The Fall / Not Too Late

~ Release by Norah Jones (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: The Fall
#TitleRatingLength
1Chasing Pirates
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
programming:
Matt Stanfield
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
additional drums (drum set):
Robert DiPietro
bass:
Frank Swart
drums (drum set) and percussion:
Marco Giovino
electric guitar:
Sam Cohen and Smokey Hormel
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
Wurlitzer electric piano:
Norah Jones and James Poyser (soul, r&b, hip-hop producer and songwriter)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Chasing Pirates
lyricist and composer:
Norah Jones
3.852:40
2Even Though
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Dave Wilder
drums (drum set):
Pete McNeal (drummer)
electric guitar:
Peter Atanasoff
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
tambourine:
Will Sayles
Wurlitzer electric piano and piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Even Though
writer:
Jesse Harris and Norah Jones
3.83:52
3Light as a Feather
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer and additional producer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Sasha Dobson
acoustic guitar and electric guitar:
Norah Jones
bass:
Dave Wilder
drums (drum set):
Pete McNeal (drummer)
frame drum:
Will Sayles
synthesizer:
John Kirby (jazz bass/trombone/tuba player) and Zac Rae
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Light as a Feather
writer:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet) and Norah Jones
4.253:52
4Young Blood
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Lyle Workman
acoustic guitar and electric guitar:
Norah Jones
bass:
Gus Seyffert
drums (drum set):
Joey Waronker
Rhodes piano, marimba and vibraphone:
Zac Rae
shakers:
Will Sayles
background vocals:
Mike Martin (guitarist from All That Remains)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Young Blood
writer:
Norah Jones and Mike Martin (guitarist from All That Remains)
43:38
5I Wouldn’t Need You
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Gus Seyffert
drums (drum set):
Joey Waronker
electric guitar:
Sam Cohen and Norah Jones
organ:
Zac Rae
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
I Wouldn’t Need You
lyricist and composer:
Norah Jones
43:30
6Waiting
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer and additional producer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Catherine Popper
drums (drum set):
Robert DiPietro
electric guitar, glockenspiel and piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Waiting
lyricist and composer:
Norah Jones
43:31
7It’s Gonna Be
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Tony Scherr
drums (drum set):
Robert DiPietro
electric guitar:
Peter Atanasoff
percussion:
Will Sayles
Wurlitzer electric piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
It’s Gonna Be
lyricist and composer:
Norah Jones
4.253:11
8You've Ruined Me
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar, electric guitar and piano:
Norah Jones
bass:
Frank Swart
drums (drum set):
Marco Giovino
electric guitar:
Marc Ribot (US guitarist)
Marxophone:
Zac Rae
organ:
James Poyser (soul, r&b, hip-hop producer and songwriter)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
You’ve Ruined Me
lyricist and composer:
Norah Jones
3.752:45
9Back to Manhattan
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar and piano:
Norah Jones
bass:
Gus Seyffert
drums (drum set):
James Gadson (American drummer)
electric guitar:
Sam Cohen
organ:
Zac Rae
pedal steel guitar:
Jon Graboff
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Back to Manhattan
lyricist and composer:
Norah Jones
3.754:07
10Stuck
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
banjo and electric guitar:
Marc Ribot (US guitarist)
bass:
Dave Wilder
drums (drum set):
Pete McNeal (drummer)
electric guitar:
Peter Atanasoff and Norah Jones
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Stuck
writer:
Norah Jones and Will Sheff
4.255:15
11December
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
programming:
Matt Stanfield
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
piano:
Norah Jones
synthesizer:
Matt Stanfield
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
December
writer:
Norah Jones
43:05
12Tell Yer Mama
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Gus Seyffert
clavinet and organ:
Zac Rae
drums (drum set):
Joey Waronker
electric guitar:
Norah Jones and Lyle Workman
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Tell Yer Mama
writer:
Jesse Harris, Norah Jones and Richard Julian
43:25
13Man of the Hour
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Man of the Hour
lyricist and composer:
Norah Jones
4.252:57
2▼CD: Not Too Late
#TitleRatingLength
1Wish I Could
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
cello [bowed cello]:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
cello [pizzicato cello]:
Julia Kent (cellist)
lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wish I Could
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.654:18
2Sinkin’ Soon
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
banjitar [guitJo]:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set), friction drum [pots], slit drum and steelpan [pans]:
Andrew Borger
mandolin:
Kevin Breit
piano and lead vocals [vocals]:
Norah Jones
trombone:
J. Walter Hawkes
vocals:
Daru Oda and M. Ward (US singer‐songwriter and guitarist; member of She & Him)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Sinkin' Soon by Norah Jones
recording of:
Sinkin’ Soon
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
4.654:38
3The Sun Doesn’t Like You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
chamberlin [chamberlin keyboards]:
Paul Bryan (bass, engineer, Los Angeles-based musician)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
The Sun Doesn't Like You
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.152:59
4Until the End
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Until the End by Norah Jones
recording of:
Until the End
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.653:56
5Not My Friend
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
cymbal and marimba:
Andrew Borger
electric guitar [backwards electric guitar]:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not My Friend
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.52:54
6Thinking About You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Tony Mason (60s US soul vocalist)
Hammond organ [Hammond B-3 organ]:
Devin Greenwood
tenor saxophone:
Rob Sudduth
trumpet:
Chuck MacKinnon
Wurlitzer electric piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Thinking About You by Norah Jones
recording of:
Thinking About You
lyricist and composer:
İlhan Erşahin and Norah Jones
publisher:
EMI Blackwood Music Inc., Muthajones Music and Tatu Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
4.353:20
7Broken
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
cello [outro cellos]:
Julia Kent (cellist)
cello [pizzicato] and double bass [bowed basses]:
Lee Alexander (US bassist, songwriter & producer)
electric guitar and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Broken
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
43:21
8My Dear Country
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
tenor saxophone:
Bill McHenry
trombone [trombones]:
J. Walter Hawkes
tuba:
Jose Davila (tuba, trombone)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
My Dear Country
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
43:25
9Wake Me Up
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and reed organ [pump organ] and lead vocals [vocals]:
Norah Jones
bass and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wake Me Up
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
42:46
10Be My Somebody
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Tony Scherr
Hammond organ [Hammond B-3 organ]:
Larry Goldings
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Richard Julian
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Be My Somebody
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.53:36
11Little Room
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and lead vocals [vocals]:
Norah Jones
bass:
Lee Alexander (US bassist, songwriter & producer)
whistle:
Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Little Room
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
32:44
12Rosie’s Lullaby
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
solo electric guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Adam Levy (jazz guitarist) and Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Rosie's Lullaby
lyricist and composer:
Norah Jones and Daru Oda
publisher:
EMI Blackwood Music Inc., Honk Shoo Music and Muthajones Music
43:56
13Not Too Late
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
mellotron and piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not Too Late
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.53:31

Credits

Release group

includes:Not Too Late
The Fall
part of:2CD Originals (order: 3)