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie1:59
7Concerto for Solo Percussion and Chamber Orchestra
recording engineer:
Mike Ross‐Trevor (engineer)
producer:
Ralph Mace (producer, conductor, keyboardist)
solo percussion:
Evelyn Glennie (percussionist) (from 1991-08-06 until 1991-08-08)
orchestra:
Scottish Chamber Orchestra (from 1991-08-06 until 1991-08-08)
conductor:
Paul Daniel (conductor) (from 1991-08-06 until 1991-08-08)
phonographic copyright (℗) by:
BMG Music (in 1992)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1991-08-06 until 1991-08-08)
recording of:
Concerto for Solo Percussion and Chamber Orchestra: I. Molto vivo (from 1991-08-06 until 1991-08-08)
composer:
Sir Richard Rodney Bennett (English composer) (from 1989-12 until 1990-06)
part of:
Concerto for Solo Percussion and Chamber Orchestra
Richard Rodney Bennett7:44
8The Flight of the Bumble Bee
vibraphone:
Evelyn Glennie (percussionist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Barry Wordsworth (conductor)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:22
9Sorbet no. 6
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Sorbet no. 6: Simtak Debut (from 1994-12-11 until 1994-12-15)
composer:
Evelyn Glennie (percussionist)
Evelyn Glennie2:13
10Marimba Spiritual
percussion:
Evelyn Glennie (percussionist), Gary Kettel (percussionist), Greg Knowles (percussionist) and Stephen Henderson (classical percussionist)
recording of:
Marimba Spiritual
composer:
三木稔 (Miki Minoru)
Minoru Miki9:01
11Hejre Kati
percussion:
Evelyn Glennie (percussionist) (from 1991-06-15 until 1991-06-24)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1991-06-15 until 1991-06-24)
conductor:
Barry Wordsworth (conductor) (from 1991-06-15 until 1991-06-24)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1991-06-15 until 1991-06-24)
recording of:
Scènes de la Csárda no. 4, op. 32 "Hejre Kati" (from 1991-06-15 until 1991-06-24)
composer:
Jenő Hubay (Hungarian violinist and composer)
part of:
Works of Jenő Hubay by opus number (number: op. 32)
Jenő Hubay6:11
12Maple Leaf Rag
percussion:
Evelyn Glennie (percussionist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Ray Russell (guitar, composer, producer)
recording of:
Maple Leaf Rag (piano rag)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Scott Joplin2:18
13Matre's Dance
percussion:
Evelyn Glennie (percussionist) (from 1994-12-11 until 1994-12-15)
piano:
Philip Smith (pianist) (from 1994-12-11 until 1994-12-15)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1994-12-11 until 1994-12-15)
recording of:
Matre's Dance (from 1994-12-11 until 1994-12-15)
composer:
John Psathas (New Zealand composer) (in 1991)
John Psathas9:26
14Czardas
percussion:
Evelyn Glennie (percussionist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Barry Wordsworth (conductor)
recording of:
Csárdás (catch-all for arrangements)
composer:
Vittorio Monti (Italian violinist and composer)
arrangement of:
Csárdás
Vittorio Monti5:16
15Oxygen
percussion:
Evelyn Glennie (percussionist)
performer:
Björk
Björk/Evelyn Glennie3:53

Credits

Release group

Wikidata:Q5894636 [info]